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Forty Years of 'Spy'
'Forty Years of 'Spy'' is the autobiography of British portrait artist and caricaturist, Sir Leslie Ward. For over four decades Ward painted 1,325 portraits which were regularly published by Vanity Fair, under the pseudonyms "Spy" and "Drawl". The portraits were produced as watercolors and turned into chromolithographs for publication in the magazine. In his book he traces his life's journey making a point of his family's long heritage of artistry as engravers, painters and sculptors. The book is heavily illustrated with many of his own portraits and paintings.
Cassell's Magazine
None
Here, There And Everywhere
"Here, There And Everywhere: A Collection of Stories" by using Lord Frederic Hamilton is a literary undertaking that encapsulates the rich tapestry of his fiction mind, thoughtfully curated into a singular quantity handy to readers of all ages. Hamilton aspires to share the charm of his diverse memories at a lower priced rate, inviting anybody to delve into an international in which a few tales captivate with immediate intrigue, while others subtly entwine readers with their charm. This compilation, deemed a work of fiction, is a testament to Hamilton's storytelling prowess, featuring narratives that seamlessly combo interesting and brilliant elements. The tales inside possess a unique poten...
Mind, Value, and Cosmos
Mind, Value, and Cosmos: On the Relational Nature of Ultimacy is an investigation into the nature of ultimacy and explanation, particularly as it relates to the status of, and relationship among Mind, Value, and the Cosmos. It draws its stimulus from longstanding “axianoetic” convictions as to the ultimate status of Mind and Value in the western tradition of philosophical theology, and chiefly from the influential modern proposals of A.N. Whitehead, Keith Ward, and John Leslie. What emerges is a relational theory of ultimacy wherein Mind and Value, Possibility and Actuality, God and the World are revealed as “ultimate” only in virtue of their relationality. The ultimacy of relationality—what Whitehead calls “mutual immanence”—uniquely illuminates enduring mysteries surrounding: any and all existence, necessary divine existence, the nature of the possible, and the world as actual. As such, it casts fresh light upon the whence and why of God, the World, and their ultimate presuppositions.
In "Vanity Fair"
Gathers caricatures and portraits depicting royalty, politicians, artists, lawyers, journalists, and sportsmen of Victorian England and includes notes on each subject's life
The Strand Magazine
None
Landseer's Dogs and Their Stories
Sarah Tytler's 'Landseer's Dogs and Their Stories' is a fascinating exploration of the bond between the famous painter Edwin Landseer and his canine subjects. The book delves into the artistic representation of dogs in Landseer's works and how it reflects the societal views on animals during the Victorian era. Tytler's detailed analysis of Landseer's paintings provides a unique perspective on the artist's empathy and compassion towards animals, shedding light on the role of animals in art and society at that time. The book is written in a scholarly style, incorporating art history, literature, and social commentary to offer a comprehensive understanding of Landseer's artistic legacy. Sarah T...
The Mysterious Box: Nuclear Science and Art
In 'The Mysterious Box: Nuclear Science and Art' by Bernard Keisch, readers embark on a fascinating exploration of the intersection between nuclear science and art. Keisch delves into the enigmatic relationship between these seemingly disparate fields, shedding light on the ways in which they inform and inspire each other. Through a series of thought-provoking essays and captivating artwork, the book showcases the creative potential of nuclear science and the profound impact it has had on artistic expression. Keisch's lyrical prose and detailed analysis make this book a must-read for anyone interested in the confluence of science and art in the modern world. The book's unique blend of intellectual rigor and creative insight offers a fresh perspective on the role of nuclear science in shaping contemporary artistic practices. Keisch's expertise in both fields shines through in this compelling and enlightening work, making it a valuable contribution to the study of interdisciplinary connections between science and art.
