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Leonard Forrer
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Leonard Forrer
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Leonard Forrer
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Weber Collection
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The Material Culture of the Jacobites
A comprehensive study of material objects associated with the Jacobites, produced, acquired and treasured in the late seventeenth and eighteenth centuries.
Bouchardon
One of the most imaginative and fascinating artists of eighteenth-century France, Edme Bouchardon (1698-1762) was instrumental in the transition from Rococo to Neoclassicism and in the artistic rediscovery of classical antiquity. Much celebrated in his time, Bouchardon created some of the most iconic images of the age of Louis XV. His oeuvre demonstrates a remarkable variety of themes (from copies after the antique to subjects of history and mythology, portraiture, anatomical studies, ornament, fountains and tombs), media (drawings, sculptures, medals, prints), and techniques (chalk, plaster, wax, terracotta, marble, bronze). With five essays by experts on Bouchardon's sculpture and graphic ...
Mints, Dies and Currency
The studies assembled in this volume are dedicated to the memory of Albert Baldein, a professional numismatist whose chief interest lay in helping other numismatists, professionals, students and collectors alike, some of whom record their appreciations here. The contributions, though they are drawn from a wide variety of fields - Greek, Roman, Dark Age, Byzantine, English, Scottish, Irish and European medieval coins, and medals - are all concerned with one or more facets of the theme set out in the title. Within the general concept, the essays deal with a diversity of subjects: * identification of mints * attribution of coins to specific mints * coinage current in particular periods * compos...
Representing Beasts in Early Medieval England and Scandinavia
Essays on the depiction of animals, birds and insects in early medieval material culture, from texts to carvings to the landscape itself. For people in the early Middle Ages, the earth, air, water and ether teemed with other beings. Some of these were sentient creatures that swam, flew, slithered or stalked through the same environments inhabited by their human contemporaries. Others were objects that a modern beholder would be unlikely to think of as living things, but could yet be considered to possess a vitality that rendered them potent. Still others were things half glimpsed on a dark night or seen only in the mind's eye; strange beasts that haunted dreams and visions or inhabited exoti...
Gold Coins of the World
overs the entire history of world gold coinage form the 5th century B.C. through the modern coin issues of today. Part I, the section on ancient coins covers, in order, Ancient Greece, the Roman Republic and Empire and the Byzantine Empire. Part II lists the coins of the world in alphabetical order by country from approximately AD 600 to date. With current market valuations usually in the two most commonly encountered states of preservation. Tables of weight and precious metal content included with coins of each country.
Medieval European Coinage: Volume 1, The Early Middle Ages (5th-10th Centuries)
The coinage of Western Europe following the fall of the Roman Empire in the West.
