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Riding the Waves
The life and work of Renaissance man Leo Beranek: scientist, professor, engineer, busisess leader, inventor, entrepreneur, musician, television executive, philanthropist, and author. Leo Beranek, an Iowa farm boy who became a Renaissance man—scientist, inventor, entrepreneur, musician, television executive, philanthropist, and author—has lived life in constant motion. His seventy-year career, through the most tumultuous and transformative years of the last century, has always been propelled by the sheer exhilaration of trying something new. In Riding The Waves, Leo Beranek tells his story. Beranek's life changed direction on a summer day in 1935 when he stopped to help a motorist with a ...
Riding the Waves
Iowa and beyond: from bumble bees to ivy -- Harvard : shaping the future -- Wartime : communications and kamikazes -- MIT, teaching, writing, AT & T, and traveling -- Bolt Beranek & Newman, the United Nations, big noise, and the Internet -- Muffling the jet age -- Music, acoustics, and architecture -- America's best TV station -- Family, nonprofits, and variety -- Art + physics = beautiful music.
Acoustics
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Concert Halls and Opera Houses
This illustrated guide to 100 of the world's most important concert halls and opera houses examines their architecture and engineering and discusses their acoustical quality as judged by conductors and music critics. The descriptions and photographs will serve as a valuable guide for today's peripatetic performers and music lovers. With technical discussions relegated to appendices, the book can be read with pleasure by anyone interested in musical performance. The photographs (specially commissioned for this book) and architectural drawings (all to the same scale) together with modern acoustical data on each of the halls provide a rich and unmatched resource on the design of halls for presenting musical performances. Together with the technical appendices, the data and drawings will serve as an invaluable reference for architects and engineers involved in the design of spaces for the performance of music.
Music, Acoustics & Architecture
Acoustics is one of the youngest classical sciences, with the theoretical foundations being formulated by Lord Rayleigh in 1877. In the period between 1898 and 1905, Wallace Clement Sabine advanced the application of acoustics to architecture. But it was the development of the vacuum-tube amplifier, loudspeakers, and noise-free microphones in the second quarter of the 20th century that allowed the amassing of enough accurate data to make acoustics an effective engineering science. Before electronic equipment was invented, acousticians lacked both the means to produce specific types of sounds and to then measure the strength of them. Before these tools existed, designers of music halls could ...
Concert and Opera Halls
This illustrated guide examines the acoustical quality of some of the world's most important concert and opera halls and reveals how composers and musicians adapt their art to complement the acoustics of their surroundings.
Acoustics: Sound Fields and Transducers
Long-awaited update and expansion of a widely recognised classic in the field by pioneering acoustics expert, Leo L. Beranek Builds upon Beranek's 1954 Acoustics classic by incorporating recent developments, practical formulas and methods for effective simulation Uniquely, provides the detailed acoustic fundamentals which enable better understanding of complex design parameters, measurement methods and data Brings together topics currently scattered across a variety of books and sources into one valuable reference Includes relevant case studies, real-world examples and solutions to bring the theory to life Acoustics: Sound Fields and Transducers is a modern expansion and re-working of Acoust...
Spaces Speak, Are You Listening?
How we experience space by listening: the concepts of aural architecture, with examples ranging from Gothic cathedrals to surround sound home theater. We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. In Spaces Speak, Are You Listening?, Barry Blesser and Linda-Ruth Salter examine auditory spatial awareness: experiencing space by attentiv...
