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Women in Contemporary Culture
  • Language: en
  • Pages: 200

Women in Contemporary Culture

This is the only comparative study of its kind, investigating how women construct their roles within the public sphere and highlighting the ways in which traditional versus modern values impact on female identity in France and Spain. Which female figures are proposed for our admiration? Who proposes them and what values do they represent? This study embarks on an analysis of such cultural icons, going on to address contemporary roles and issues concerning women in the two countries. Finally, Twomey shows how these two strands of discussion inform and interact with each other. The 20th Century.

The Sacred Space of the Virgin Mary in Medieval Hispanic Literature
  • Language: en

The Sacred Space of the Virgin Mary in Medieval Hispanic Literature

An examination of typology about place in relation to the Virgin Mary. This book takes a fresh look at some of the seemingly tired images of the Virgin Mary across the medieval and early Golden Age period in Hispanic literatures. It explores the Virgin as a gateway and as a Temple, as a garden and asa fountain, as a scented space, and as a strong defensive place (fortress or castle wall). It also explores her as a home and as a nuptial bedchamber, and sets these images in the context of known liturgical usage in medieval andearly modern Spain. LESLEY TWOMEY is Professor of Medieval and Golden Age Art and Literature at Northumbria University. She is the author of several books about peninsular Marian literature.

The Serpent and the Rose: The Immaculate Conception and Hispanic Poetry in the Late Medieval Period
  • Language: en
  • Pages: 330

The Serpent and the Rose: The Immaculate Conception and Hispanic Poetry in the Late Medieval Period

  • Type: Book
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  • Published: 2008-06-03
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  • Publisher: BRILL

The Serpent and the Rose examines the theological and liturgical context for the doctrine of the Immaculate Conception in the Middle Ages, from primary sources in Iberian archives. Its main focus is a study of Marian poetry from Alfonso the Wise and Gonzalo de Berceo through to the poetry collections of the late fifteenth century, showing how poets took themes from the Bible and apocryphal literature, combining them to defend and praise Mary’s conception without sin. Individual chapters assess how they depicted Mary’s prefiguration in the Old Testament by the Woman who defeated the serpent, the young bride of the Song of Songs, or the semi-deity, Wisdom, how they portray her as the mystic rose and as the new Eve.

Gender and Exemplarity in Medieval and Early Modern Spain
  • Language: en
  • Pages: 310

Gender and Exemplarity in Medieval and Early Modern Spain

  • Type: Book
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  • Published: 2020-09-07
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  • Publisher: BRILL

Gender and Exemplarity in Medieval and Early Modern Spain gathers a series of studies on the interplay between gender, sanctity and exemplarity in regard to literary production in the Iberian peninsula. The first section examines how women were con¬strued as saintly examples through narratives, mostly composed by male writers; the second focuses on the use made of exemplary life-accounts by women writers in order to fashion their own social identity and their role as authors. The volume includes studies on relevant models (Mary Magdalen, Virgin Mary, living saints), means of transmission, sponsorship and agency (reading circles, print, patronage), and female writers (Leonor López de Córdoba, Isabel de Villena, Teresa of Ávila) involved in creating textual exemplars for women. Contributors are: Pablo Acosta-García, Andrew M. Beresford, Jimena Gamba Corradine, Ryan D. Giles, María Morrás, Lesley K. Twomey, Roa Vidal Doval, and Christopher van Ginhoven Rey.

Catherine of Lancaster and her Religious Court Poets
  • Language: en

Catherine of Lancaster and her Religious Court Poets

This book offers an integrated study of the English princess and Castilian queen Catherine of Lancaster (1373–1418), drawing on available archival, architectural, and poetic sources in England and Spain. Catherine’s mother, Queen of Castile in exile, and father, the powerful military commander John of Gaunt, raised her to take the Castilian throne. This volume connects Catherine’s early life, providing insights into those who promoted her cause from birth as Princess of Castile, and her later life as Princess of Asturias, then Queen-consort, and finally Dowager and Co-regent of Castile. Her influence on the Castilian court’s poetic circles has not previously been connected to her English heritage. Poetry written about her and influenced by her was compiled into a songbook presented to her son, Juan II. The book brings new understanding of the role an Englishwoman played in Trastámara Castile’s turbulent history.

