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Fiches du cinéma
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Cinema Arthuriana
The legends of King Arthur have not only endured for centuries, but also flourished in constant retellings and new stories built around the central themes. With the coming of motion pictures, Arthur was destined to hit the screen. This edition of Cinema Arthuriana, revised in 2002, presents 20 essays on the topic of the recurring presence of the legend in film and television from 1904 to 2001. They cover such films as Excalibur (1981) and Monty Python and the Holy Grail (1975), television productions such as The Mists of Avalon (2001), and French and German films about the quest for the Holy Grail and the other adventures of King Arthur and the Knights of the Round Table.
L'Annuel du Cinéma 2012
Depuis 1944, les Fiches du Cinéma éditent, chaque année, l'Annuel du Cinéma. L'édition 2012 comprend 611 films pour 611 fiches. Chaque fiche comprend : un générique complet, un résumé intégrale, un commentaire, une photo. L'Annuel du Cinéma, c'est aussi une somme d'informations extrêmement complète : un éphéméride, les Films qui ont marqué l'année, un carnet de tendances, composé d'interviews de personnalités invitées à faire le point sur les mutations que connaît actuellement le cinéma, le Box-Office, les Etoiles de la rédaction, des index (Réalisateurs, titres originaux, premiers longs métrages, nationalités, distributeurs, genres), un répertoire thématique, les Palmarès (festivals français et étrangers, récompenses et prix nationaux et internationaux), la Nécrologie des artistes disparus durant l'année.
Cinéma pleine page : l'édition cinématographique de langue française
L'édition d'ouvrages et de périodiques consacrés au cinéma s'est beaucoup développée ces dernières années. L'ouvrage en retrace l'histoire et fait ressortir les tendances actuelles. Complété par un répertoire général des titres disponibles au 1er mai 1985. « Copyright Electre »
The Films of Jean Seberg
Here is the first comprehensive examination of the international film career of Iowa-born actress Jean Seberg (1938-1979). Bursting onto the scene as star of Otto Preminger's controversial Saint Joan (1957), the 19-year-old Seberg encountered great difficulty recovering from the devastating criticism of her performance. The turnaround came in 1959 with her brilliant work in Jean-Luc Godard's "new wave" classic A bout de souffle (Breathless). Though her Hollywood prospects were harmed by subsequent political involvements, Seberg continued to work with some of Europe's finest directors. Her later films offer a fascinating view of the movie industry in the 1960s and 1970s--and of a courageous actress always ready for a new challenge. A biographical sketch provides a framework for detailed scrutiny of her 37 films. Background information and a critical evaluation is provided for each title.
Des voix dans le siècle
Ce livre décrit la manière dont les intellectuel·les catholiques belges ont participé aux grands bouleversements de la vie culturelle et scientifique de ces dernières décennies tels que le nouveau roman, la nouvelle vague, l'avènement des expertes en sciences humaines, le marxisme, l'écologie, le féminisme ou encore la psychanalyse. Leur engagement s'est caractérisé par une solide capacité d'adaptation. De la sorte, ils et elles sont parvenu·es à se repositionner pour affronter la vague de déchristianisation de la deuxième moitié du XXe siècle et faire entendre leur voix. Ces hommes et ces femmes ont forgé un nouveau langage pour dire une foi réinventée, plus personnelle...
Canada's Best Features
Long recognized for outstanding National Film Board documentaries and innovative animated movies, Canada has recently emerged from the considerable shadow of the Hollywood elephant with a series of feature films that have captured the attention of audiences around the world. This is the first anthology to focus on Canada's feature films - those acknowledged as its very best. With essays by senior academics and leading scholars from across the country as well as some fresh new voices, Canada's Best Features offers penetrating analyses of fifteen award-winning films. Internationally acclaimed directors David Cronenberg, Atom Egoyan, Denys Arcand, and Claude Jutra are represented here. Notewort...
Masculine Singular
Masculine Singular is an original interpretation of French New Wave cinema by one of France’s leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Geneviève Sellier focuses on the social and cultural turbulence of the cinema’s formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they “wrote” in the masculine first-person singular, often using male protagonists as stand-ins for themselves. In their films, they explored relations between men and women, and they...
The Classic French Cinema, 1930-1960
Colin Crisp re-evaluates the stylistic evolution of the classic French cinema, and represents the New Wave film-makers as its natural heirs rather than the mould-breakers they perceived themselves to be.
