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This book provides an up-to-date account of how reality TV has developed, why it has become the most popular genre on television today, and how the explosion in reality TV signals new developments in American media culture. The reasons behind reality TV's continued popularity go beyond the sensationalism and low production cost of these programs: there is much more to the genre's continued success than just escapism or "guilty pleasure" TV. The Triumph of Reality TV: The Revolution in American Television identifies and explores five key media trends reality TV has used to continually draw in viewers and ensure success. These media trends include innovations in storytelling, making emotional ...
This book features 27 integrated essays that offer access to the art, life, and legacy of one of the world's most influential artists.
Through most of the 20th century, the distinction between the fictional narrative film and the documentary was vigorously maintained. The documentary tradition developed side by side with, but in the shadow of, the more commercially successful feature film. In the latter part of the century, however, the two forms merged on occasion, and mockumentaries (fictional works in a documentary format) and docudramas (reality-based works in a fictional format) became part of the film and television landscape. The 18 essays here examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in such diverse fil...
Using popular culture as a fertile environment for challenging the stereotype that the most brilliant geeks or nerds must be men, the essays in this book demonstrate how the popular media repeatedly affirms stereotypes of femininity while paradoxically challenging the stigmatization of smart women. Contributors salute a wide range of popular characters and real female role models, from Daria to Hillary Rodham Clinton, weaving in references to television shows like Gilmore Girls and analyses of classic icons like Sabrina.
2023 Peggy O'Brien Book Prize, winner Across all imaginable borders, Johnny Cash fans show the appeal of a thoroughly American performer who simultaneously inspires people worldwide. A young Norwegian shows off his Johnny Cash tattoo. A Canadian vlogger sings “I Walk the Line” to camel herders in Egypt’s White Desert. A shopkeeper in Northern Ireland plays Cash as his constant soundtrack. A Dutchwoman coordinates the activities of Cash fans worldwide and is subsequently offered the privilege of sleeping in Johnny’s bedroom. And on a more global scale, millions of people watch Cash’s videos online, then express themselves through commentary and debate. In Johnny Cash International, Hinds and Silverman examine digital and real-world fan communities and the individuals who comprise them, profiling their relationships to Cash and each other. Studying Johnny Cash’s international fans and their love for the man reveals new insights about music, fandom, and the United States.
The movement for civil rights in America peaked in the 1950s and1960s; however, a closely related struggle, this time over themovement's legacy, has been heatedly engaged over the past twodecades. How the civil rights movement is currently being rememberedin American politics and culture - and why it matters - is the commontheme of the thirteen essays in this unprecedented collection.Memories of the movement are being created and maintained - in waysand for purposes we sometimes only vaguely perceive - throughmemorials, art exhibits, community celebrations, and even streetnames.
Massively popular for the past century, country music has often been associated with political and social conservatism. While such figures as George Wallace, Richard Nixon, and Ted Cruz have embraced and even laid claim to this musical genre over the years, country performers have long expressed bold and progressive positions on a variety of public issues, whether through song lyrics, activism, or performance style. Bringing together a wide spectrum of cultural critics, The Honky Tonk on the Left takes on this conservative stereotype and reveals how progressive thought has permeated country music from its beginnings to the present day. The original essays in this collection analyze how diver...
Country music boasts a long tradition of rich, contradictory gender dynamics, creating a world where Kitty Wells could play the demure housewife and the honky-tonk angel simultaneously, Dolly Parton could move from traditionalist "girl singer" to outspoken trans rights advocate, and current radio playlists can alternate between the reckless masculinity of bro-country and the adolescent girlishness of Taylor Swift. In this follow-up volume to A Boy Named Sue, some of the leading authors in the field of country music studies reexamine the place of gender in country music, considering the ways country artists and listeners have negotiated gender and sexuality through their music and how gender ...
She believes their fates are inexplicably connected… To escape the Red Death and search for her sister, radiantly beautiful and ever-gentle, Brenna the Healer, of the line of the Norse goddess Solveig, is sent to the human world from the realm of Highgard. Brenna finds it difficult to adjust to this peculiar land and its ruthless people. She longs to return home, but because of a mysterious seer’s vision, she knows it’s her destiny to find love in the arms of a Viking warrior. Notorious steersman, Mikkel the Black, is not Brenna’s dream hero by any measure for she is aware of his past and his reputation, but Brenna must board his Viking long ship to rescue a friend kidnapped by unscrupulous sailors. Brenna is drawn to the dangerous captain with his strikingly handsome face, his nearly irresistible captivating blue eyes and sensual presence. But when she discovers he possesses uncommon powers, she is undeniably wary. Still Brenna feels compelled to follow where Mikkel leads. Is this love or a tryst… or is Brenna simply meant to uncover the dark secrets of the alluring man?
From The Real Housewives of Atlanta to Flavor of Love, reality shows with predominantly black casts have often been criticized for their negative representation of African American women as loud, angry, and violent. Yet even as these programs appear to be rehashing old stereotypes of black women, the critiques of them are arguably problematic in their own way, as the notion of “respectability” has historically been used to police black women’s behaviors. The first book of scholarship devoted to the issue of how black women are depicted on reality television, Real Sister offers an even-handed consideration of the genre. The book’s ten contributors—black female scholars from a variet...