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Series fiction about wireless and radio was a popular genre of young adult literature at the turn of the 20th century and an early form of social media. Before television and the Internet, books about plucky youths braving danger and adventure with the help of wireless communication brought young people together. They gathered in basements to build crystal sets. They built transmitters and talked to each other across neighborhoods, cities and states. By 1920, there was music on the air and boys and girls tuned in on homemade radios, often inspired by their favorite stories. This book analyzes more than 50 volumes of wireless and radio themed fiction, offering a unique perspective on the world presented to young readers of the day. The values, attitudes, culture and technology of a century ago are discussed, many of them still debated today, including immigration, gun violence and guns on campus, race, bullying and economic inequality.
With their rakish characters, sensationalist plots, improbable adventures and objectionable language (like swell and golly), dime novels in their heyday were widely considered a threat to the morals of impressionable youth. Roundly criticized by church leaders and educators of the time, these short, quick-moving, pocket-sized publications were also, inevitably, wildly popular with readers of all ages. This work looks at the evolution of the dime novel and at the authors, publishers, illustrators, and subject matter of the genre. Also discussed are related types of children's literature, such as story papers, chapbooks, broadsides, serial books, pulp magazines, comic books and today's paperba...
Part 1, Books, Group 1, v. 22 : Nos. 1-131 (Issued April, 1925 - April, 1926)