Welcome to our book review site go-pdf.online!

You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.

Sign up

La Orosa
  • Language: en
  • Pages: 232

La Orosa

  • Type: Book
  • -
  • Published: 1994
  • -
  • Publisher: Unknown

None

Her Son, Jose Rizal
  • Language: en
  • Pages: 92

Her Son, Jose Rizal

  • Type: Book
  • -
  • Published: 1991
  • -
  • Publisher: Unknown

Considered "best play of the year" in 1955.

Curtain Call
  • Language: en
  • Pages: 360

Curtain Call

None

Treading Through
  • Language: en
  • Pages: 562

Treading Through

  • Type: Book
  • -
  • Published: 2006
  • -
  • Publisher: UP Press

"This book is a first reader in Philippine dance, observed through forty-five years of viewing, reviewing, and doing. It is one observer's understanding of what, where, or how is dance, and who makes it and why we dance. It attempts to answer these questions, aware that more questions ought to be further asked."--BOOK JACKET.

Introduction to Art Appreciation and Aesthetics
  • Language: en
  • Pages: 196

Introduction to Art Appreciation and Aesthetics

None

Art: Perception & Appreciation
  • Language: en
  • Pages: 356

Art: Perception & Appreciation

None

The Filipino Moving Onward 4' 2007 Ed.
  • Language: en
  • Pages: 324

The Filipino Moving Onward 4' 2007 Ed.

None

Musical Journal of the Philippines
  • Language: en
  • Pages: 56

Musical Journal of the Philippines

  • Type: Book
  • -
  • Published: 1966
  • -
  • Publisher: Unknown

None

Humanities and the Digital Arts' 2006 Ed.
  • Language: en
  • Pages: 220

Humanities and the Digital Arts' 2006 Ed.

None

The Day the Dancers Stayed
  • Language: en
  • Pages: 229

The Day the Dancers Stayed

Pilipino Cultural Nights at American campuses have been a rite of passage for youth culture and a source of local community pride since the 1980s. Through performances—and parodies of them—these celebrations of national identity through music, dance, and theatrical narratives reemphasize what it means to be Filipino American. In The Day the Dancers Stayed, scholar and performer Theodore Gonzalves uses interviews and participant observer techniques to consider the relationship between the invention of performance repertoire and the development of diasporic identification. Gonzalves traces a genealogy of performance repertoire from the 1930s to the present. Culture nights serve several functions: as exercises in nostalgia, celebrations of rigid community entertainment, and occasionally forums for political intervention. Taking up more recent parodies of Pilipino Cultural Nights, Gonzalves discusses how the rebellious spirit that enlivened the original seditious performances has been stifled.