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Paperback reprint of a book depicting the oddly brilliant relationship between Alfred Hitchcock and David O. Selznick, two of Hollywood's most legendary filmmakers.
The new edition of this seminal work takes the story of the Production Code and motion picture censorship into the present, including the creation of the PG-13 and NC-17 ratings in the 1990s.
The most comprehensive volume ever published on Alfred Hitchcock, covering his career and legacy as well as the broader cultural and intellectual contexts of his work. Contains thirty chapters by the leading Hitchcock scholars Covers his long career, from his earliest contributions to other directors’ silent films to his last uncompleted last film Details the enduring legacy he left to filmmakers and audiences alike
Paperback reprint of a book depicting the oddly brilliant relationship between Alfred Hitchcock and David O. Selznick, two of Hollywood's most legendary filmmakers.
Going beyond the process of adaptation, Geraghty is more interested in the films themselves and how they draw on our sense of recall. While a film reflects its literary source, it also invites comparisons to our memories and associations with other versions of the original. For example, a viewer may watch the 2005 big-screen production of Pride and Prejudice and remember Austen's novel as well as the BBC's 1995 television movie. Adaptations also rely on the conventions of genre, editing, acting, and sound to engage our recall--elements that many movie critics tend to forget when focusing solely on faithfulness to the written word.
Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 2,0, Johannes Gutenberg University Mainz (Institut f r Anglistik), course: Seminar, 13 entries in the bibliography, language: English, abstract: This paper shall analyse Richard Brinsley Sheridan s play "The School for Scandal". This drama was first performed in 1776 in London's Drury Lane Theatre, and was a cultural part of the colonization process in India. The aim of the first chapter is to provide some background information about Sheridan and his time, and also serves to explain the role which the concept of the sentimental comedy played during the time it was first performed in ...
Based on revealing letters and other documents from archives, Hemingway and His Conspirators has the dramatic personae of a Hollywood production--with a cast starring not only Hemingway and Perkins, but F. Scott Fitzgerald, Helen Hayes, David O. Selznick, and Gary Cooper. Set in an endlessly fascinating age, the 1920s. It tells a backstage story of the tangle of literature, publishing, and motion pictures in the formative years of a time when the possibilities of a new mass audience challenged and changed culture and literature forever.
This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also satisfying Hitchcock scholars by representing the rich variety of critical responses to the director's films over the years. a total of 20 of Hitchcock's films are discussed in depth - many others are considered in passing section introductions by the editors that contextualize the essays and the films they discuss well-researched bibliographic references, which will allow readers to broaden the scope of their study of Alfred Hitchcock
In more than 30 novels, several short stories, graphic novels, movies, plays and poems, Ernest Hemingway has been introduced or "appropriated" as an important fictional character. This book is an inquiry into that phenomenon from various perspectives--including that of fan fiction--and deals with such questions as what, if anything, this biographical fiction adds to the dialogue about America's best known and most talked about writer.
For more than three decades the Catholic church, through its Legion of Decency, had the power to control the content of Hollywood films. From the mid-1930s to the late 1960s the Catholic Legion served as a moral guardian for the American public. Hollywood studios submitted their films to the Legion for a rating, which varied from general approval to condemnation. This book details how a religious organisation got control of Hollywood, and how films like A Streetcar Named Desire, Lolita, and Tea and Sympathy were altered by the Legion to make them morally acceptable. Documenting the inner workings of the Legion, The Catholic Crusade against the Movies also examines how the changes in the movie industry, and American society at large in the post-World War II era, eventually conspired against the Legion's power and so lead to its demise.