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Stupid Children
Jane lived happily in Miami Beach with her father until his failed suicide attempt and relocation to a mental hospital forced her into the foster care system. By chance, Jane is assigned to foster parents in central Florida who are deeply involved in the Second Day Believers & mdasha cult focused on the?cleansing" of mental impurities in their children, and the sanctity of the internal organs of farm animals. Jane is quickly initiated into the Second Day Believers, but her father's lingering voice prevents her from becoming entirely indoctrinated. Despite Jane's resistance, she is revere.
My Dead Pets Are Interesting
"Lenore Zion takes readers on a journey down the rabbit hole of the human condition. It is beautiful. It is ugly. And it is brilliant." Tom Hansen, author of "American Junkie" "Zanily macabre, refreshingly irreverent, unimpeachably funny, Lenore Zion is living proof of Oscar Wilde's assertion that there are no dull subjects, only dull writers, because damn it, "her" dead pets "are" interesting." Greg Olear, author of "Fathermucker" and "Totally Killer" "Zion's fearless writing mirrors what's disgusting and great about the human condition." Tony DuShane, author of "Confessions of a Teenage Jesus Jerk" "Reminiscent of David Sedaris' work in its wit, compassion, and honesty, but Zion's breathy,...
This Is What We Do
“[This Is What We Do] is...Atlas Shrugged jammed in reverse and with the tires smoked. It's Ayn Rand for people with a brain. And a gun. It's a kick. Read it.” —Sean Beaudoin, author of You Killed Wesley Payne and The Infects James Nethery is at the end of his rope. Unable to find meaning in his comfortable life, he has cut himself off from everyone and fled to Paris. His mission; to rid himself of a lifetime of baggage, erase the past, and start over. He wanders Paris aimlessly until he meets Lily, a Ukrainian model and hooker. They form a unique bond, and together take the first steps toward writing new stories of their lives. Soon, Lily’s past catches up with her and they are forced to go on the lam in a strange country. Together they must decide between justice and vengeance, and, when forced to take action, between what is too much—and not enough. This Is What We Do is part neo–noir thriller, part love story, and part cautionary tale of the perils of trying to write a new life from nothing—and the stories that will be written for you by others if you find yourself in the public eye.
Because I Was a Girl
Because I Was a Girl is an inspiring collection of true stories by women and girls about the obstacles, challenges, and opportunities they've faced...because of their gender. Edited by #1 New York Times-bestselling author Melissa de la Cruz, the book is the perfect gift for girls of all ages to celebrate the accomplishments of these women and girls who overcame adversity with their limitless potential. The collection includes writings from an impressive array of girls and women who are trailblazers in their fields, including bestselling authors Victoria Aveyard, Libba Bray, and Margaret Stohl; industry pioneers like Dolores Huerta, Trish McEvoy, and Holly Knight; renowned chef Katie Button; ...
All Kinds of Scary
Horror fiction--in literature, film and television--display a wealth of potential, and appeal to diverse audiences. The trope of "the black man always dies first" still, however, haunts the genre. This book focuses on the latest cycle of diversity in horror fiction, starting with the release of Get Out in 2017, which inspired a new speculative turn for the genre. Using various critical frameworks like feminism and colonialism, the book also assesses diversity gaps in horror fictions, with an emphasis on marketing and storytelling methodology. Reviewing the canon and definitions of horror may point to influences for future implications of diversity, which has cyclically manifested in horror f...
Home
A stirring exploration of war, race and belonging from the Nobel-prize winning author of Beloved. An angry and self-loathing veteran of the Korean War, Frank Money finds himself back in racist America after enduring trauma on the front lines that left him with more than just physical scars. As Frank revisits the memories from childhood and the war that leave him questioning his shattered sense of self, he unearths the courage he thought he'd lost forever. It is with incantatory power that Morrison's language reveals an apparently defeated man finding his manhood - and, finally, his home. 'No other writer in my lifetime, or perhaps ever, has married so completely an understanding of the structures of power with knowledge of the human heart' Kamila Shamsie, Guardian Winner of the PEN/Saul Bellow award for achievement in American fiction
Subversia
In this bare-knuckled, frankly autobiographical collection, D.R. Haney shares a series of personal essays on his life, struggles, and artistic evolution; from punk rock malcontent in 1980s New York, to B-movie actor in the films of Roger Corman; to screenwriter on Friday the 13th: Part VII; to expatriated American writer in Serbia; to author of the celebrated underground novel Banned for Life. Consisting of material originally published by the popular online literary magazine The Nervous Breakdown, Subversia is written with the bracing candor and lyrical beauty that have earned Haney a well-deserved cult following worldwide. "Haney's blend of intoxicating content, sharply selected language, ...
Devangelical
Devangelical is an irresistibly funny and irreverent memoir about Erika Rae's experience growing up in? and out of? the Evangelical church in the American Bible Belt. As an adolescent who is expected to be hot for God, and not boys, Erika dreads that the Rapture will come before she gets to have sex. All the while she survives exorcisms, radical taboos, satanic back-masking on records, muscle men for Jesus, and cool, mulleted youth group leaders. Eventually Erika emerges as a young, married adult in spiritual limbo. Devangelical is a political and personal exploration of h.
Road Film
Framed as a cinematic odyssey, Road Film owes its debt to the famous road movies from the 1960s–80s. Every reader rides shotgun on a trajectory into an American imagination full of joy and angst. Loesser’s mix of prose and verse displays the best of the tradition of the New Sentence—and his work as a journalist in New York as a young man, post 9/11. The result reassembles all the broken episodes collected along the lost highways of America: discarded and violent news reports, local and violent rumors, and the unverifiable stories passed from one traveler to the next. Much like his previous work, Touched by Lightning, Loesser uses a reportorial instinct to transfigure the recurrent patterns he finds as a poet in the isolated corners of our homeland. Throughout Road Film, the driver races between two coasts; he jumps from the city into the wilderness—always skirting the moribund American suburbs, and though there be familiar faces, the author’s route never leads toward that simple place called home.
