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Aesthetic Apprehensions
Aesthetic Apprehensions: Silences and Absences in False Familiarities is a scholarly conversation about encounters between habitual customs of reading and seeing and their ruptures and ossifications. In closely connected discourses, the thirteen essays collected here set out to carefully probe the ways our aesthetic immersions are obfuscated by deep-seated epistemological and ideological apprehensions by focusing on how the tropology carried by silence, absence, and false familarity crystallize to define the gaps that open up. As they figure in the subtitle of this volume, the tropes may seem straightforward enough, but a closer examination of their function in relation to social, cultural, ...
Re-framing the Transnational Turn in American Studies
What is the state of American studies in the twenty-first century?
Literature's Critique, Subversion, and Transformation of Justice
Literature is an institution per se, as is justice, and these two institutions enact each other in complex ways. Justice appears in many forms from divine right and religious ordainment to metaphysical imperative and natural law, to national jurisdiction, social order, human rights, and civil disobedience. What is just and right has varied in time and place, in war and peace. A sense of justice appears inextricable from human concerns of ethics and morals. Literature includes a vast range of writing from holy texts to banned books. Parts of literature, particularly in the past, have laid down the law. In more recent history, literature has gradually assumed radical roles of critique, subversion, and transformation of the existing law and order, in contents, themes, language, and form. Literature’s Critique, Subversion, and Transformation of Justice offers a selection of research that examines how various types of literature and arts give shape and significance to ideas of justice in various fields.
Site-Seeing Aesthetics
Site-Seeing Aesthetics: California Sojourns in Five Installations draws on multiple disciplines for a regional deep mapping and aesthetic analyses that in a kind of “literary chorography” read and write sites as multilayered scripts and performances.
Microdystopias
This edited collection examines the effects that macrosystems have on the figuration of our everyday—of microdystopias—and argues that microdystopic narratives are part of a genre that has emerged in contrast to classic dystopic manifestations of world-shattering events. From different methodological and theoretical positions in fieldworks ranging from literary works and young adult series to concrete places and games, the contributors in Microdystopias: Aesthetics and Ideologies in a Broken Moment sound the depths of an existential sense of shrinking horizons – spatially, temporally, emotionally, and politically. The everyday encroachment on our sense of spatial orientation that gradu...
Threshold Time
Threshold Time provides an introductory survey of the cultural, social and political history of Mexican American and Chicano literature, as well as new in-depth analyses of a selection of works that between them span a hundred years of this particular branch of American literature. The book begins its explorations of the “passage of crisis” with Maria Amparo Ruiz de Burton’s The Squatter and the Don, continues with Americo Paredes’ George Washington Gómez, Tomás Rivera’s ...And the Earth Did Not Devour Him, Richard Rodriguez’s Hunger of Memory, and ends with Helena María Viramontes’ Under the Feet of Jesus and Benjamin Alire Sáenz’ Carry Me Like Water. In order to do justice to the idiosyncrasies of the individual texts and the complexities they embrace, the analyses refer to a number of other texts belonging to the tradition, and draw on a wide range of theoretical approaches. The final chapter of Threshold Time brings the various readings together in a discussion circumscribed by the negotiations of a temporality that is strongly aligned with a sense of memory peculiar to the history of the Chicano presence in the United States of America.
Shock and Awe
Inspired by the foreign policy entanglements of recent years, William V. Spanos offers a dramatic interpretation of TwainÕs classic A Connecticut Yankee in King ArthurÕs Court, providing a fresh assessment of the place of a global America in the American imaginary. Spanos insists that Twain identifies with his protagonist, particularly in his defining use of the spectacle, and thus with an American exceptionalism that uncannily anticipates the George W. Bush administrationÕs normalization of the state of exception and the imperial policy of Òpreemptive war,Ó unilateral Òregime change,Ó and Òshock and aweÓ tactics. Equally stimulating is SpanosÕs thoroughly original ontology of American exceptionalism and imperialism and his tracing of these forces in Twain studies and criticism over the past century.
A More Conservative Place
An intervention toward understanding the recent dark political and intellectual days
Palimpsests in Ethnic and Postcolonial Literature and Culture
This volume explores ways in which the literary trope of the palimpsest can be applied to ethnic and postcolonial literary and cultural studies. Based on contemporary theories of the palimpsest, the innovative chapters reveal hidden histories and uncover relationships across disciplines and seemingly unconnected texts. The contributors focus on diverse forms of the palimpsest: the incarceration of Native Americans in military forts and their response to the elimination of their cultures; mnemonic novels that rework the politics and poetics of the Black Atlantic; the urban palimpsests of Rio de Janeiro, Marseille, Johannesburg, and Los Angeles that reveal layers of humanity with disparities in origin, class, religion, and chronology; and the palimpsestic configurations of mythologies and religions that resist strict cultural distinctions and argue against cultural relativism.
The Imaginary and Its Worlds
Based on papers originally presented at a 2009 conference hosted at the John-F.-Kennedy-Institut of the Freie Univet'at Berlin.
