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A confession fifty years in the making puts everyone’s favorite Paris détéctive très chic, Aimée Leduc, on a collision course with the “Hand,” a cabal of corrupt Parisian cops among who masterminded her father's murder—and among whose ranks he might have once found membership. When a friend’s child is kidnapped while wearing her daughter’s hoodie, Aimée realizes that the case has crossed into the realm of the personal in more ways than one. A dying man drags his oxygen machine into the office of Éric Besson, a lawyer in Paris’s 13th arrondissement. The old man, an accountant, is carrying a dilapidated notebook full of meticulous investment records. For decades, he has bee...
This story begins in the Paris of the 1930s, when artists and writers stood at the center of the world stage. In the decade that saw the rise of the Nazis, much of the thinking world sought guidance from this extraordinary group of intellectuals. Herbert Lottman's chronicle follows the influential players—Gide, Malraux, Sartre, de Beauvoir, Koestler, Camus, and their pro-Fascist counterparts—through the German occupation, Liberation, and into the Cold War, when the struggle between superpowers all but drowned out their voices. "Surprisingly fresh and intense. . . . A retrospective travelogue of the Left Bank in the days when it was the setting for almost all French intellectual activity. . . . Absorbing."—Naomi Bliven, New Yorker "As an introduction to a period in French history already legendary, The Left Bank is superb."—Michael Dirda, Washington Post Book World "An intellectual history. A history of the interaction between politics and letters. And a rumination on the limitless credulity of intellectuals."—Christopher Hitchens, New Statesman
Chapter 1 Introduction: U.S. Sociology, the American Dream, and the Specter of Karl Marx Part 2 Part I: Social Structure and Processes Chapter 3 Class Structure: Class, Not Strata: It's Not Just Where You Stand, But What You Stand For Chapter 4 Social Movements: An Argument for Understanding Social Movements as Class Movements Chapter 5 Gender: Marxist Theory and the Oppression of Women Chapter 6 Race: Classical and Recent Theoretical Developments in the Marxist Analysis of Race and Ethnicity Chapter 7 Social Change and Development: "A World After Its Own Image" The Marxist Paradigm and Theories of Capitalist Development on a World Scale Chapter 8 Labor: Labor's Crisis and the Crisis of Labo...
"For nearly twenty years, a small, dedicated band of artists rented studio space at 111 1st Street, a former tobacco warehouse near the Hudson River waterfront in Jersey City, New Jersey. These artists eventually became engaged in a fight for their survival within the building and a city undergoing gentrification"--
A “valuable and intriguing” study of the lives and works of literary women who shaped expatriate Paris (NPR). Focusing on some two dozen American, English, and French women whose talent shaped the Paris expatriate experience in the early twentieth century, from Anais Nin to Alice B. Toklas and beyond, this book shines new light on how gender was experienced and expressed during an important moment in modern literary history. "Shari Benstock . . . weaves together, with great skill, the histories of an extraordinary group of talented women—publishers like Sylvia Beach, Caresse Crosby, Margaret Anderson, and Jane Heap, novelists Jean Rhys, Gertrude Stein, and Edith Wharton. She examines i...
Literary Nonfiction. LGBTQIA Studies. Art. Performance Art. Hybrid Genre. Memoir. California Interest. Stephen van Dyck's PEOPLE I'VE MET FROM THE INTERNET is a queer reimagining of the coming-of-age narrative set at the dawn of the internet era. In 1997, AOL is first entering suburban homes just as thirteen-year-old Stephen is coming into his sexuality, constructing selves and cruising in the fantasyscape of the internet. Through strange, intimate, and sometimes perilous physical encounters with the hundreds of men he finds there, Stephen explores the pleasures and pains of growing up, contends with his mother's homophobia and early death, and ultimately searches for a way of being in the world. Spanning twelve years, the book takes the form of a very long annotated list, tracking Stephen's journey and the men he meets from adolescence in New Mexico to post-recession adulthood in Los Angeles, creating a multi-dimensional panorama of gay men's lives as he searches for glimpses of utopia in the available world.
A funny, lyrical, and piercingly insightful essay collection about gender and sexuality, by trans writer and artist Cooper Lee Bombardier.
Thad Carhart never realized there was a gap in his life until he happened upon Desforges Pianos, a demure little shopfront in his Pairs neighborhood that seemed to want to hide rather than advertise its wares. Like Alice in Wonderland, he found his attempts to gain entry rebuffed at every turn. An accidental introduction finally opened the door to the quartier's oddest hangout, where locals ' from university professors to pipefitters ' gather on Friday evenings to discuss music, love, and life over a glass of wine. Luc, the atelier's master, proves an excellent guide to the history of this most gloriously impractical of instruments. A bewildering variety passes through his restorer's hands: delicate ancient pianofortes, one perhaps the onetime possession of Beethoven. Great hulking beasts of thunderous voice. And the modest piano "with the heart of a lion" that was to become Thad's own. What emerges is a warm and intuitive portrait of the secret Paris ' one closed to all but a knowing few. The Piano Shop on the Left Bank is the perfect audiobook for music lovers, or for anyone who longs to recapture a lost passion.
A captivating portrait of those who lived, loved, fought, played and flourished in Paris between 1940 and 1950 and whose intellectual and artistic output still influences us todayAfter the horrors of the Second World War, Paris was the place where the world's most original voices of the time came - among them Norman Mailer, Miles Davis, Simone de Beauvoir, James Baldwin, Juliette Greco, Alberto Giacometti, Saul Bellow and Arthur Koestler. Fuelled by the elation of the Liberation, they hoped to find an independent and original alternative to the Capitalist and Communist models for life, art and politics - a Third Way. These pioneers also reinvented their relationships with others, questioning...
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