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Jack Kerouac immortalized her in his novel Big Sur. A student of Zen, she hung out with Gary Snyder and Allen Ginsberg and was a speaker at San Francisco’s Human Be-In. But Lenore Kandel was no muse or hanger-on; she was a brilliant lyric poet, often unabashedly erotic, and that’s where her legacy lies. Collected Poems of Lenore Kandel contains 80 examples of her art, from the “holy erotica” of her early years to later, more contemplative works. Many of the poems have never been published, others only in rare ephemeral publications. Some are explicit, celebrating carnal love as part of the divine. Others are humorous and cover more quotidian subjects. A recurring theme is the “divi...
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This is a revealing look at the events and personalities that defined the Beat Generation, drawing on over three decades of research. Beatniks: A Guide to an American Subculture gets readers past the caricature of the "beatnik" as a goateed, beret-wearing, bongo-playing poseur, drawing on extensive research to show just how profound an impact the beats had on American culture, politics, and literature. Beatniks conveys the complexity, influences, events, and places that shaped the Beat Generation from the late 1940s to the cusp of the 1960s. The book also features a series of essays on specific aspects of the subculture, as well as interviews with Beat Generation luminaries like Allen Ginsberg, Ann Charters, Roy Harper and Michael McClure. Throughout, readers will meet an extraordinary gallery of people both famous—Jack Kerouac, William Burroughs, Neal Cassady—and lesser known but no less fascinating, including Kenneth Patchen, Lord Buckley, Mort Sahl, Jack Micheline, Lew Welch, Joan Vollmer Adams, and Lenore Kandel. Also included is a detailed glossary with the origins and meanings of the beat lingo.
'Big Sur' is a moving account of a man coming to terms with his own myth, his own talent and his uncontrollable, unrelenting, self-destructive life. Now approaching middle-age, Jack Duluoz retreats to California to escape the pressures of his fame."
In the 1950s, the authors of the Beat Generation helped introduce American readers to Eastern philosophies and, in particular, to Buddhism. Poets like Allen Ginsberg, Gary Snyder, and Jack Kerouac are often credited with this phenomenon, while, as is so often the case, the women are sidelined. In this illuminating new study, Max Orsini examines the impact of two female poets, Diane di Prima and Lenore Kandel, in shaping American Buddhist poetics. Orsini charts the evolution of their poetry against a backdrop of cultural conservatism, and explores the journeys they set out on that were very different from those trodden by their male counterparts.
An anthology of works by 27 women writers of the beat generation.
CHOICE Outstanding Academic Title Examining “the moment” as one of the primary motifs of Beat writing, Erik Mortenson offers the first book to investigate immediacy and its presence and importance in Beat writing. Capturing the Beat Moment: Cultural Politics and the Poetics of Presence places an expanded canon of Beat writers in an early postmodern context that highlights their importance in American poetics and provides an account of Beat practices that reveal how gender and race affect Beat politics of the moment. Mortenson argues that Beat writers focused on action, desire, and spontaneity to establish an authentic connection to the world around them and believed that “living in the...
"If I were to make a diorama of 'I Will Always Be Your Whore, ' I would construct three slightly run-down Victorians: one for past, one for present, one for dream. I would make a spooky ghost figure representing Billy Corgan and suspend that over everything. And then I would have the people inside the dioramas yearn and fuck and spill their tea and fidget with their hair ties. Alexandra Naughton writes about love and desire with a pleasing specificity and the cadence of a rapper, and her great achievement with this book is her invention of Corgan as a mutable muse. As ghost, lover, crush, and memory, Corgan haunts the fuck out of this text, making the poems below quake and join together." -Amy Berkowitz, poet & author of 'Listen to Her Heart', Spooky Girlfriend Press
Edited by Anne Waldman, Lewis Warsh, Contributors include Bill Berkson, Joe Brainard, Tom Clark, Clark Coolidge, Robert Creeley, Kenward Elmslie, Tom Greenwald, Joanne Kyger, Bernadette Mayer, Alice Notley, Ron Padgett, Amber Phillips, Lorenzo Thomas, Ann
In this companion anthology to "The Portable Beat Reader", Charters brings together more than 75 essays, reviews, poems, and sketches that evoke the credos and controversies of the Beat generation writers of the 1950s.