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This visually stunning volume explores Monticello, both house and plantation, with texts that present a current assessment of Jefferson’s cultural contributions to his noteworthy home and the fledgling country. Thomas Jefferson (1743–1826), third president of the United States, designed his Virginia residence with innovations that were progressive, even unprecedented, in the new world. Six acclaimed arts and cultural luminaries pay homage to Jefferson, citing his work at Monticello as testament to his genius in art, culture, and science, from his adaptation of Palladian architecture, his sweeping vision for landscape design, his experimental gardens, and his passion for French wine and c...
A photo archive derived from Gustav Stickley's glass negatives, now in the collection of the Winterthur Museum in Delaware, and reprinted here for the first time. Many have never before been published, and those that were published by Stickley, now benefit from high quality modern printing. Whenever possible dimensions and catalog references are given, making this an important compilation of Stickley's work. A foreword by Leslie Greene Bowman, Director and C.E.O. of Winterthur Museum, Garden & Library, further enriches the work.
For the first time, Monticello has an official guidebook that reflects the unique statesman and inventor Thomas Jefferson, his home, and his world. Showcasing the recent restoration of the home and plantation, it features information about the slaves of Mulberry Row, as well as the state-of-the-art visitor and education center. Each of the guide's 144 pages is designed to showcase the topics in its five chapters: Thomas Jefferson, Before Your Visit, The House, The Plantation, and the Neighborhood. Photographs, art and cutaways, and maps accompany featured stories both iconic and little-known from Monticello's curators.
The American arts and crafts movement is one of the most significant in the history of the decorative arts. Here, in this lavishly illustrated volume, are the finest expressions of the American arts and crafts movement.
Published in conjunction with an exhibition organized by, and held at, the Metropolitan Museum of Art, New York, and the Los Angeles County Museum of Art, this volume examines the American (i.e. British colonial) manifestations of the European rococo style. Following an introductory chapter, separate chapters are devoted to architecture, engravings, silver, and furniture, plus iron, glass, and porcelain grouped together as factory products. Illustrated are 173 objects (many in color) that are part of the exhibition, and some 50 related objects. Annotation copyrighted by Book News, Inc., Portland, OR
Our perception of life at Monticello has changed dramatically over the past quarter century. The image of an estate presided over by a benevolent Thomas Jefferson has given way to a more complex view of Monticello as a working plantation, the success of which was made possible by the work of slaves. At the center of this transition has been the work of Lucia "Cinder" Stanton, recognized as the leading interpreter of Jefferson's life as a planter and master and of the lives of his slaves and their descendants. This volume represents the first attempt to pull together Stanton's most important writings on slavery at Monticello and beyond. Stanton's pioneering work deepened our understanding of ...
When Annette Gordon-Reed's groundbreaking study was first published, rumors of Thomas Jefferson's sexual involvement with his slave Sally Hemings had circulated for two centuries. Among all aspects of Jefferson's renowned life, it was perhaps the most hotly contested topic. The publication of Thomas Jefferson and Sally Hemings intensified this debate by identifying glaring inconsistencies in many noted scholars' evaluations of the existing evidence. In this study, Gordon-Reed assembles a fascinating and convincing argument: not that the alleged thirty-eight-year liaison necessarily took place but rather that the evidence for its taking place has been denied a fair hearing. Friends of Jeffers...
This unique collection of architectural plans, elevations, sections, and details of Monticello (the home of Thomas Jefferson in Albemarle County, Virginia) from the Historic American Buildings Survey (HABS), reveals the house's complex facade and details the relationship of individual floors and the fascinating array of architectural elements found throughout the house. Each drawing is accompanied by insightful commentary from William L. Beiswanger, Monticello's Robert H. Smith Director of Restoration. Jefferson began Monticello in 1768 at the age of twenty-five and continued altering his "essay in Architecture" until his death in 1826. This work outlines the changes Jefferson made to his residence, which evolved from six to twenty-one rooms.
The Arts and Crafts Movement exerted a profound influence on early-twentieth-century America, not only in the applied and decorative arts but also in the area of social reform. Standing at this intersection of art and reform were American art potteries that taught ceramics skills to working-class women as a means of securing income, restoring health, and/or uplifting the spirit. Like its better known and more successful predecessors -- the Marblehead Pottery in Massachusetts, the Newcomb Pottery in New Orleans, and the Paul Revere Pottery in Boston (home of the "Saturday Evening Girls") -- the Arequipa Pottery in Fairfax, California, had fascinating origins, and it produced distinctive wares...
Presented for the first time, the richly illustrated findings of the Southeastern Massachusetts Furniture project at Winterthur Museum