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Dialogues of Love
First published in Rome in 1535, Leone Ebreo's Dialogues of Love is one of the most important texts of the European Renaissance. Well known in the Italian academies of the sixteenth century, its popularity quickly spread throughout Europe, with numerous reprintings and translations into French, Latin Spanish, and Hebrew. It attracted a diverse audience that included noblemen, courtesans, artists, poets, intellectuals, and philosophers. More than just a bestseller, the work exerted a deep influence over the centuries on figures as diverse as Giordano Bruno, John Donne, Miguelde Cervantes, and Baruch Spinoza. Leone's Dialogues consists of three conversations - 'On Love and Desire,' 'On the Uni...
Beyond Books and Borders
La Florida del Inca (Lisbon, 1605) is a key text in the history and culture of the Americas. In this chronicle, its author, Inca Garcilaso de la Vega, born in Cuzco, the son of an Inca princess and a Spanish conquistador, offers a unique representation of Hernando de Soto's expedition (1539-43) to the vast territory then known as La Florida. The studies collected here analyze the period of early contact in La Florida, study the chronicle of the Cuzcan writer and the works that influenced it, with the objective of affirming its central place in colonial, cultural, and transatlantic studies and its importance in understanding the intertwined history of the Americas. An introduction, a chronology, a general bibliography, and fifty-six images offer a frame for these sections. The various essays are written in a direct manner, and are free of jargon with the aim of attracting both general and academic readers. Raquel Chang-Rodriguez is Distinguished Professor of Hispanic Literature and Culture at the City University of New York.
Proceed with Caution, when Engaged by Minority Writing in the Americas
Let the reader beware. Educated readers naturally feel entitled to know what they're reading--often, if they try hard enough, to know it with the conspiratorial intimacy of a potential partner. This book reminds us that cultural differences may in fact make us targets of a text, not its co-conspirators. Some literature, especially culturally particular or "minority" literature, actually uses its differences and distances to redirect our desire for intimacy toward more cautious, respectful engagements. To name these figures of cultural discontinuity--to describe a rhetoric of particularism in the Americas--is the purpose of Proceed with Caution. In a series of daring forays, from seventeenth-...
The Names of Christ
"Whatever it was you expected when you heard about the new Classics of Western Spirituality(TM) series from Paulist Press, forget it. The real thing is better." The Crux of Prayer Luis de León: The Names of Christ translated and introduced by Manuel Duran and William Kluback preface by J. Ferrater Mora As Christ is a source or rather is an ocean which holds in itself all that is sweet and meaningful that belongs to man, in the same way the study of his person, the revelation of the treasure, is the most meaningful and dearest of all knowledge. Luis de León (1527-1591) The Names of Christ is a masterpiece of the Golden Age of Spain. Written in the style of a pastoral novel, the work is a me...
Hebraic Aspects of the Renaissance
Christian Hebraism came to its full fruition in the seventeenth century. However, interest in Jewish and Hebraic sources had already increased during the early Renaissance, as an integral part of the renewed attention to ancient cultures, mostly Greek and Roman, as well as eastern cultures – from Egypt to India. This volume presents a selection of papers from the international conference Hebraic Aspects of the Renaissance (University of Haifa, May, 2009), that trace the humanist encounter with Hebrew and Jewish sources during that period. The chapters included in this volume not only illuminate the ways in which Christian scholars encountered Hebraic sources and integrated them into their general worldview, but also present the encounters of Jewish scholars with humanist culture.
Adam Boreel (1602–1665): A Collegiant’s Attempt to Reform Christianity
In Adam Boreel (1602-1665): A Collegiant’s Attempt to Reform Christianity, Francesco Quatrini offers a reassessment of the life and thought of Adam Boreel, a leading member of the Dutch nonconformist Collegiant movement. Usually regarded as a less important member of this religious group, Boreel is described as a forerunner whose ideas influenced later Collegiants. Drawing on both archival and published sources, Francesco Quatrini provides the first modern biography of Boreel as well as a critical analysis of his writings. He corrects misconceptions about Boreel, who appears here as an intriguing figure who drew his views from several different sources. In this way, Francesco Quatrini revealed that Boreel was a major leader in the era’s intellectual discourse.
Ficino in Spain
As the first translator of Plato's complete works into Latin, the Florentine writer Marsilio Ficino (1433-99) and his blend of Neoplatonic and Hermetic philosophy were fundamental to the intellectual atmosphere of the Renaissance. In Spain, his works were regularly read, quoted, and referenced, at least until the nineteenth century, when literary critics and philosophers wrote him out of the history of early modern Spain. In Ficino in Spain, Susan Byrne uses textual and bibliographic evidence to show the pervasive impact of Ficino's writings and translations on the Spanish Renaissance. Cataloguing everything from specific mentions of his name in major texts to glossed volumes of his works in Spanish libraries, Byrne shows that Spanish writers such as Miguel de Cervantes, Lope de Vega, Bartolomé de las Casas, and Garcilaso de la Vega all responded to Ficino and adapted his imagery for their own works. An important contribution to the study of Spanish literature and culture from the fifteenth to the seventeenth centuries, Ficino in Spain recovers the role that Hermetic and Neoplatonic thought played in the world of Spanish literature.
Encyclopedia of Renaissance Philosophy
Gives accurate and reliable summaries of the current state of research. It includes entries on philosophers, problems, terms, historical periods, subjects and the cultural context of Renaissance Philosophy. Furthermore, it covers Latin, Arabic, Jewish, Byzantine and vernacular philosophy, and includes entries on the cross-fertilization of these philosophical traditions. A unique feature of this encyclopedia is that it does not aim to define what Renaissance philosophy is, rather simply to cover the philosophy of the period between 1300 and 1650.
Law and Apocalypse: The Moral Thought of Luis De León (1527?–1591)
This book has two purposes. The first is clearly historical, the second is more philosophical and interpretive. Its success in the former will be less arguable than its attainment of the latter. The contribution to the history of Spanish letters consists in critically establishing the fact that the sources of Fray Luis de Le6n's moral and spiritual thought are Hebraic and that he can be seen to stand as one in a long line of Christian Hebraists, both scholastic and humanist. His philosophical views are cast in an Hebraic tradition, not in an Hellenic one as supposed by nearly every other commentator. I have stressed the presence of a living Hebrew culture in Spain after 1492, and I have sugg...
Dematerialization
Dematerialization examines the intertwined experimental practices and critical discourses of art and industrial design in Argentina, Mexico, and Chile in the 1960s and 1970s. Provocative in nature, this book investigates the way that artists, critics, and designers considered the relationship between the crisis of the modernist concept of artistic medium and the radical social transformation brought about by the accelerated capitalist development of the preceding decades. Beginning with Oscar Masotta’s sui generis definition of the term, Karen Benezra proposes dematerialization as a concept that allows us to see how disputes over the materiality of the art and design object functioned in order to address questions concerning the role of appearance, myth, and ideology in the dynamic logic structuring social relations in contemporary discussions of aesthetics, artistic collectivism, and industrial design. Dematerialization brings new insights to the fields of contemporary art history, critical theory, and Latin American cultural studies.