Women Readers and Writers in Medieval Iberia
  • Language: en
  • Pages: 507

Women Readers and Writers in Medieval Iberia

  • Type: Book
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  • Published: 2019-08-05
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  • Publisher: BRILL

A study of the cultural practices and paradigms of reading and textual composition among medieval Iberian women readers and writers (specifically Violant of Bar, Leonor López de Córdoba, Constanza de Castilla, Teresa de Cartagena and Isabel de Villena).

The Fabric of Marian Devotion in Isabel de Villena's Vita Christi
  • Language: en
  • Pages: 316

The Fabric of Marian Devotion in Isabel de Villena's Vita Christi

First comprehensive survey of Isabel de Villena (Sor Isabel), the fifteenth-century Spanish nun and writer. Isabel de Villena (1430-1490) is one of the most fascinating women of the Spanish middle ages. Related to the royal family, she became abbess of the Poor Clare convent, the Santa Trinitat, in Valencia in 1462, a position she heldfor almost thirty years until her death. Her treatise on the religious life, Vita Christi, was the first book by a woman to be printed in the kingdom of Aragon. This is the first full-length survey in English of Isabel's life and literary works. The author pays particular attention to the way in which devotion to the Virgin Mary is manifested and described through material culture, on her rich fabrics, brocades, silks, shoes, and crown. The book thus highlights not only Isabel's distinctive contribution to the genre of the Vita Christi, but also reflects the status of Valencia as a centre for trade and producer of silks and velvets at the time, as well as its flourishing shoe-making industry. Lesley K. Twomey is Principal Lecturer, Hispanic Studies, Northumbria University.

Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture
  • Language: en
  • Pages: 1184

Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture

  • Type: Book
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  • Published: 2012-05-07
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  • Publisher: BRILL

These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' (fecit). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, fro...

Excess and Transgression in Simone de Beauvoir's Fiction
  • Language: en
  • Pages: 243

Excess and Transgression in Simone de Beauvoir's Fiction

  • Type: Book
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  • Published: 2017-03-02
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  • Publisher: Routledge

Alison Holland’s innovative book fills a gap in Beauvoir studies by focusing on the writer’s frequently neglected novels and short stories, L’Invitée, Les Mandarins, Les Belles Images, and La Femme rompue. In illuminating the density and rich complexity of Beauvoir’s style, Holland challenges the often accepted view that Beauvoir’s writing is flat, detached, and controlled, revealing, rather, that her prose is frequently disrupted and inflected by forceful emotion. Holland shows that excess and transgression are intrinsic qualities of the texts, and argues that Beauvoir’s textual strategies duplicate madness in her fiction. Holland’s reading of Beauvoir’s fiction demonstrates the extent to which Beauvoir’s fiction undermines an ideologically patriarchal position on language. Her study is important not only for its re-evaluation of Beauvoir as a fiction writer but for its contribution to the wider debate on madness and literature.

Why the French Don't Like Headscarves
  • Language: en
  • Pages: 302

Why the French Don't Like Headscarves

The French government's 2004 decision to ban Islamic headscarves and other religious signs from public schools puzzled many observers, both because it seemed to infringe needlessly on religious freedom, and because it was hailed by many in France as an answer to a surprisingly wide range of social ills, from violence against females in poor suburbs to anti-Semitism. Why the French Don't Like Headscarves explains why headscarves on schoolgirls caused such a furor, and why the furor yielded this law. Making sense of the dramatic debate from his perspective as an American anthropologist in France at the time, John Bowen writes about everyday life and public events while also presenting intervie...