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The New Poetics
Poetry. A cross-referenced encyclopedia of all things New, Mathew Timmons's THE NEW POETICS challenges the prevailing obsession with the emergent and the reinvented by remaking The New itself in the image of the banal. Employing techniques of collage and appropriation, Timmons explores the endless repetition and recapitulation inherent in a language constructed from signs, signifiers, memes, short-hands, ready-made phrases and the vast wash of pop-culture paraphernalia. Written with poetics as both subject and approach, but in rambling prose paragraphs and breathless, run-on sentences, THE NEW POETICS simultaneously critiques and reenacts the search for the ever-desirable and ever-elusive New in the rubble of convention.
I'll Drown My Book
This book includes work by 64 women from 10 countries. Contributors respond to the question: What is conceptual writing? 'I'll Drown My Book' offers feminist perspectives within this literary phenomenon.
Maison Femme: A Fiction
Maison Femme: A Fiction Teresa Carmody, text Vanessa Place, images
Wound Building
"Wound Building is a volume of essays, with digressions, on one group of contemporary poets active in a self-organizing political poetry scene in the UK, most of whom have little to no audience outside of the little magazines that they publish and the reading series they put on. The book is a front-line report on the rapid development of this poetry in the period between 2015 and 2020, with a particular focus on the relationship of poetry to violence and its representation ... Ultimately, Hayward argues that the lessons this poetry teaches is never to write a "worthy" narrative when a fucked up collage will do. Rather than a cohesive "account" of a "school" of poets, or a "contribution" to t...
Closer to Dust
No one thinks straight. At least no one remembers straight. But ten years ago, things were different, weren’t they? Roland Barthes once wrote that color in a photograph is like make-up on a corpse. No one is fooled. In anarchic denial of convenient truths, a young international couple meet and marry on a small Mediterranean island. Ten years later, the couple separate in part due to complications with immigration laws. Following this transcontinental rupture, fragmented histories emerge in response to the woman’s encounters with a series of color snapshots. There is death here, familiar to the mourner, as the photographs issue their special powers to magically and auspiciously predict th...
Obiter Dicta
Stitched together over five years of journaling, Obiter Dicta is a commonplace book of freewheeling explorations representing the transcription of a dozen notebooks, since painstakingly reimagined for publication. Organized after Theodor Adorno's Minima Moralia, this unschooled exercise in aesthetic thought--gleefully dilettantish, oftentimes dangerously close to the epigrammatic--interrogates an array of subject matter (although inescapably circling back to the curiously resemblant histories of Western visual art and instrumental music) through the lens of drive-by speculation. Erick Verran's approach to philosophical inquiry follows the brute-force literary technique of Jacques Derrida to ...
Kern
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Coyote
Fiction. A daughter disappears in the middle of the night. What happens in the aftermath of this tragedy after the search is abandoned, after the TV crews move on to cover the latest horrific incident is the story of COYOTE. There is a marriage and a detective. There is a storm, a talk show host, and a roasted boar. People are murdered and things are hidden. Coyotes skulk in the woods, a man stands by the fence, and a tale emerges within this familiar landscape of the violent unknown "COYOTE has a strong and inviting voice and that voice wraps around a dark story, a contemporary story, and one that has its own velocity and fragmentation built in. I found myself swept along in it and impacted...
The Tales
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A
Poetry. LGBT Studies. How do you trace death? What do you make of the useless objects left behind? Conjuring Cage, Stein, and Francesca Woodman, British poet Sophie Robinson documents the detritus of sudden loss. Layering word and image, object and subject, the said with the unsayable, A is as Caroline Bergvall writes, " a] work of mourning. Angry, torn, hardly daring to remember" a textual performance of "love that dares to speak as queer." A is published as part of the TrenchArt: Tracer Series, with a foreword by Caroline Bergvall, an afterword by Diane Ward, and collaborative visual art by Ken Erhlich and Susan Simpson."
