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Left Bank of the Hudson
"For nearly twenty years, a small, dedicated band of artists rented studio space at 111 1st Street, a former tobacco warehouse near the Hudson River waterfront in Jersey City, New Jersey. These artists eventually became engaged in a fight for their survival within the building and a city undergoing gentrification"--
The Left Bank
This story begins in the Paris of the 1930s, when artists and writers stood at the center of the world stage. In the decade that saw the rise of the Nazis, much of the thinking world sought guidance from this extraordinary group of intellectuals. Herbert Lottman's chronicle follows the influential players—Gide, Malraux, Sartre, de Beauvoir, Koestler, Camus, and their pro-Fascist counterparts—through the German occupation, Liberation, and into the Cold War, when the struggle between superpowers all but drowned out their voices. "Surprisingly fresh and intense. . . . A retrospective travelogue of the Left Bank in the days when it was the setting for almost all French intellectual activity. . . . Absorbing."—Naomi Bliven, New Yorker "As an introduction to a period in French history already legendary, The Left Bank is superb."—Michael Dirda, Washington Post Book World "An intellectual history. A history of the interaction between politics and letters. And a rumination on the limitless credulity of intellectuals."—Christopher Hitchens, New Statesman
From the Left Bank to the Mainstream
Chapter 1 Introduction: U.S. Sociology, the American Dream, and the Specter of Karl Marx Part 2 Part I: Social Structure and Processes Chapter 3 Class Structure: Class, Not Strata: It's Not Just Where You Stand, But What You Stand For Chapter 4 Social Movements: An Argument for Understanding Social Movements as Class Movements Chapter 5 Gender: Marxist Theory and the Oppression of Women Chapter 6 Race: Classical and Recent Theoretical Developments in the Marxist Analysis of Race and Ethnicity Chapter 7 Social Change and Development: "A World After Its Own Image" The Marxist Paradigm and Theories of Capitalist Development on a World Scale Chapter 8 Labor: Labor's Crisis and the Crisis of Labo...
Love on the Left Bank
Photographs by Ed Van der Elsken A new edition of one of the classics of photography by one of the greatest photographers of the twentieth century. Originally published in 1954, and long out of print, this is a facsimile edition of the original and has been printed from the negatives held by the Netherlands Photo Archive. The work focuses on the Left Bank of Paris at the time when the area was recognised as a centre of creative ferment which would determine the cultural agenda of a generation. 200 plates.
People I've Met from the Internet
Literary Nonfiction. LGBTQIA Studies. Art. Performance Art. Hybrid Genre. Memoir. California Interest. Stephen van Dyck's PEOPLE I'VE MET FROM THE INTERNET is a queer reimagining of the coming-of-age narrative set at the dawn of the internet era. In 1997, AOL is first entering suburban homes just as thirteen-year-old Stephen is coming into his sexuality, constructing selves and cruising in the fantasyscape of the internet. Through strange, intimate, and sometimes perilous physical encounters with the hundreds of men he finds there, Stephen explores the pleasures and pains of growing up, contends with his mother's homophobia and early death, and ultimately searches for a way of being in the world. Spanning twelve years, the book takes the form of a very long annotated list, tracking Stephen's journey and the men he meets from adolescence in New Mexico to post-recession adulthood in Los Angeles, creating a multi-dimensional panorama of gay men's lives as he searches for glimpses of utopia in the available world.
Women of the Left Bank
A “valuable and intriguing” study of the lives and works of literary women who shaped expatriate Paris (NPR). Focusing on some two dozen American, English, and French women whose talent shaped the Paris expatriate experience in the early twentieth century, from Anais Nin to Alice B. Toklas and beyond, this book shines new light on how gender was experienced and expressed during an important moment in modern literary history. "Shari Benstock . . . weaves together, with great skill, the histories of an extraordinary group of talented women—publishers like Sylvia Beach, Caresse Crosby, Margaret Anderson, and Jane Heap, novelists Jean Rhys, Gertrude Stein, and Edith Wharton. She examines i...
Pass with Care
A funny, lyrical, and piercingly insightful essay collection about gender and sexuality, by trans writer and artist Cooper Lee Bombardier.
Left Bank
'Rich and funny' Julian Barnes, Guardian 'Poirier's hugely enjoyable, quick-witted and richly anecdotal book is magnifique' The Times A captivating portrait of those who lived, loved, fought, played and flourished in Paris between 1940 and 1950 and whose intellectual and artistic output still influences us today. After the horrors of the Second World War, Paris was the place where the world's most original voices of the time came - among them Norman Mailer, Miles Davis, Simone de Beauvoir, James Baldwin, Juliette Greco, Alberto Giacometti, Saul Bellow and Arthur Koestler. Fuelled by the elation of the Liberation, these pioneers hoped to find an alternative to the Capitalist and Communist models for life, art and politics - a Third Way. Agnès Poirier transports us to a time when Paris was at the heart of all that was new and brave and controversial, skilfully weaving together a collage of images and destinies.
Left Bank of the Hudson
In the late 1980s, a handful of artists priced out of Manhattan and desperately needing affordable studio space discovered 111 1st Street, a former P. Lorillard Tobacco Company warehouse. Over the next two decades, an eclectic collection of painters, sculptors, musicians, photographers, filmmakers, and writers dreamt and toiled within the building’s labyrinthine halls. The local arts scene flourished, igniting hope that Jersey City would emerge as the next grassroots center of the art world. However, a rising real estate market coupled with a provincial political establishment threatened the community at 111 1st Street. The artists found themselves entangled in a long, complicated, and vic...
Jewish Antifascism and the False Promise of Settler Colonialism
This book takes a timely look at histories of radical Jewish movements, their modes of Holocaust memorialisation, and their relationships with broader anti-colonial and anti-racist struggles. Its primary focus is Australia, where Jewish antifascism was a major political and cultural force in Jewish communities in the 1940s and early 1950s. This cultural and intellectual history of Jewish antifascism utilises a transnational lens to provide an exploration of a Jewish antifascist ideology that took hold in the middle of the twentieth century across Jewish communities worldwide. It argues that Jewish antifascism offered an alternate path for Jewish politics that was foreclosed by mutually reinforcing ideologies of settler colonialism, both in Palestine and Australia.
