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In this short introductory book, Professor Forster examines Petrarchism as a European phenomenon transcending national boundaries. He begins with a general survey of themes and conventions, providing, with quotation, something like a repertory of the devices. He then shows in an important historical study how various vernacular literatures were seeking for a renewal of poetic diction at the moment when Petrarchism was available to meet the need. The third study examines specific forms and shows how realism in love-relationships could be accommodated within the tradition. A fourth shows how the literary conventions, applied to England's Virgin queen, could serve political and national ends; and the last shows the devices still being used in Goethe's Faust. This is a learned and engaging book, ranging freely among literatures: Latin, Italian, French, Dutch, English, and German, with translations provided. It gives an introduction to one of the most important and longest-lasting traditions in comparative literary studies.
In this short introductory book, Professor Forster examines Petrarchism as a European phenomenon transcending national boundaries. He begins with a general survey of themes and conventions, providing, with quotation, something like a repertory of the devices. He then shows in an important historical study how various vernacular literatures were seeking for a renewal of poetic diction at the moment when Petrarchism was available to meet the need. The third study examines specific forms and shows how realism in love-relationships could be accommodated within the tradition. A fourth shows how the literary conventions, applied to England's Virgin queen, could serve political and national ends; and the last shows the devices still being used in Goethe's Faust. This is a learned and engaging book, ranging freely among literatures: Latin, Italian, French, Dutch, English, and German, with translations provided. It gives an introduction to one of the most important and longest-lasting traditions in comparative literary studies.
Professor Forster studies poetry written in languages other than the poet's native tongue to survey multilingualism and its effects on literature.
Daniel Born explores the concept of liberal guilt as it first developed in British political and literary culture between the late Romantic period and World War I. Disturbed by the twin spectacle of urban poverty at home and imperialism abroad, major nove
The essays collected here deal with modernist writers who, on the whole, felt 'reluctant' about their modernist status because they believed that it was just as important to look backward as it was to look forward. Indeed, for most of them looking backward was more important because it was only through the past that one could understand one's proper place in the present and in the future. That is why in Huxley's Brave New World it is the rejection of the past in the future - and by implication in the present - that makes its satire so penetrating. Modernism, in other words, means for these writers not a radical break with the past but a continuing search for what still connects them (and us) vitally with it. Peter Firchow, Professor of English at the University of Minnesota, is the author of several books on modern and modernist literary subjects, including books on Huxley, Conrad, and Auden. The publication of some of his hitherto uncollected essays in this volume is intended to honor
To initiate its new Ph.D. Program in Transcultural German Studies, jointly offered by the University of Arizona and the University of Leipzig, the Department of German Studies at the University of Arizona organized an international conference on Transcultural German Studies in Tucson from March 29-31, 2007. Conference participants sought to define the nature of Transcultural German Studies. This new, interdisciplinary field of inquiry investigates the cultural landscapes of the German-speaking world in the light of globalization and inter- and transcultural contact. The contributions that comprise the volume are by scholars who work in a number of related fields, exploring transcultural phen...
"This book is the first authoritative analysis of the theory of translation in German Romanticism. In a systematic study of Herder, Goethe, Schlegel, Novalis, Humboldt, Schleiermacher, and Hölderlin, Berman demonstrates the importance of the theory of translation for an understanding of German romantic culture, arguing that never before has the concept of translation been meditated in such detail and such depth. Indeed, fundamental questions that arise again today, such as the question concerning the proper versus the literal, of the Other to a given culture, the essence of the work of art, and of language, all these issues, and many more, are shown to have been premeditated in a most important manner by these German Romantics.
This book analyses the relation between politics and the production of culture in Lancastrian England, focussing on the intellectual activity of Duke Humphrey of Gloucester, reconstructing his library and analysing his commissions of translations, biographies and political poems.