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A bibliographical dictionary which constitutes details of the Spanish school, covering artists born in Spain as well as those who worked chiefly in Spain. Approximately 1600 years of Spanish art are documented with consideration paid to each artist's birth and death dates, medium and bibliographical references. The three-volume work lists about 10,000 painters, sculptors, draftsmen, printmakers, architects and applied artists. Some entries also include explanatory, interpretive or clarifying notes.
The Encyclopedia of Twentieth-Century Latin American and Caribbean Literature, 1900-2003 draws together entries on all aspects of literature including authors, critics, major works, magazines, genres, schools and movements in these regions from the beginning of the twentieth century to the present day. With more than 200 entries written by a team of international contributors, this Encyclopedia successfully covers the popular to the esoteric.The Encyclopedia is an invaluable reference resource for those studying Latin American and/or Caribbean literature as well.
Coverage in this annual review of the literature presents a comprehensive survey of the vast field of study involving organophosphorus compounds, from phosphines and phosphonium salts through to phosphorous acids, nucleotides and ylides. The critical reviews in this volume enable industrial and academic researchers to keep abreast of the latest developments in their specialist fields.
Coverage in this annual review of the literature presents a comprehensive survey of the vast field of study involving organophosphorus compounds, from phosphines and phosphonium salts through to phosphorous acids, nucleotides and ylides. The critical reviews in this volume enable industrial and academic researchers to keep abreast of the latest developments in their specialist fields.
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For nearly three centuries Leonardo da Vinci's work was known primarily through the abridged version of his Treatise on Painting, first published in Paris in 1651 and soon translated into all the major European languages. Here for the first time is a study that examines the historical reception of this vastly influential text. This collection charts the varied interpretations of Leonardo's ideas in French, Italian, Spanish, English, German, Dutch, Flemish, Greek, and Polish speaking environments where the Trattato was an important resource for the academic instruction of artists, one of the key sources drawn upon by art theorists, and widely read by a diverse network of artists, architects, ...