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Callie Mae McCauley knows a girl’s got to be leathery, or she’ll be tore to pieces by the weight of all her troubles and trials . . . The tragedy Callie endures will forever change her simple, yet full life in the heart of the Blue Ridge Mountains. Orphaned at age eight, she must move to her Granny Jane’s, where she soon realizes the shock of what she’s seen has stolen her voice. A new neighbor and Granny Jane’s swarm of honeybees help Callie find her tongue. She soon discovers that, although Chloe Combs may be peculiar, Miss Chloe may be her only friend when her uncles come to claim their share of Granny Jane’s land that straddles the New River. Her uncles have a plan, and they won’t let anything or anyone stand in their way, certainly not their niece Callie. When Callie ends up in an orphanage, she knows a mountain girl can’t be held inside walls of plaster and wood. A mountain girl’s got to feel the earth beneath her feet and listen as the river makes sweet music in her ears. But time is running out for Callie to save the New River—her river—from her greedy uncles’ plan.
Like so many others, Marla found herself struggling to keep her dreams alive while still providing what was necessary to raise a family. She dreamt of one day finding her destiny, raising her children, and owning a home. These things had never worked out before, how could it even be possible now? Was she simply not meant to take hold of her dreams? And then God spoke. When Marla began to see meaning and messages in mundane activities, she realized that God was trying to get her attention. He wanted to whisk her away on a wild adventure of promises fulfilled, faith sustained, and dreams realized. But first, he wanted her heart. In God, 217, and Me, follow Marla's incredible story of how God can take everyday occurrences and turn them into opportunities to reassure his people of his love and presence. In return for her faith, God graciously gave her the desires of her heart. She couldn't have imagined what God had waiting for her. Just as he had kept saying to her in the past, she was thinking too small!
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Born 130 years ago in the heart of Mississippi, Charlie Patton (c. 1891–1934) is considered by many to be a father of the Delta blues. With his bullish baritone voice and his fluid slide guitar touch, Patton established songs like “Pony Blues,” “A Spoonful Blues,” and “High Water Everywhere” in the blues lexicon and, through his imitators, in American music. But over the decades, his contributions to blues music have been overshadowed in popularity by those of Robert Johnson, Muddy Waters, and other mid-century bluesmen and women who’ve experienced a resurgence in their music. King of the Delta Blues Singers, originally published in 1988, began a small renaissance in Patton a...
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Americas first blind professional fisherman, Mike Lorance shares the intimate details of his amazing life, from the national acclaim he garnered for saving a family of four from drowning while he was a child to learning to cope with the personal and professional challenges of going blind. His successes and failures and eventual peace within his life are shared here in his own words.
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Facing the polar forces of an epidemic of Cesarean sections and epidurals and home-like labor rooms, American birth is in transition. Caught between the most extreme medicalization — best seen in a Cesarean section rate of nearly 30 percent — and a rhetoric of women’s "choices" and "the natural," women and their midwives, doulas, obstetricians, and nurses labor on. Laboring On offers the voices of all of these practitioners, all women trying to help women, as they struggle with this increasingly split vision of birth. Updating Barbara Katz Rothman's now-classic In Labor, the first feminist sociological analysis of birth in the United States, Laboring On gives a comprehensive picture of the ever-changing American birth practices and often conflicting visions of birth practitioners. The authors deftly weave compelling accounts of birth work, by midwives, doulas, obstetricians, and nurses, into the larger sociohistorical context of health care practices and activism and offer provocative arguments about the current state of affairs and the future of birth in America.