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Ebenezer Sibly was a quack doctor, plagiarist, and masonic ritualist in late eighteenth-century London; his brother Manoah was a respectable accountant and pastor who ministered to his congregation without pay for fifty years. Drawing on such sources as ratebooks and pollbooks, personal letters and published sermons, burial registers and horoscopes, Susan Sommers has woven together an engaging microhistory that offers useful revisions to existing scholarly accounts of brothers Ebenezer and Manoah, while locating the entire Sibly family in the esoteric byways of the eighteenth and early nineteenth centuries.
This book surveys the lives and experiences of hundreds of thousands of eighteenth-century non-elite Londoners in the evolution of the modern world.
Knowing Their Place offers a fascinating look at the relationships of antagonism and friendship, disgust and desire, that marked domestic service in twentieth century Britain.
Family Fortunes has become a seminal text in class and gender history. Published to wide critical acclaim in 1987, its influence in the field continues to be extensive. It has cast new light on the perception of middle-class society and gender relations between 1780 and 1850. This revised edition contains a substantial new introduction, placing the original survey in its historiographical context. Leonore Davidoff and Catherine Hall evaluate the readings their text has received and broaden their study by taking into account recent developments and shifts in the field. They apply current perceptions of history to their original project, and see new motives and meanings emerge that reinforce their argument.
Sickness in the Workhouse illuminates the role of workhouse medicine in caring for England's poor, bringing sick paupers from the margins of society and placing them centre stage.
Sweet and Lowdown, Woody Allen's film from 1999, starred Sean Penn as the legendary, but fictitious jazz guitarist of the '30s, Emmett Ray. Emmett considered himself to be the second greatest jazz guitarist in the world next to Django Reinhardt. the versatile Howard Alden played all of the solo acoustic guitar parts for the movie, as well as coaching Mr. Penn to play guitar for his role (for which he received an Oscar nomination, best actor). This book contains note-for-note transcriptions in both standard notation and tab of Howard's Django-esque interpretations and improvisations of classic standards of the 1930s, as well as original solo guitar pieces written by Woody's longtime musical director, jazz pianist Dick Hyman. Sweet and Lowdown contributed greatly to the recent renewal of interest in and revival of swing and gypsy jazz guitar. Howard's guitar work is a warm and personal example of the timeless musical vocabulary of swing guitar.
Highlights the transformative potential of including women's work in wider assessments of continuity and change in economic performance.
To be one of "the middling sort" in urban England in the late seventeenth or eighteenth century was to live a life tied, one way or another, to the world of commerce. In a lively study that combines narrative and alternately poignant and hilarious anecdotes with convincing analysis, Margaret R. Hunt offers a view of middling society during the hundred years that separated the Glorious Revolution from the factory age. Thanks to her exploration of many family papers and court records, Hunt is able to examine what people thought, felt, and valued. She finds that early capitalism and early modern family life were far more insecure than their "classical" models supposed. Commercial needs and soci...