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The Lee Strasberg Notes
Never before published transcripts from Lee Strasberg's teachings at his school in New York City in the last ten years of his life.
A Dream of Passion
“The definitive source book on acting.”—Los Angeles Times Marlon Brando, Al Pacino, Paul Newman, Dustin Hoffman, Dennis Hopper, Robert DeNiro, Marilyn Monroe, and Joanne Woodward—these are only a few of the many actors training in “Method” acting by the great and legendary Lee Strasberg. This revolutionary theory of acting—developed by Stanislavski and continued by Strasberg—has been a major influence on the art of acting in our time. During his last decade, Strasberg devoted himself to a work that would explain once and for all what The Method was and how it worked, as well as telling the story of its development and of the people involved with it. The result is a masterpiece of wisdom and guidance for anyone involved with the theater in any way. “A must for young actors—for old ones, too, for that matter.”—Paul Newman “An exploration of the creative process that will reward all who are interested in the nature of inspiration.”—Library Journal “An important cultural document.”—Booklist
The Lee Strasberg Notes
Never before published transcripts from Lee Strasberg's teachings at his school in New York City in the last ten years of his life.
Acting
2014 Reprint of 1947 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. "A wealth of material on the theory and practice of acting ... a book which may be read, re-read and absorbed by everyone who assumes the directing of actors or that most difficult task, the teaching of acting." --Quarterly Journal of Speech. Contains early contributions on the craft by Stanislavski, I. Rapoport, M.A. Chekhov, Vakhtangov, Giatsintova, Pudovkin, Zakhava and others. Also includes 25 illustrations related to the stage and the art of acting. Contents include: Introduction / Lee Strasberg -- The actor's responsibility / Constantin Stanislavski -- Direction and ...
The Method Acting Exercises Handbook
The Method Acting Exercises Handbook is a concise and practical guide to the acting exercises originally devised by Lee Strasberg, one of the Method's foremost practitioners. The Method trains the imagination, concentration, senses and emotions to ‘re-create’ – not ‘imitate’ – logical, believable and truthful behavior on stage and in film. Building on nearly 30 years of teaching internationally and at the Lee Strasberg Theatre and Film Institute in New York and Los Angeles, Lola Cohen details a series of specific exercises in order to provide clear instruction and guidance to this preeminent form of actor training. By integrating Strasberg's voice with her own tried and tested style of teaching, Cohen demonstrates what can be gained from the exercises, how they can inform and inspire your learning, and how they might be applied to your acting and directing practice. As a companion to The Lee Strasberg Notes (Routledge 2010), a transcription of Strasberg's own teaching, The Method Acting Exercises Handbook offers an unparalleled and updated guide to this world renowned technique.
Just Being at the Piano
There are many approaches to piano theory. They range from the simple technique of reading music and touching the keys, to playing-by-ear, but few have taken the inner path that begins in the soul. Mildred Portney Chase merged her piano lessons with the discipline of mindful Buddhist practice and created an experience that evokes not just music for the pleasure of the listener, but a journey that leads the student to a world of calm and peacefulness flowing from the soul out into the universe . . . ever-evolving day-by-day within the heart of the student. She writes: Just being at the piano egoless is to each time seek to reach that place where the only thing that exists is the sound and moving toward the sound. The music on the page that was outside of you is now within you, and moves through you; you are a channel for the music, and play from the center of your being . . . You are at one with yourself and the act, and feel as if the playing has already happened and you are effortlessly releasing it. The music is in your hands, in the air, in the room, the music is everywhere, and the whole universe is contained in the experience of playing..
The Method. An Overview of Acting Theory According to Konstantin S. Stanislawski and Lee Strasberg
Seminar paper from the year 2006 in the subject Theater Studies, Dance, grade: 1-2, University of Vienna, language: English, abstract: In the paper at hand the development of the “method” is presented in overview from its beginnings until today. The first chapter, 1. General Definition, is, as the title indicates, meant to define the title of the paper and provide insight into what lexica understand as the “method”. In the second chapter Stanislawski’s system is explained with particular consideration for his psycho-technique. The third chapter provides information on the further development of the system by Lee Strasberg. The fourth chapter summarizes the entire paper and also provides a brief outlook into the future.
Follies of God
An extraordinary book; one that almost magically makes clear how Tennessee Williams wrote; how he came to his visions of Amanda Wingfield, his Blanche DuBois, Stella Kowalski, Alma Winemiller, Lady Torrance, and the other characters of his plays that transformed the American theater of the mid-twentieth century; a book that does, from the inside, the almost impossible—revealing the heart and soul of artistic inspiration and the unwitting collaboration between playwright and actress, playwright and director. At a moment in the life of Tennessee Williams when he felt he had been relegated to a “lower artery of the theatrical heart,” when critics were proclaiming that his work had been ov...
Marilyn and Me
The daughter of acting teachers Lee and Paula Strasberg discusses her relationship with Marilyn Monroe when the screen idol came to New York to study with her parents
