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Playing Outside the Lines, Volume II
Volume II of Playing Outside the Lines is the second of a comprehensive four-part Irish flute method book series offering beginning to advanced Irish traditional flute instruction for Boehm and simple system flutists in graduated books, chapters, and exercises. Building on the foundation provided in Volume I and providing the framework for the remaining two volumes of the series, Volume II offers a detailed introduction to Irish traditional flute ornamentation. Volume II contains ornamentation fingering charts, 40 tune versions, 69 accompanying audio tracks, and nearly 200 exercises. Playing Outside the Lines is the first Irish flute method book series of its kind, containing more than 600 t...
Playing Outside the Lines, Volume I
Volume I of Playing Outside the Lines is the first of a comprehensive four-part method book series offering beginning to advanced Irish traditional flute instruction for Boehm and simple system flutists in graduated books, chapters, and exercises. Volume I provides foundations for playing within the framework of Irish traditional music and the basis for the remaining three volumes of the series. This four-part series is the first of its kind, containing more than 600 technical exercises, rich and nuanced discussions of Irish flute style and cultural context, previously undocumented techniques, side-by-side explanations for Boehm and simple system flutists (as well as information for musician...
The Book of Endings
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Stop The World, I Want To Get Off
Sam S. Shubert Theatre, David Merrick, in association with Bernard Delfont presents Anthony Newley in "Stop the World, I Want to Get Off," with Anna Quayle, Jennifer Baker, Susan Baker, a new-style musical, book, music and lyrics by Leslie Bricusse and Anthony Newley, setting and lighting by Sean Kenny, musical supervision by Ian Fraser, musical director Milton Rosenstock, orchestrations by Ian Fraser with David Lindup, Burt Rhodes, Gordon Langford, John Broome's choreography restaged by Virginia Mason, directed by Anthony Newley.
The Invention of Jane Harrison
Jane Ellen Harrison (1850-1928) is the most famous female Classicist in history, the author of books that revolutionized our understanding of Greek culture and religion. This lively and innovative portrayal of a fascinating woman raises the question of who wins (and how) in the competition for academic fame.
The Cutting Edge
The Beatles' hair changed the world. As their increasingly wild, untamed manes grew, to the horror of parents everywhere, they set off a cultural revolution as the most tangible symbol of the Sixties' psychedelic dream of peace, love and playful rebellion. In the midst of this epochal change was Leslie Cavendish, hairdresser to the Beatles and some of the greatest stars of the music and entertainment industry. But just how did a fifteen-year-old Jewish school dropout from an undistinguished North London suburb, with no particular artistic talent or showbusiness connections, end up literally at the cutting edge of Sixties' fashion in just four years? His story – honest, always entertaining and inspiring – parallels the meteoric rise of the Beatles themselves, and is no less astounding.
The Not So Wicked Stepmother, A Book for Children and Adults
Olivia & Maria are two young sisters who are coping with the recent divorce of their parents. Later, when their dad begins dating again, the sisters decide to make sure he's dating someone who is right for them too. When dad does meet that someone, Olivia & Maria are happy. Then dad announces his plan to remarry. Now the girls must cope with the experience of having a stepmother. Will she be like the wicked stepmother in the story, Cinderella? As one who has experienced the role of stepmother twice, I can assure you that it is a role one must give careful consideration. You are not only making a commitment to your partner, but also to his children. As a stepmother, I had always searched unsu...
The Present and Future of Music Law
The music business is a multifaceted, transnational industry that operates within complex and rapidly changing political, economic, cultural and technological contexts. The mode and manner of how music is created, obtained, consumed and exploited is evolving rapidly. It is based on relationships that can be both complimentary and at times confrontational, and around roles that interact, overlap and sometimes merge, reflecting the competing and coinciding interests of creative artists and music industry professionals. It falls to music law and legal practice to provide the underpinning framework to enable these complex relationships to flourish, to provide a means to resolve disputes, and to facilitate commerce in a challenging and dynamic business environment. The Present and Future of Music Law presents thirteen case studies written by experts in their fields, examining a range of key topics at the points where music law and the post-digital music industry intersect, offering a timely exploration of the current landscape and insights into the future shape of the interface between music business and music law.
You Were There Too
A USA TODAY BESTSELLER “A surprising and incredibly satisfying story of chance and fate.”—New York Times bestselling author Taylor Jenkins Reid “I read it in one long gulp and didn’t want it to end.”—New York Times bestselling author Jill Santopolo Acclaimed author Colleen Oakley delivers a heart-wrenching and unforgettable love story about a woman who must choose between the man she loves and the man fate has chosen for her, in a novel that reminds us that the best life is one led by the heart. Mia Graydon's life looks picket-fence perfect; she has the house, her loving husband, and dreams of starting a family. But she has other dreams too—unexplained, recurring ones starring the same man. Still, she doesn’t think much of it, until a relocation to small-town Pennsylvania brings her face to face with the stranger she has been dreaming about for years. And this man harbors a jaw-dropping secret of his own—he's been dreaming of her too. Determined to understand, Mia and this not-so-stranger search for answers. But when diving into their pasts begins to unravel her life in the present, Mia emerges with a single question—what if?
Harry's Last Stand
'A kind of epic poem, one that moves in circular fashion from passionate denunciation to intense autobiographical reflection ... should be required reading for every MP, peer, councillor, civil servant and commentator. The fury and sense of powerlessness that so many people feel at government policy beam out of every page.' The Guardian 'It is not enough to read Harry's record of the struggles and hopes of a generation – we have to re-assert his principles of common ownership and the welfare state. If Harry can do it, we should too!' Ken Loach, Director of I, Daniel Blake 'As one of the last remaining survivors of the Great Depression and the Second World War, I will not go gently into tha...
