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Ekphrasis, Memory and Narrative after Proust
This book explores the relationship between ekphrasis and memory in the novel. Drawing on À la recherche du temps perdu, Leonid Bilmes considers how Vladimir Nabokov, W. G. Sebald, Ben Lerner, Ali Smith and Lydia Davis have employed and reshaped Proust's way of depicting the recollected past. In Ada, Austerlitz, 10:04, How to Be Both and The End of the Story, memory images are variously transposed into intermedial descriptions that inform the narrator's story, just as they serve to shape the reader's own remembrance of each of these narratives. Ekphrasis in the novel after Proust, Bilmes argues, acts as a distinct site within the text where past and present, self and other, image and text, seeing and hearing, are ever on the brink of reconciliation. The book surveys a wide field of critical inquiry, encompassing classical theorizations of ekphrasis, philosophical explorations of memory and visuality, as well as seminal studies of image-text relations by, among others, W. J. T. Mitchell, Jean-Luc Nancy and Liliane Louvel. Bilmes's compelling dialogue with theory and literature evinces the underexplored bond between ekphrasis and memory in the contemporary novel.
Ekphrasis, Memory and Narrative After Proust
"This book explores the relationship between ekphrasis and memory in the novel after Marcel Proust. Drawing on À la recherche du temps perdu as a model, Leonid Bilmes considers how Vladimir Nabokov, W.G. Sebald, Lydia Davis, Ali Smith and Ben Lerner have employed and reshaped Proust's way of depicting the recollected past. In each of these writers' works, memory images are variously transformed into alluring intermedial objects that inform the narrator's story, just as they shape the reader's own memory of the text. Ekphrasis in the novel after Proust, Bilmes argues, is more than mere descriptive ornament or plot device: it is a pivotal textual site where image and text, past and present, m...
Knausgård and the Autofictional Novel
Norwegian author Karl Ove Knausgård’s six-volume, 3600-page autobiographical novel, My Struggle, has been widely hailed for its heroic exploration of selfhood, compulsive readability, and restless experimentation with form and genre. Knausgård and the Autofictional Novel explains why. Across four chapters, Claus Elholm Andersen shows how Knausgård confronts, challenges, and rejects the symbiotic relationship between novels and fiction, particularly via a technique of "auto-fictionalization." The fifth chapter then explores the further breakdown of this relationship in autofiction by Sheila Heti, Rachel Cusk, and Ben Lerner, taking readers to what Lerner called "the very edge of fiction."
The Prosthetic Imagination
This book develops a new theoretical account of the historical role of the novel in fashioning our bodies and environments.
Fictional Worlds and Philosophical Reflection
This edited collection investigates the kinds of philosophical reflection we can undertake in the imaginative worlds of literature. Opening with a look into the relations between philosophical thought and literary interpretation, the volume proceeds through absorbing discussions of the ways we can see life through the lens of literature, the relations between philosophical saying and literary showing, and some ways we can see the literary past philosophically and assess its significance for the present. Taken as a whole, the volume shows how imagined contexts can be a source of knowledge, a source of conceptual clarification, and a source of insight and understanding. And because philosophic...
The Comic Turn in Contemporary English Fiction
The Comic Turn in Contemporary English Fiction explores the importance of comedy in contemporary literature and culture. In an era largely defined by a mood of crisis, bleakness, cruelty, melancholia, environmental catastrophe and collapse, Huw Marsh argues that contemporary fiction is as likely to treat these subjects comically as it is to treat them gravely, and that the recognition and proper analysis of this humour opens up new ways to think about literature. Structured around readings of authors including Martin Amis, Nicola Barker, Julian Barnes, Jonathan Coe, Howard Jacobson, Magnus Mills and Zadie Smith, this book suggests not only that much of the most interesting contemporary writi...
Out of This World
The twenty-first century has witnessed an explosion of speculative fiction in translation (SFT). Rachel Cordasco examines speculative fiction published in English translation since 1960, ranging from Soviet-era fiction to the Arabic-language dystopias that emerged following the Iraq War. Individual chapters on SFT from Korean, Czech, Finnish, and eleven other source languages feature an introduction by an expert in the language's speculative fiction tradition and its present-day output. Cordasco then breaks down each chapter by subgenre--including science fiction, fantasy, and horror--to guide readers toward the kinds of works that most interest them. Her discussion of available SFT stands alongside an analysis of how various subgenres emerged and developed in a given language. She also examines the reasons a given subgenre has been translated into English. An informative and one-of-a-kind guide, Out of This World offers readers and scholars alike a tour of speculative fiction's new globalized era.
The Encyclopedia of Contemporary American Fiction, 2 Volumes
Fresh perspectives and eye-opening discussions of contemporary American fiction In The Encyclopedia of Contemporary American Fiction: 1980-2020, a team of distinguished scholars delivers a focused and in-depth collection of essays on some of the most significant and influential authors and literary subjects of the last four decades. Cutting-edge entries from established and new voices discuss subjects as varied as multiculturalism, contemporary regionalisms, realism after poststructuralism, indigenous narratives, globalism, and big data in the context of American fiction from the last 40 years. The Encyclopedia provides an overview of American fiction at the turn of the millennium as well as...
The Age of Disruption
Half a century ago Adorno and Horkheimer argued, with great prescience, that our increasingly rationalized world was witnessing the emergence of a new kind of barbarism, thanks in part to the stultifying effects of the culture industries. What they could not foresee was that, with the digital revolution and the pervasive automation associated with it, the developments they had discerned would be greatly accentuated, giving rise to the loss of reason and to the loss of the reason for living. Individuals are now overwhelmed by the sheer quantity of digital information and the speed of digital flows, resulting in a kind of technological Wild West in which they find themselves increasingly power...
Fictional Worlds and Philosophical Reflection
This edited collection investigates the kinds of philosophical reflection we can undertake in the imaginative worlds of literature. Opening with a look into the relations between philosophical thought and literary interpretation, the volume proceeds through absorbing discussions of the ways we can see life through the lens of literature, the relations between philosophical saying and literary showing, and some ways we can see the literary past philosophically and assess its significance for the present. Taken as a whole, the volume shows how imagined contexts can be a source of knowledge, a source of conceptual clarification, and a source of insight and understanding. And because philosophic...
