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The Serpent and the Rose: The Immaculate Conception and Hispanic Poetry in the Late Medieval Period
The Serpent and the Rose examines the theological and liturgical context for the doctrine of the Immaculate Conception in the Middle Ages, from primary sources in Iberian archives. Its main focus is a study of Marian poetry from Alfonso the Wise and Gonzalo de Berceo through to the poetry collections of the late fifteenth century, showing how poets took themes from the Bible and apocryphal literature, combining them to defend and praise Mary’s conception without sin. Individual chapters assess how they depicted Mary’s prefiguration in the Old Testament by the Woman who defeated the serpent, the young bride of the Song of Songs, or the semi-deity, Wisdom, how they portray her as the mystic rose and as the new Eve.
Women in Contemporary Culture
This is the only comparative study of its kind, investigating how women construct their roles within the public sphere and highlighting the ways in which traditional versus modern values impact on female identity in France and Spain. Which female figures are proposed for our admiration? Who proposes them and what values do they represent? This study embarks on an analysis of such cultural icons, going on to address contemporary roles and issues concerning women in the two countries. Finally, Twomey shows how these two strands of discussion inform and interact with each other. The 20th Century.
Christ, Mary, and the Saints
The last decade has witnessed a striking upsurge of interest in Iberian hagiography. In painting and the fine arts through to poetic and narrative treatments composed in Castilian and Catalan, the legacies of Christ, Mary, and the saints have been approached from a range of perspectives and subjected to detailed critical scrutiny. This book, which focuses specifically on the application of theoretical and methodological approaches to analysis, asks what scholars of early Iberian hagiography can bring to the analysis of the sacred past and how the study of the discipline can be taken forward innovatively in the future. Its fourteen essays, each focusing on a different aspect of composition, seek in particular to explore interdisciplinary methodologies and the ways in which they intersect with broader discourses in other branches of research. Contributors are Carme Arronis Llopis, Fernando Baños Vallejo, Andrew M. Beresford, Sarah Jane Boss, Sarah V. Buxton, Marinela Garcia Sempere, Ryan D. Giles, Ariel Guiance, Lluís Ramon i Ferrer, Rebeca Sanmartín Bastida, Connie L. Scarborough, and Lesley K. Twomey.
Spoken Word and Social Practice
Spoken Word and Social Practice: Orality in Europe (1400-1700) addresses historians and literary scholars. It aims to recapture oral culture in a variety of literary and non-literary sources, tracking the echo of women’s voices, on trial, or bantering and gossiping in literary works, and recapturing those of princes and magistrates, townsmen, villagers, mariners, bandits, and songsmiths. Almost all medieval and early modern writing was marked by the oral. Spoken words and turns of phrase are bedded in writings, and the mental habits of a speaking world shaped texts. Writing also shaped speech; the oral and the written zones had a porous, busy boundary. Cross-border traffic is central to this study, as is the power, range, utility, and suppleness of speech. Contributors are Matthias Bähr, Richard Blakemore, Michael Braddick, Rosanna Cantavella, Thomas V. Cohen, Gillian Colclough, Jan Dumolyn, Susana Gala Pellicer, Jelle Haemers, Marcus Harmes, Elizabeth Horodowich, Carolina Losada, Virginia Reinburg, Anne Regent-Susini, Joseph T. Snow, Sonia Suman, Lesley K. Twomey and Liv Helene Willumsen.
The Talk of the Town
The Talk of the Town explores everyday communication in a sixteenth-century small town and the role it played in the circulation of information across and within early modern communities. It does so through the lens of the St Gall linen trader Johannes Rütiner (1501-1556/7) and his notebooks, the Commentationes; a little-known source which offers unusual insights into an oral world normally hidden from view. A close reading of Rütiner's notes on hundreds of conversations reveals what the inhabitants of a sixteenth-century town talked about, through which channels such information reached them, and how it was then processed, shared, criticized, contradicted, and employed as a means to forge and strengthen social bonds. By bringing together the histories of sociability and information, reconstructing Ru?tiner's network of informants and probing a broad variety of exchanges-jokes, gossip, news, and tales of the past-Carla Roth rethinks both what constituted valuable information in the sixteenth century and who was able to provide it, and argues that the circulation of information remained inseparably linked to the social dynamics of face-to-face exchanges long into the age of print.
The Fabric of Marian Devotion in Isabel de Villena's Vita Christi
First comprehensive survey of Isabel de Villena (Sor Isabel), the fifteenth-century Spanish nun and writer. Isabel de Villena (1430-1490) is one of the most fascinating women of the Spanish middle ages. Related to the royal family, she became abbess of the Poor Clare convent, the Santa Trinitat, in Valencia in 1462, a position she heldfor almost thirty years until her death. Her treatise on the religious life, Vita Christi, was the first book by a woman to be printed in the kingdom of Aragon. This is the first full-length survey in English of Isabel's life and literary works. The author pays particular attention to the way in which devotion to the Virgin Mary is manifested and described through material culture, on her rich fabrics, brocades, silks, shoes, and crown. The book thus highlights not only Isabel's distinctive contribution to the genre of the Vita Christi, but also reflects the status of Valencia as a centre for trade and producer of silks and velvets at the time, as well as its flourishing shoe-making industry. Lesley K. Twomey is Principal Lecturer, Hispanic Studies, Northumbria University.
The Sacred Space of the Virgin Mary in Medieval Hispanic Literature
An examination of typology about place in relation to the Virgin Mary. This book takes a fresh look at some of the seemingly tired images of the Virgin Mary across the medieval and early Golden Age period in Hispanic literatures. It explores the Virgin as a gateway and as a Temple, as a garden and asa fountain, as a scented space, and as a strong defensive place (fortress or castle wall). It also explores her as a home and as a nuptial bedchamber, and sets these images in the context of known liturgical usage in medieval andearly modern Spain. LESLEY TWOMEY is Professor of Medieval and Golden Age Art and Literature at Northumbria University. She is the author of several books about peninsular Marian literature.
Psalms in the Early Modern World
Psalms in the Early Modern World is the first book to explore the use, interpretation, development, translation, and influence of the Psalms in the Atlantic world, 1400-1800. In the age of Reformation, when religious concerns drove political, social, cultural, economic, and scientific discourse, the Bible was the supreme document, and the Psalms were arguably its most important book.The Psalms played a central role in arbitrating the salient debates of the day, including but scarcely limited to the nature of power and the legitimacy of rule; the proper role and purpose of nations; the justification for holy war and the godliness of peace; and the relationship of individual and community to G...
Inquisitorial Inquiries
Among them are a politically incendiary prophet, a self-proclaimed hermaphrodite, and a morisco, an Islamic convert to Catholicism.
Mad for God
Convinced he was the Elijah Messiah, the Spanish peasant Bartolomé Sánchez believed that God had sent him in divine retribution for the crimes committed by the Inquisition and the Church. Sánchez's vocal and intolerable religious deviance quickly landed him in the very court he believed he was sent to destroy. Fortunately for him, the first inquisitor assigned to his case came to believe that Sánchez was not guilty by virtue of insanity, and tried to collect the proof that would save his life. For seven years, Sánchez shuttled between jails, hospitals, and his home village while his fate hung in the balance. Nalle convincingly evokes the compassion of Sánchez's first inquisitor, Pedro Cortes, as he struggled to save his prisoner's life, and argues that the Spanish, compared to other Europeans of the day, were remarkably rational and humane when dealing with the mentally ill. A gripping tale of madness and religious conviction, Mad for God offers new historical insight into the ongoing debate over the nature of religious inspiration, insanity, and criminal responsibility.
