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"No other study of the American novel has such fascinating and on the whole right things to say." Washington Post
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The controversial Leslie Fiedler (1917-2003) was one of the first critics of popular culture as well as an early proponent of queer theory. This book traces the evolution of this larger-than-life figure through an extensive examination of his works. Beginning with his homoerotic reading of the relationship between Jim and Huck Finn in the Mark Twain novel, this book covers how his many contributions have been provocative, outrageous, novel, and enduring.
Bound together by the common thread of bioethics, these essays encompass such issues as abortion, the removal of life support, the role that doctors play in our society, and how we confront old age and Eros. Controversial, at times infuriating, Leslie Fiedler's comments are sure to anger parties on all sides; but they will also appeal to anyone who appreciates the unorthodox insights of an inquisitive and voracious mind.
Despite his often-unacknowledged influence, academics, intellectuals, and the general audience in America and abroad still read Leslie Fiedler’s work and draw on its concepts. He inspired both reverence (Leonard Cohen penned: "leaning over the American moonlight / like the shyest gargoyle / who will not become angry or old") and rage (Saul Bellow called him "the worst fucking thing that ever happened to American literature"). The essays in The Devil Gets His Due will reacquaint readers with the depth and breadth of Fiedler’s achievements. Tackling subjects ranging wildly from Dante, Ezra Pound, and Mary McCarthy to Rambo, Iwo Jima, and Jerry Lewis, these writings showcase Fiedler’s pioneering of an egalitarian canon that encompassed both "high" and popular literature, cinema, and history. As such, they show a powerful mind critiquing whole aspects of a culture and uncovering lessons therein that remain timely today. A lengthy introduction by Professor Samuele F. S. Pardini offers both context and history, with an in-depth profile of Fiedler and his career as both a literary critic and a public intellectual.
A collection of articles, most of them published previously. The following relate, in varying degrees, to the subject of antisemitism in literary circles and in literature:
"Leslie Fiedler and American culture have made a tumultuous marriage throughout much of the twentieth century. Fiedler's prolific career, as scholar, critic, novelist, memoirist, translator, and professor, has been a series of provocations." "Leslie Fiedler and American Culture marks the start of its subject's ninth decade. The first such collection devoted entirely to Fiedler, it gathers together spirited responses to his work by scholars, critics, and poets."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
2017 The Association for the Studies of the Present Book Prize Finalist Mention, 2017 Lora Romero First Book Award Presented by the American Studies Association Winner of the 2012 CLAGS Fellowship Award for Best First Book Project in LGBT Studies How fantasy meets reality as popular culture evolves and ignites postwar gender, sexual, and race revolutions. In 1964, noted literary critic Leslie Fiedler described American youth as “new mutants,” social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mu...