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Max Pechstein: The Rise and Fall of Expressionism
Max Pechstein (1881–1955) is one of the most prominent German artists of the twentieth century, not least because of his crucial role in the breakthrough of German Expressionism. This long overdue biography combines the portrayal of an outstanding artistic personality with the story of an individual German who struggled through the political upheavals of his time. Pechstein's work is presented in the cultural context of museum politics and art associations, art dealers and critics, market forces and cultural trends.
Goering's Man in Paris
A charged biography of a notorious Nazi art plunderer and his career in the postwar art world "[Petropoulos] brings Lohse into sharper focus, as a personality and axis point from which to explore a network of art dealers, collectors and museum curators connected to Nazi looting. . . . What emerges from Petropoulos's research is a portrait of a charismatic and nefarious figure who tainted everyone he touched."--Nina Siegal, New York Times "Readers of art history and WWII biographies will appreciate this engrossing deep dive into one of the world's most prolific art looters."--Publishers Weekly Bruno Lohse (1911-2007) was one of the most notorious art plunderers in history. Appointed by Her...
Dynastic Colonialism
Dynastic Colonialism analyses how women and men employed objects in particular places across the world during the early modern period in order to achieve the remarkable expansion of the House of Orange-Nassau. Susan Broomhall and Jacqueline Van Gent explore how the House emerged as a leading force during a period in which the Dutch accrued one of the greatest seaborne empires. Using the concept of dynastic colonialism, they explore strategic behaviours undertaken on behalf of the House of Orange-Nassau, through material culture in a variety of sites of interpretation from palaces and gardens to prints and teapots, in Europe and beyond. Using over 140 carefully selected images, the authors co...
Serials Cataloging at the Turn of the Century
An overview of the research topics and trends that have appeared over the last five years, Serials Cataloging at the Turn of the Century doesn’t just tell you that there has been a lot of change--that the information environment is something of a chameleon, always beguiling and slipping out of grasp. Instead, it gives you the plain facts on the specific challenges serials catalogers have been facing and how they’re meeting adversity head-on, ready to gain the advantage in the rumble with proliferating information and formats. Comprehensive, resource-packed, and easy-to-digest, Serials Cataloging at the Turn of the Century examines how developments in automation and national standards hav...
The Last Masterpiece
In a race across Nazi-occupied Italy, two women—a German photographer and an American stenographer—hunt for priceless masterpieces looted from the Florentine art collections. In the summer of 1943, Eva Brunner is taking photographs of Nazi-looted art hidden inside the salt mines of the Austrian hinterland. Across the ocean in Connecticut, Josephine Evans is working as a humble typist at the Yale Art Gallery. When both women are called to Italy to contribute to the war effort, neither imagines she will hold the fate of some of the world’s greatest masterpieces torn from the Uffizi Galleries and other Florentine art collections in her hands. But as Italy turns from ally to enemy and Hitl...
New Perspectives on Br?cke Expressionism
New Perspectives on Br?cke Expressionism: Bridging History brings together highly-renowned international art historians in a scholarly work that offers the first full-length reassessment in English of the importance of the Br?cke group to German modernism specifically and to international modernism more generally. It challenges, interrogates and updates existing orthodoxies in the field of Br?cke studies by deploying new research combined with innovative interpretative approaches. This is an exciting volume of essays with an interlinking tripartite structure that charts the significance of this pioneering German avant-garde group in relation to various critical themes, namely, 'cultural and ...
Glitter and Doom
In the 1920s Germany was in the grip of social and political turmoil: its citizens were disillusioned by defeat in World War I, the failure of revolution, the disintegration of their social system, and inflation of rampant proportions. Curiously, as this important book shows, these years of upheaval were also a time of creative ferment and innovative accomplishment in literature, theater, film, and art. Glitter and Doom is the first publication to focus exclusively on portraits dating from the short-lived Weimar Republic. It features forty paintings and sixty drawings by key artists, including Otto Dix, Max Beckmann, and George Grosz. Their works epitomize Neue Sachlichkeit (New Objectivity)...
Library of Congress Catalog
Beginning with 1953, entries for Motion pictures and filmstrips, Music and phonorecords form separate parts of the Library of Congress catalogue. Entries for Maps and atlases were issued separately 1953-1955.
"Ostasiatische Zeitschrift" (1912-1943), "Mitteilungen der Gesellschaft für Ostasiatische Kunst" (1926-1943)
Die Ostasiatische Zeitschrift (1912-1943), herausgegeben von Otto Kummel (1874-1952) und William Cohn (1880-1961), war neben der Asia Major (1923-1935) die bedeutendste deutsche Ostasienzeitschrift; ihr Spektrum reichte von Indien bis Japan, und wahrend der Schwerpunkt auf der Kunstgeschichte lag, findet sich eine grosse Anzahl von Beitragen und Rezensionen zu Themen wie Geschichte, Literatur, Landeskunde usw. In vieler Hinsicht noch nicht veraltet, gehoren die Artikel nach wie vor zum notwendigen wissenschaftlichen Fundus der ostasiatischen Kunstgeschichte. Die Bibliographie analysiert den Inhalt der Zeitschrift und erschliesst ihn durch Namen- und Sachregister.
Translocality
This volume discusses globalising processes from the perspective of the humanities and social sciences. It focuses on the ‘global south’, notably the Middle East, Asia, and Africa. Densely researched case studies examine a variety of approaches for their potential to understand connecting processes on different scales. The studies seek to overcome the main traps of the ‘globalisation’ paradigm, such as its occidental bias, its notion of linear expansion, its simplifying dichotomy between ‘local’ and ‘global’, and an often-found lack of historical depth. They elaborate the asymmetries, mobilities, opportunities and barriers involved in globalising processes. Their new perspective on these processes is captured by the concept of ‘translocality’, which aims at integrating a variety of theoretical and methodological approaches from different disciplines.
