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"Examines poetry and ideology in Early Modern Spain. Includes eight representative Peninsular writers and one poet from the Americas to demonstrate the shifting ideologies of the self, language and the state that mark watersheds for European and Americanmodernity"--Provided by publisher.
A collection of interviews, essays and vaudeville skits from the 1930s to the 1950s all pertaining to Mexican American theater. Historical studies by Jorge Huerta, Nicol‡s Kanellos, Tom‡s Ybarra-Fausto and others; exclusive interview of Luis Valdez; and a vaudeville material from Lalo Astol, the Carpa Garc’a and others never before published.
Covers receipts and expenditures of appropriations and other funds.
Beginning with their first meeting in 1956 and ending with Maxwell Jones' death in 1990, A Life Well Lived follows the growth of a friendship between two key figures in social psychiatry and tracks the evolution of therapeutic communities from their experimental beginnings to the established practices that exist today. As a close friend and frequent collaborator, Briggs is able to recount in detail Jones' revolutionary work in mental hospitals, prisons, communities and schools, and offers a rare and engaging insight into the mind of one of the most important pioneers in the therapeutic community field.
"Teresa Lozano Long Institute of Latin American Studies."
From Prehistory to the Middle Ages, from the Spanish mainland to the Portuguese Atlantic Coast, the Duero (or Douro as it is known in English because of its Portuguese translation) has served as a river of great historical importance. It is a river flowing from the past into the future with the legacy of the Homo Antecessor and the most ancient remains of European Prehistory, showcasing the first samples of inland farming during the Iberian Neolithic period and many examples of Schematic Rock Art. Before the total obliteration of archaeological sites in the Duero valley due to active agricultural labours and the course of time itself, the Archaeological and Protohistoric Society of Zamora, Z...
In Looking for Mexico, a leading historian of visual culture, John Mraz, provides a panoramic view of Mexico’s modern visual culture from the U.S. invasion of 1847 to the present. Along the way, he illuminates the powerful role of photographs, films, illustrated magazines, and image-filled history books in the construction of national identity, showing how Mexicans have both made themselves and been made with the webs of significance spun by modern media. Central to Mraz’s book is photography, which was distributed widely throughout Mexico in the form of cartes-de-visite, postcards, and illustrated magazines. Mraz analyzes the work of a broad range of photographers, including Guillermo K...
This book offers a fresh perspective on understanding how successful business strategies are crafted. It provides insights into the challenges and opportunities present in changing Asian business environments. Concepts are presented through models and frameworks. These are illustrated through case studies showcasing a broad spectrum of Asian businesses, ranging from manufacturing to logistics planning to retailing and services. Readers will be able to understand the problems faced by Asian companies, and to apply useful conceptual tools to formulate effective strategies in solving them.
Revolution and Rebellion in Mexican Film examines Mexican films of political conflict from the early studio Revolutionary films of the 1930-50s up to the campaigning Zapatista films of the 2000s. Mapping this evolution out for the first time, the author takes three key events under consideration: the Mexican Revolution (1910-1920); the student movement and massacre in 1968; and, finally, the more recent Zapatista Rebellion (1994-present). Analyzing films such as Vamanos con Pancho Villa (1936), El Grito (1968), and Corazon del Tiempo (2008), the author uses the term 'political conflict' to refer to those violent disturbances, dramatic periods of confrontation, injury and death, which characterize particular historical events involving state and non-state actors that may have a finite duration, but have a long-lasting legacy on the nation. These conflicts have been an important component of Mexican film since its inception and include studio productions, documentaries, and independent films.