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As one of the worlds megacities, São Paulo has for decades seen an investment in architectural infrastructures that attempt to mitigate its open space shortages as well as fulfill the constant need for recreational, cultural, and sports programs. These buildings and open spaces - which can be public, semi-public, or privately-owned - arguably attempt to create inclusive places for urban society. This exhibition catalogue presents projects at different scales, focusing on their programmatic characteristics rather than the formal qualities usually emphasized in scholarship on Brazilian architecture. While many cities around the world are still chasing the so-called "Bilbao Effect" - the creat...
Francis Kéré
Unlike almost any other architect, Diébédo Francis Kéré (*1965 in Burkina Faso) stands for the association of constructive, social, and cultural aspects of building. He made a name for himself not only with his designs for Christoph Schlingensief's Opera Village Africa. He has received numerous international awards, primarily for his building projects in his native country of Burkina Faso-- including the 2004 Aga Khan Award for Architecture. His structures join his formal training at the Technische Universität Berlin with the traditional building methods of Burkina Faso. In doing so, he places local social and historical needs at the center of his design concepts. The innovative thing a...
Afritecture
Africa's economic boom is being accompanied by a rapid urban growth that is decidedly altering the continent. Approaches to an individual, ecological, and context-sensitive kind of architecture are evolving within these transformative processes. In these changing urban structures, numerous projects aim at making an impact on society. Thus, a large number of building schemes-most of them conceived with the help of the local population-are turning the city into an experimental field for design. Rural planning, on the other hand, is developing traditional local architectural techniques, vocabularies, and materials through technological and stylistic innovations. This catalogue features essays by the architectural historian Andres Lepik and others, and presents around twenty outstanding examples of contemporary African architecture south of the Sahara. 0Exhibition: Pinakothek der Moderne, Architekturmuseum der TU München, Germany (13.9.2013-13.1.2014).
The Architecture Machine
Today, it is hard to imagine the everyday work in an architectural practice without computers. Bits and bytes play an important role in the design and presentation of architecture. The book, which is published in the context of an exhibition of the same name of the Architekturmuseum der TUM at the Pinakothek der Moderne in Munich (October 14, 2020 to January 10, 2021), for the first time considers - in depth - the development of the digital in architecture. In four chapters, it recounts this intriguing history from its beginnings in the 1950s through to today and presents the computer as a drawing machine, as a design tool, as a medium for telling stories, and as an interactive communication platform. The basic underlying question is simple: Has the computer changed architecture? And if so, by how much?
Kosmos der Architektur
Oswald Mathias Ungers is one of Germany's most influential architects as well as one of the 20th century's most influential architectural theorists. This volume uses his collection of art and architectural models, his buildings and library, to shed light on the different aspects of his theoretical approach.
Experience in Action!
DesignBuild is a method of instruction that students use to design and build actual projects at several architecture schools around the world, often in developing countries, but sometimes on their own doorsteps. With DesignBuild, students gain experience that goes far beyond planning and design. The focus is on temporary buildings and long-term projects, experimental approaches and interventions into infrastructures. With respect to the main aspects of research - dialogue - design - build, research contexts and processes of individual projects come under discussion. Constructive aspects and social exchange are also important. The book provides a critical overview of the most exciting DesignBuild projects worldwide.
Lina Bo Bardi 100
On the occasion of Italio-Brazilian architect Lina Bo Bardi's one hundredth birthday, this richly illustrated volume presents an overview of her oeuvre and highlights iconic buildings, such as her own home, the so-called Casa de Vidro, the Museo de Arte de Sao Paulo, and the cultural center SESC Pompeia. This is a spectacular book on a celebrated architect. Spanning architecture, stage sets, fashion, and furniture, her work drew inspiration from the International Style, which she translated into her own visual language. Fundamental to her work was her thoughtful engagement with her adopted country of Brazil, its culture, society, and politics, and she productively and provocatively voiced her sometimes radical views through designs, exhibitions, and writings.
Show & tell
Architectural collections are warehouses of knowledge: they are resources for historical plans and buildings, and they offer insight and ideas for the designs of tomorrow. However, in the age of computer-aided design, the sketches, plans and models that were once available for research and exhibitions are being replaced by bits and bytes on a variety of storage media whose lifetimes have no guaranteed length. How will that change the profile of a classic architectural collection in the time to come? How will the history of architecture be written in the future, and how will exhibitions be presented? The Architekturmuseum at the Technical University in Munich has one of the largest special collections of architecture in Europe. This publication presents its complex history while placing it in the context of other prominent international collections. Selected examples are used to discuss questions about collecting, research and the exhibition of architecture in the future.
Displayed Spaces
Why do we organise architecture exhibitions? Conventional shows - contexts displaying documentation, technical drawings, three-dimensional models, photographs and videos, frameworks where sketches and drawings are treated as if they were "paintings", models as if they were "sculptures" and photographs idealising what they depict within strangely uninhabited landscapes - are contrasted by practices of display that focus on a different kind of investigation and offer an uncharacteristic way of involving the public with the show by means of spatial solutions within the exhibition space. The attitude that characterises the traditional approach to architecture exhibitions inevitably generates a d...
Raimund Abraham [UN]BUILT
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