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Parallel Hells
In this deliciously strange debut collection, Leon Craig draws on folklore and gothic horror in refreshingly inventive ways to explore queer identity, love, power and the complicated nature of being human. Some say that hell is other people and some say hell is loneliness . . . In the thirteen darkly audacious stories of Parallel Hells we meet a golem, made of clay, learning that its powers far exceed its Creator's expectations; a ruined mansion which grants the secret wishes of a group of revellers and a notorious murderer who discovers her Viking husband is not what he seems. Asta is an ancient being who feasts on the shame of contemporary Londoners, who now, beyond anything, wishes only to fit in with a group of friends they will long outlive. An Oxford historian, in bitter competition with the rest of her faculty members, discovers an ancient tome whose sinister contents might solve her problems. Livia orchestrates a Satanic mass to distract herself from a recently remembered trauma and two lovers must resolve their differences in order to defy a lethal curse.
Of Philosophers and Kings
This innovative work argues that Shakespeare was as great a philosopher as he was a poet, and that his greatness as a poet derived even more from his power as a thinker than from his genius for linguistic expression. Accordingly, Leon Craig's interpretation of the plays - focusing primarily on Macbeth and King Lear, but including extensive comments on Othello, The Winter's Tale, and Measure for Measure - are intended to demonstrate what can be gained from reading Shakespeare 'philosophically.' Shakespeare, Craig argues, had a persistent fascination with the relationship between politics and philosophy, and even more precisely, with the idea of a philosophical ruler. Macbeth and King Lear are...
The Platonian Leviathan
Thomas Hobbes's influential political treatise, Leviathan, was first published in 1651. Many scholars have since credited him with a mechanistic outlook towards human nature that established the basis of modern Western political philosophy from the perspective of social contract theory. In The Platonian Leviathan, Leon Harold Craig weaves together philosophy, political science, and literature to offer a radical re-interpretation of Hobbes's most famous work. Though Craig begins and concludes his analysis with discussions of Herman Melville's Moby-Dick and includes an essay on Joseph Conrad's Heart of Darkness, the bulk of his two-part commentary centres on Leviathan. Part One shows the overt principles of Hobbes's political prescription to be untenable, and strongly suggests that Hobbes himself did not subscribe to these rules, using them only as tools to further his philosophical goals. In Part Two, Craig displays the underlying Platonism of Hobbes's thinking. Sure to be controversial, The Platonian Leviathan may nonetheless re-orient the future direction of Hobbes scholarship.
The War Lover
A new interpretation of Plato's Republic. Craig investigates why this dialogue, ostensibly about justice, offers Plato's fullest account of philosophy and philosophers, and why it is preoccupied with war.
The Philosopher's English King
This book on Shakespeare's Henriad studies the tetralogy as a work of political thought. Leon Harold Craig, author of two previous volumes on Shakespeare's political thought, argues that the four plays present Shakespeare's teaching on the problem of legitimacy, or who has the right to rule -- one of the perennial questions of political philosophy. Offering original interpretations of each of the plays, Craig discusses the demise of divine right in Richard II, political upheaval and disputed rule in Henry IV, Parts 1 and 2, and the attempt to reestablish legitimacy on a new basis in Henry V. While focusing especially on the plays' various interpretive puzzles, Craig shows how the four plays ...
Trust-Based Observations
The results are in: observations are not improving teaching and learning. Pertinently, the Gates Foundation’s recently completed effort to improve student outcomes through enhancing the teacher evaluation process failed to achieve substantive improvement. The way observations are currently designed serve as an obstacle to teacher risk-taking. Teachers fear negative evaluations when their pedagogy is rated, and they lack faith in being supported by supervisors because a trusting relationship between them and their observer has not been built. Trust-Based Observations: Maximizing Teaching and Learning Growth is a schema changing evaluation model that understands people perform at their best ...
The Book of Gifts
‘An intriguing and complex family story. I was hooked from the first sentence.’ – Nozizwe Cynthia Jele, author of The Ones with Purpose What is the cost of giving a gift? What is the cost of receiving one? At eleven years old, Julian Flint prefers to remain invisible, safe inside the architecture of adults provided by his mother, his uncle and his aunt. But when his mother, Emma, a celebrated sculptor, takes them all on a family holiday to a hotel by the sea, he meets the captivating and irreverent Clare and everything he thought he knew begins to shift – setting off a chain of events that will determine each of their fates. From the award-winning author of The Dream House and The Wh...
Barangay
As beautiful and varied as an archipelago, barangay is an elegant new collection of poetry from Adrian De Leon that gathers in and arranges the difficult pieces of a scattered history. While mourning the loss of his grandmother who "lived, loved and grieved in three languages," De Leon skips his barangay, which is both a boat and an administrative unit in the Philippine government, over the history of both his family and a nation. In these poems De Leon considers the deadly impact of colonialism, the far-reaching effects of the diaspora from the Philippines and the personal loss of his ability to speak Ilokano, his grandmother's native tongue. These are spare, haunting poems, which wash over the reader like the waves of the ocean the barangays navigated long ago and then pull the reader into their current like the rivers De Leon left behind.
This Young Monster
'Good God, where did this wise-beyond-his-years 25-year-old critic's voice come from? His breath of proudly putrefied air is something to behold. Finally, a new Parker Tyler is on the scene. Yep. Mr. Fox is the real thing.' -- John Waters, New York Times This Young Monster is a hallucinatory celebration of artists who raise hell, transform their bodies, anger their elders and show their audience dark, disturbing things. What does it mean to be a freak? Why might we be wise to think of the present as a time of monstrosity? And how does the concept of the monster irradiate our thinking about queerness, disability, children and adolescents? From Twin Peaks to Leigh Bowery, Harmony Korine to Alice in Wonderland, This Young Monster gets high on a whole range of riotous art as its voice and form shape-shift, all in the name of dealing with the strange wonders of what Nabokov once called 'monsterhood'. Ready or not, here they come...
Attrib.: and Other Stories
A GRANTA BEST YOUNG BRITISH NOVELIST 2023 WINNER OF THE JAMES TAIT BLACK PRIZE 2018 ‘The real inexplicable gorgeous brilliant thing’ MAX PORTER 'She has arrived in a class of her own' SARAH PERRY 'Funny, playful and utterly bravura' MELISSA HARRISON
