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A Dictionary of German-Jewish Surnames
This dictionary identifies more than 13,000 German-Jewish surnames from the area that was pre-World War I Germany. From Baden-Wuerttemburg in the south to Schleswig-Holstein in the north. From Westfalen in the west to East Prussia in the east. In addition to providing the etymology and variants of each name, it identifies where in the region the name appeared, identifying the town and time period. More than 300 sources were used to compile the book. A chapter provides the Jewish population in many towns in the 19th century.
The Force
‘Probably the best cop novel ever written’ Lee Child From the New York Times bestselling author of The Cartel – winner of the Ian Fleming Steel Dagger Award for Best Thriller of the Year – comes The Force, a cinematic epic as explosive, powerful, and unforgettable as The Wire.
The Garden
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Fishery Bulletin
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Better Living Through Criticism: How to Think about Art, Pleasure, Beauty and Truth
Few could explain, let alone seek out, a career in criticism. Yet what A. O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and humour, Scott shows that while individual critics – himself included – can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative and urgent activities. Using his own film criticism as a starting point – everything from an infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille – Scott expands outwards, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovic and 'Ode on a Grecian Urn' Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. As he puts it: ‘The time for criticism is always now, because the imperative to think clearly, never goes away.’
Tree Planters' Notes
Some no. include reports compiled from information furnished by State Foresters (and others).
Planters' Notes
Some no. include reports compiled from information furnished by State Foresters (and others).
Jump into the Story
Preaching is a challenging, privileged, and awesome responsibility. As important as mining the text for its meaning and message and making connections to our twenty-first-century world is the responsibility to engage the imaginations of the people in the pews (or chairs). In this book, Ray Friesen--life-long preacher and retired pastor--has provided twenty examples of how to be creative and engage those imaginations. Most were written under the pressures of bi-vocational ministry (preaching forty times a year as half-time pastor and operating a mediation practice). They are offered to you, not as sermons for you to preach, but as examples of what is possible, even with all the other responsibilities you may have. Each sermon and type of creativity will create an opportunity to set your imagination and creativity free to engage the imaginations, hearts, and dreams of your parishioners.
Working Farmer
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Doubt
In an age where art history’s questions are now expected to receive answers, Richard Shiff presents a challenging alternative. In this essential new addition to James Elkins’s series Theories of Modernism and Postmodernism in the Visual Arts, Richard Shiff embraces doubt as a critical tool and asks how particular histories of art have come to be. Shiff’s turn to doubt is not a retreat to relativism, but rather an insistence on clear thinking about art. In particular, Shiff takes issue with the style of self-referential art writing seemingly 'licensed' by Roland Barthes. With an introduction by Rosie Bennett, Doubt is a study of the tension between practicing art and practicing criticism.
