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American Daredevil
MEET LEV GLEASON, A REAL-LIFE COMICSSUPERHERO! Gleason was a titan among GoldenAge comics publishers who fought back against the censorship campaigns andparanoia of the Red Scare. After dropping out of Harvard to fight in France,Gleason moved to New York City and eventually made it big with groundbreakingtitles like Daredevil and Crime Does NotPay. Brett Dakin, Gleason's great-nephew,opens up the family archives-and the files of the FBI-to take you on a journeythrough the publisher's life and career. In American Daredevil, you'll learn thetruth about Gleason's rapid rise to the top of comics, unapologetic Progressiveactivism, and sudden fall from grace. Whetherit was Dr. Frederic Wertham and Seduction of the Innocent or the HouseUn-American Activities Committee, Gleason was always ready to take on the enemy.
A Lev Gleason's Daredevil Novel - Death Takes Centre Stage
It's April 1941, and the Daredevil, Bart Hill, andTonia Saunders, a New York City columnist, are en-joying a night out at thetheatre. Suddenly, a masked phantom, known as The Creeper, attacks the leadactor, Lance Everton, prompting Daredevil to investigate the case! Now, Bart andTonia must race against a call time to confront the Creeper and figure out howeverything is connected!
Pulp Empire
Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and...
Comic Book Nation
A history of comic books from the 1930s to 9/11.
Scoop Scuttle and His Pals
In this rip-roaring retrospective, Basil Wolverton’s often warped imagination combines with his outlandishly wacky visual humor to fascinate and delight It collects the ultra-rare treasures Scoop Scuttle, Mystic Moot, Bingbang Buster, and Jumpin’ Jupiter — as they’ve never been seen before! Due to the rock-bottom printing methods of 10¢ comic books, Wolverton’s intricate line work was routinely obscured, and often obliterated. In this collection, every effort has been made to restore the art to its original splendor, and to at last present the uniquely detailed graphics of this justly revered comic book master.
Daredevil Battles Hitler
The title of this comic is Daredevil Battles Hitler, and that's exactly what he does: on land, air and sea, and he even brings his Silver Streak Comics pals along for the party. This is great Golden Age fun, and if you're inclined to read such material you should check it out.
Heroes of the Comics
Featuring over 80 full-color portraits of the pioneering legends of American comic books, including publishers, editors and artists from the industry’s birth in the ’30s, through the brilliant artists and writers of behind EC Comics in the ’50s. All lovingly rendered and chosen by Drew Friedman, a cartooning legend in his own right. Featuring subjects popular and obscure, men and women, as well as several pioneering African-American artists. Each subject features a short essay by Friedman, who grew up knowing many of the subjects included (as the son of writer Bruce Jay Friedman), including Stan Lee, Harvey Kurtzman, Will Eisner, Mort Drucker, Al Jaffee, Jack Davis, Will Elder, and Bill Gaines. More names you might recognize: Barks, Crumb, Wood, Wolverton, Frazetta, Siegel & Shuster, Kirby, Cole, Ditko, Werthem… it’s a Hall of Fame of comic book history from the man BoingBoing.com call “America’s greatest living portrait artist!”
Black Light
L.B. Cole created some of the most bizarre, proto-psychedelic, eye-popping comic book covers of all time, yet remarkably this is the first retrospective of his career, featuring the largest collection of Cole covers ever assembled, in an oversize format that showcases his attention to detail and his versatility in all the popular comic book genres of the day. Cole burst into comics during the glory years of the Golden Age of comics. He was famous for his bold covers, usually featuring “poster colors” ― brilliant primaries often over black backgrounds ― and an over-the-top sense of the bizarre mixed with whimsy. There’s never been a comic book cover designer like L.B. Cole and there’s never been a book like this one.
Love on the Racks
For the better part of three decades romance comics were an American institution. Nearly 6000 titles were published between 1947 and 1977, and for a time one in five comics sold in the U.S. was a romance comic. This first full-length study examines the several types of romance comics, their creators and publishing history. The author explores significant periods in the development of the genre, including the origins of Archie Comics and other teen publications, the romance comic "boom and bust" of the 1950s, and their sudden disappearance when fantasy and superhero comics began to dominate in the late 1970s.
