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The medieval treasure house, consisting of sacristy, vestry and treasure rooms was the depository for the ecclesiastical treasure belonging to a church, holy vessels, vestments, altar hangings, candlesticks and priceless liturgical books and reliquaries. It was carefully designed to convey the message of its status and function. A book devoted to these medieval museums which housed such precious materials is long overdue. Ironically, the interest in the objects that they conserved has often resulted in ecclesiastical treasure being removed to new museums, leaving their former places of protection in need of protection themselves.
The 30 circular walks in this book range throughout Northumbria, from four to 12 miles and with shorter options, each starting from a noteworthy church.
The early 16th-century baptismal font canopy of the church of St. Peter Mancroft, Norwich, is one of only three such structures to survive anywhere in the British Isles. This study, inspired by the recent rediscovery of four attributable panels at the Philadelphia Museum of Art, offers a trans-temporal account of the canopy’s initial creation and subsequent use, mutilation, and modification. Written by a team of scholars in art/architectural history, art conservation, heritage documentation, literary studies, and museum curation, it explores the installation’s multiple artistic, ritual, and cultural contexts, from late medieval and early modern Europe to modern-day North America. Contributors are Benjamin Baaske, Sarah Blick, Kate Duffy, Brent R. Fortenberry, Amy Gillette, Jack Hinton, Lesley Milner, Peggy Olley, Ellen K. Rentz, Behrooz Salimnejad, Zachary Stewart, Achim Timmermann, Charles Tracy, Kim Woods, and Lucy Wrapson.
En beskrivelse af franske kunstneres opfattelse af Frankrigs krig mod Preussen, Pariserkommunen og den nye franske republik, som det kommer til udtryk i deres kunst
This collection explores multiple artefactual, visual, textual and conceptual adaptations, developments and exchanges across the medieval world in the context of their contemporary and subsequent re-appropriations.
Medieval Architecture and its Intellectual Context reflects the range of Peter Kidson's own interests and are united in following his approach to medieval architecture and art: a determination to see buildings and objects in the intellectual terms of the time in which they were created.
The way a man thinks about his day-to-day living and the needs of his household reveals a great deal about his ambitions, his idea of himself, and his role in the community. And his house or castle offers many clues to his habits as well as those of the members of his household. This intriguing book explores the evolution of country house plans throughout Britain and Ireland, from medieval times to the eighteenth century. With photographs and detailed architectural plans of each house under discussion, the book presents a whole range of new insights into how these homes were designed and what their varied designs tell us about the lives of their residents. Starting with fortified medieval tower houses, the book traces patterns that developed and sometimes repeated in country house design over the centuries. It discusses who slept in the bedchambers, where food was prepared, how rooms were arranged for official and private activities, what towers signified, and more. Groundbreaking in its depth, the volume offers a rare tour of country houses for scholar and general reader alike.
Paris: The Powers that Shaped the Medieval City considers the various forces – royal, monastic and secular – that shaped the art, architecture and topography of Paris between c. 1100 and c. 1500, a period in which Paris became one of the foremost metropolises in the West. The individual contributions, written by an international group of scholars, cover the subject from many different angles. They encompass wide-ranging case studies that address architecture, manuscript illumination and stained glass, as well as questions of liturgy, religion and social life. Topics include the early medieval churches that preceded the current cathedral church of Notre-Dame and cultural production in the...
England is remarkable for the wealth and variety of its archival heritage – the records created and preserved by institutions, organisations and individuals. This is the first book to treat the history of English records creation and record-keeping from the perspective of the archives themselves. Beginning in the early Middle Ages and ending in modern times, it draws on the author’s extensive knowledge and experience as both archivist and historian, and presents the subject in a very readable and lively way. Some archives, notably those of government and the Established Church, have remarkably continuous histories. But all have suffered over time from periods of neglect and decay, and so...
This volume brings together scholars of history, manuscript studies, and art and architectural history to examine in conversation the varieties of medieval archival acts, the heterogeneity of collections, and the motivations of collectors. It is united by the historically flexible concept of the archive, and contributors examine material from Seville to Prague, from the early Christian period through the Reformation. Premodern collections and archival practices are increasingly becoming the subject of academic inquiry. Chapter authors investigate how institutional, communal, and familial identity accrued to material culture, including illuminated manuscripts, ecclesiastic vestments, ancient ...