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Dominique Barthélemy presents a sharply revisionist account of the history of France around the year 1000, challenging the traditional view that France underwent a kind of revolution at the millennium which ushered in feudalism.
From the late Middle Ages to THE MARRIAGE OF FIGARO to Mel Gibson's BRAVEHEART, the ultimate symbol of feudal barbarism has been the right of a feudal lord to sleep with the bride of a vassal on her wedding night. But here, in a fascinating case study of the folklore of sexuality, Alain Boureau elegantly demonstrates such tradition is a myth.
"Medieval civilization came of age in thunderous events like the Norman Conquest and the First Crusade. Power fell into the hands of men around castles who imposed coercive new lordships in quest of nobility, heedless of the old public order. In The Crisis of the Twelfth Century, acclaimed historian Thomas Bisson asks what it was like to live in a Europe without government, and he asks how people experienced power, and suffered. Rethinking a familiar history as a problem of origins, he explores the circumstances that impelled knights, emperors, nobles, and churchmen to infuse lordship with social purpose." --Book Jacket.
Professor Stuard collects here a set of her articles on women and gender in the Middle Ages, beginning with her first, published in 1975. The first section, on marriage, opens with an exploration of the Ragusa/Dubrovnik archives, reaches out to consider patterns of gift-giving at marriage and of consumption. The second section focuses on slavery, specifically women destined for domestic service. The final parts contain historiographical surveys of the field of women and gender studies, and three biographical studies.
In a series of essays readers will find information about modern scholarship on the subject of chivalry and various suggestions for ways to teach some familiar and unfamiliar chivalric materials. Short bibliographies are provided for teachers' further use.
A revised and updated new edition of Professor Mundy's lively introduction to Europe 1150-1300. It provides a portrait of the social, economic, political and intellectual life of Latin Christendom in the period. Wherever possible the men and women of the high middle ages are allowed to speak for themselves as Professor Mundy makes wide use of contemporary sources xxx; bringing alive the complexities and concerns of people living in medieval times. Another strength of the book is the attention devoted to groups often marginalised in other histories; looking at the experience of women, for instance, and that of the Jews in a predominantly Christian society.
This 1991 book is an examination of Catalonian peasants in the Middle Ages integrating archival evidence with medieval theories of society.
The story of Perkin Warbeck is one of the most compelling mysteries of English history. A young man suddenly emerged claiming to be Richard of York, the younger of the Princes in the Tower. As such, he tormented Henry VII for eight years. He tried three times to invade England and behaved like a prince. Officially, however, he was proclaimed to be Perkin Warbeck, the son of a Flemish boatman. A diplomatic pawn, he was used by the greatest European rulers of the age for their own purposes. All who dealt with him gave him the identity they wished him to have: either the Duke of York or a jumped-up lad from Flanders. It is possible that he was neither. It is also possible that, by the end, even he did not really know who he was. In Perkin Ann Wroe tells again a marvellous tale that is on the brink of being forgotten. She also dissects the official cover story. In doing so she delves into the secret corners of European history and produces a portrait of the late fifteenth century that is breathtaking in its detail.
Conflict is defined here broadly and inclusively as an element of social life and social relations. Its study encompasses the law, not just disputes concerning property, but wider issues of criminality, coercion and violence, status, sex, sexuality and gender, as well as the phases and manifestations of conflict and the behaviors brought to bear on it. It engages, too, with the nature of the transformation spanning the Carolingian period, and its implications for the meanings of power, violence, and peace. Conflict in Medieval Europe represents the 'American school' of the study of medieval conflict and social order. Framed by two substantial historiographical and conceptual surveys of the field, it brings together two generations of scholars: the pioneers, who continue to expand the research agenda; and younger colleagues, who represent the best emerging work on this subject. The book therefore both marks the trajectory of conflict studies in the United States and presents a set of original, highly individual contributions across a shifting conceptual range, indicative of a major transition in the field.
This book is the first of its kind to engage explicitly with the practice of conceptual history as it relates to the study of the Middle Ages, exploring the pay-offs and pitfalls of using concepts in medieval history. Concepts are indispensable to historians as a means of understanding past societies, but those concepts conjured in an effort to bring order to the infinite complexity of the past have a bad habit of taking on a life of their own and inordinately influencing historical interpretation. The most famous example is ‘feudalism’, whose fate as a concept is reviewed here by E.A.R. Brown nearly fifty years after her seminal article on the topic. The volume’s contributors offer a series of case studies of other concepts – 'colony', 'crisis', 'frontier', 'identity', 'magic', 'networks' and 'politics' – that have been influential, particularly among historians of Britain and Ireland in the later Middle Ages. The book explores the creative friction between historical ideas and analytical categories, and the potential for fresh and meaningful understandings to emerge from their dialogue.