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Essays on the History and Culture of the Unknown Calabria
  • Language: en
  • Pages: 399

Essays on the History and Culture of the Unknown Calabria

Calabria is one of the oldest civilised regions of Europe. In antiquity, the philosophy, science, literature and poetry of the Greek Pythagoreans flourished here; in the Middle Ages, the Norman Kingdom was the most cultured and opulent civilisation in the world. However, in modern times, Calabria has suffered from the almost complete neglect of its multi-facetted cultural legacy by dominant foreign ruling powers, declining into a third world region at the toe of the Italian peninsula. This book directs the attention of the world to those immense disregarded riches, through a collection of essays on the region’s history, arts and crafts, its philosophy and substantial intellectual legacy and especially its rejuvenation among the younger generations of today. Each of the 16 chapters was written by a scholar with unique experience in their field of research. They will be immensely useful for academics as well as students interested in Mediterranean culture.

Italy through the Red Lens
  • Language: en
  • Pages: 292

Italy through the Red Lens

This book offers the first comprehensive analysis of the role of cinema in the communication strategy of the Italian Communist party (the PCI). It examines the entire period during which the party had a systematic and organized approach to cinematographic production, starting with the early experiments in 1946 and concluding with the closure of PCI film company Unitelefilm at the end of the 1970s. Its analysis sheds light on a range of issues, such as the relationship between the party and Italian intellectuals, the Stalinist imprint of the Italian Communist Party and the historical significance of the Salerno turn, the PCI’s relationship with the student movements in 1968 and 1977, and the PCI’s response to the rise in political violence in the 1970s. Ultimately, the book demonstrates that cinema was essential to the PCI’s propaganda effort.

Braudel Revisited
  • Language: en
  • Pages: 297

Braudel Revisited

Fernand Braudel (1912-1985), was a leading French historian and author of, among other books, the groundbreaking The Mediterranean and the Mediterranean World in the Age of Philip II (1949). One of the founders of the Annales School in France, Braudel insisted on treating the Mediterranean region as a whole, irrespective of religious and national divides. Braudel's new historiography rejected political history as the dominant discipline and espoused a 'total history' or a 'history from below' that would tell the story of the vast majority of humanity hitherto excluded from the grand narrative. At the time of the book's appearance, this premise was revolutionary. The contributors to Braudel Revisited assess the impact of Braudel's work on today's academic world, in light of subsequent methodological shifts. Engaging with Braudel's texts as well as with his ideas, the essays in this volume speak to the enduring legacy of his work on the ongoing exploration of early modern history.

Cesare Zavattini’s Neo-realism and the Afterlife of an Idea
  • Language: en
  • Pages: 329

Cesare Zavattini’s Neo-realism and the Afterlife of an Idea

How many Zavattinis are there? During a life spanning most of the twentieth century, the screenwriter who wrote Sciuscià, Bicycle Thieves, Miracle in Milan, and Umberto D. was also a pioneering magazine publisher in 1930s Milan, a public intellectual, a theorist, a tireless campaigner for change within the film industry, a man of letters, a painter and a poet. This intellectual biography is built on the premise that in order to understand Zavattini's idea of cinema and his legacy of ethical and political cinema (including guerrilla cinema), we must also tease out the multi-faceted strands of his interventions and their interplay over time. The book is for general readers, students and film historians, and anyone with an interest in cinema and its fate.

Pragmatismus und Ideologie
  • Language: de
  • Pages: 344

Pragmatismus und Ideologie

Die Analyse der Organisationsformen des deutschen Liberalismus, wie sie sich im politischen Alltag entwickelt haben, eröffnet eine fruchtbare historiographische Perspektive. Aus diesem Blickwinkel können zum einen die Kenntnisse über eine (im weitesten Sinne) Sozialgeschichte des deutschen Parteiwesens im 19. Jahrhundert erweitert werden. Zum anderen gelingt es, die These einer vermeintlichen Unfähigkeit des Liberalismus zur Organisation und sozialen Milieubildung erneut zu relativieren.Die vorliegende Arbeit ist dieser Perspektive verpflichtet. Monica Cioli analysiert die Organisationsformen der Nationalliberalen Partei, der Deutschen Fortschrittspartei und der Liberalen Vereinigung in ...

Los condenados de la tierra
  • Language: es
  • Pages: 601

Los condenados de la tierra

Entre 1966 y 1968 el cineasta italiano Valentino Orsini y el filósofo italiano-venezolano Alberto Filippi realizaron la película I dannati della terra (Los condenados de la tierra), inspirada en el libro homónimo del revolucionario afrocaribeño Frantz Fanon, que se había hecho famoso por el prólogo de Jean Paul Sartre. Rodada entre Italia y África, la película fue producida por la cooperativa Ager Film, fundada en Roma por Giuliani De Negri y que en aquellos años editó otros largometrajes memorables como I sovversivi, de los hermanos Vittorio y Paolo Taviani y La hora de los hornos, de Octavio Getino y Fernando Solanas. I dannati della terra es un ensayo cinematográfico de interve...

Cesare Zavattini: Selected Writings
  • Language: en
  • Pages: 866

Cesare Zavattini: Selected Writings

Volume 1 makes available for the first time in English thirty-nine scenarios and two treatments. Each text is preceded by an introduction, providing an essential frame of reference to make these writings entirely accessible to the reader. While nearly all these texts belong to the post-war period, including the stories for major post-war classics, there are also seven pre-war raccontini, the narrative source of Zavattini's Modernist magical realism, several fictional interviews and faux reportage, tinged with irony aimed at Hollywood, complemented by several pre-war scenarios. The book also features scenarios for Luchino Visconti's Bellissima, Alessandro Blasetti's First Communion, De Sica's...

Italian Studies
  • Language: en
  • Pages: 648

Italian Studies

  • Type: Book
  • -
  • Published: 2007
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  • Publisher: Unknown

Includes the sections "Reviews", "Italian studies published in England", "Academica" and "A chronicle of public lectures, etc.".

La capitale dei privilegi
  • Language: it
  • Pages: 322

La capitale dei privilegi

[English]:The book illustrates the reconstruction of the system of granting Neapolitan citizenship during the sixteenth century. In particular, the role played by the ‘Regia Camera della Sommaria’, the highest tax magistrature of the Kingdom of Naples, in the evaluation of requests and in the assignment of the citizenship licenses, which allowed access to the substantial tax and jurisdictional privileges of the capital city. The policy of the Spanish government with respect to these privileges is based on prudence and attention to the political and social balance of a fundamental and complex capital as Naples is. The ‘Sommaria’, however, manages in establishing a system of control an...

Il cinema di Cecilia Mangini
  • Language: it
  • Pages: 266

Il cinema di Cecilia Mangini

Sospeso fra le ultime persistenze di una ruralità che appare millenaria, i caratteri di una modernizzazione ancora da decifrare e il definitivo imporsi dei consumi, il cinema di Cecilia Mangini attraversa e descrive i grandi cambiamenti politici, sociali e culturali che investono l’Italia dagli ultimi anni cinquanta agli ottanta. A comporre l’opera di Mangini sono l’osservazione delle sopravvivenze arcaiche, le esplorazioni degli spazi periferici e marginali del Paese, l’indagine sulle nuove forme identitarie e collettive del presente, assieme all’interrogazione dei tristi segni di una storia recente ancora capace di proiettare la propria ombra sulla contemporaneità. In un dialogo ininterrotto con il dibattito dell’epoca, la produzione registica di Mangini e i suoi più importanti progetti non realizzati forniscono una preziosa rappresentazione delle complesse evoluzioni che innervano il contesto italiano nella seconda metà del Novecento.