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Absinthe--The Cocaine of the Nineteenth Century
With an alcohol content sometimes as high as 80 percent, absinthe was made by mixing the leaves of wormwood with other plants such as angelica root, fennel, coriander, hyssop, marjoram and anise for flavor. The result was a bitter, potent drink that became a major social, medical and political phenomenon during the late nineteenth and early twentieth centuries; its popularity was mainly in France, but also in other parts of Europe and the United States, particularly in New Orleans. Absinthe produced a sense of euphoria and a heightening of the senses, similar to the effect of cocaine and opium, but was addictive and caused a rapid loss of mental and physical faculties. Despite that, Picasso, Manet, Rimbaud, Van Gogh, Degas and Wilde were among those devoted to its consumption and produced writings and art influenced by the drink. This work provides a history of "the green fairy", a study of its use and abuse, an exploration of the tremendous social problems (not unlike the cocaine problems of this century) it caused, and an examination of the extent to which the lives of talented young writers and artists of the period became caught up in the absinthe craze.
Germans of Louisiana
During the antebellum period, New Orleans was the largest German colony below the Mason-Dixon line. Later settlements moved upriver between New Orleans and Donaldsonville, near Lecompte, and in North Louisiana near Minden. Germans of Louisiana is the first unified published study of the influence the German people made on the state of Louisiana and its inhabitants. Beginning with the French and Spanish colonial periods and working through the post-Civil War period, this book covers the heritage those German settlers left behind.
The Voodoo Cathedral Murders
Vengeance was in the humid night air of the Louisiana bayou, but it wasn't the kind Charlie Buck wanted. Before them, lit by the glowing coals of the campfire and stark light of the full moon, three men lay asleep. A fourth man, sitting with a rifle propped over his shoulder, was asleep too. Charlie glanced over at his companion, the strange Voodoo doctor he had met just before the attack. The man's black torso was bare except for the large snake curled around his neck. Despite the heat, Charlie shivered. All he wanted was to find out his father's murderer. But it was complicated. The clues had led to two places: the bayou and the cathedral in New Orleans. Guilt pointed at the priest. Charlie could not accept that. Where did Voodoo, and of all things, counterfeit money, fit with his Father's murder? His mind touched momentarily on the memory of his lost love, Rachel. She was still here too, just as beautiful as ever. But she was in love with his brother, another one of his suspects. Too many questions and not enough answers. Still, here he was. Charlie Buck drew his Colt and cocked the hammer.
A Bloodless Victory
Introduction: "a correct remembrance of great events"--"By the eternal, they shall not sleep on our soil:" the New Orleans Campaign -- "Half a horse and half an alligator:" the Battle of New Orleans in the Era of Good Feelings -- "Under the command of a plain Republican--an American Cincinnatus:" the Battle of New Orleans in the Age of Jefferson -- "The union must and shall be preserved:" the Battle of New Orleans and the American Civil War -- "True daughters of the war:" the Battle of New Orleans at 100 -- "Not pirate ... privateer:" the Battle of New Orleans and mid-20th century popular culture -- "Tourism whetted by the celebration:" the Battle of New Orleans in the 20th century -- A "rustic and factual" appearance: the Battle of New Orleans at 200 -- Closing: "what is past is prologue
Exploring Everyday Landscapes
"Drawn from two conferences of the Vernacular Architecture Forum--one held in Charleston in 1994, and the other in Ottawa in 1995"--Back cover.
Civic Wars
Mary P. Ryan traces the fate of public life and the emergence of ethnic, class, and gender conflict in the nineteenth-century city in this ambitious retelling of a key period of American political and social history. Basing her analysis on three quite different cities—New York, New Orleans, and San Francisco—Ryan illustrates how city spaces were used, understood, and fought over by a dazzling variety of social groups and political forces. She finds that the democratic exuberance America enjoyed in the 1820s and 1840s was irrevocably damaged by the Civil War. Civic life rebounded after the War but was, in Ryan's words, "less public, less democratic, and more visibly scarred by racial bigo...
Lost Plantation
The story of a Louisiana mansion, a planter�s empire, and a preservation battle lost to bulldozers
New Orleans in the Twenties
It was a decade of flappers, Prohibition, and unprecedented prosperity that abruptly ended with the crash of '29. In New Orleans, steamships lined the wharves, vaudeville gave way to "talkies," and William Faulkner's Sherwood Anderson and Other Famous Creoles was the first book produced by a new publisher called Pelican Publishing Company. Mary Lou Widmer's fourth retrospect of the city reminisces about how New Orleans welcomed the economic growth of the postwar twenties in its own special way. The Crescent City celebrated this prosperity, giving birth to jazz halls in the Vieux Carrand launching the careers of musicians like Louis Armstrong. It was the most progressive era in the city's his...
The History of Jazz
Ted Gioia's History of Jazz has been universally hailed as a classic--acclaimed by jazz critics and fans around the world. Now Gioia brings his magnificent work completely up-to-date, drawing on the latest research and revisiting virtually every aspect of the music, past and present. Gioia tells the story of jazz as it had never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved. Here are the giants of jazz and the great moments of jazz history--Jelly Roll Morton, Louis Armstrong, Duke Ellington at the Cotton Club, cool jazz greats such as Gerry Mulligan, Stan Getz, and Lester Young, Charlie Parker and ...
