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How he could now be forgotten seems unfathomable. Lewis Galantie¿re guided Hemingway through his first years in Paris, when the author was unknown and desperate for recognition. He helped James Joyce and Sylvia Beach launch Ulysses; started John Houseman in his theatrical career; and saw Antoine de Saint-Exupe¿ry through his wartime exile in America, as his friend and as his collaborator and translator in life and in print. He was a playwright, a literary and cultural critic and an author, Federal Reserve Bank economist throughout the Great Depression, director of the French Branch of the Office of War Information at the onset of World War II, ACLU Director during the McCarthyism-fraught 1...
In the famous conclusion to Being and Nothingness, Jean-Paul Sartre announced that he would devote his next philosophical work to moral problems. Although he worked on this project in the late 1940s, Sartre never completed it to his satisfaction, and it remained unpublished until after his death in 1980. Presented here for the first time in English, Notebooks for an Ethics is Sartre's attempt to articulate a moral philosophy. In the Notebooks he addresses any number of themes and topics relevant to an effort to formulate a concrete and revolutionary socialist ethics, among them the differences between force and violence, the relationship of means and ends, and the relationship of oppression ...
Perhaps the oddest and most influential collaboration in the history of American modernism was hatched in 1926, when a young Virgil Thomson knocked on Gertrude Stein's door in Paris. Eight years later, their opera Four Saints in Three Acts became a sensation--the longest-running opera in Broadway history to date and the most widely reported cultural event of its time. Four Saints was proclaimed the birth of a new art form, a cellophane fantasy, "cubism on stage." It swept the public imagination, inspiring new art and new language, and defied every convention of what an opera should be. Everything about it was revolution-ary: Stein's abstract text and Thomson's homespun music, the all-black c...
About the Book The life of Nelson Dean Jay is an opus sized adventure of the unknown banker who lived in Paris and influenced the powerful people of Europe as well as world events. During the Roaring Twenties in Paris, he was a friend of Ernest Hemingway, Coco Chanel, and Gertrude Stein. Jay was described in the New York Times as “one of the most civilized and authentic Americans in Paris.” The German Gestapo busted into his office to close down his bank. He was the only American bank to remain open in occupied Paris during the war. DEAN JAY, NOT J.P. MORGAN, WILL ACT ON GERMAN REPARATIONS. New York Times January 15, 1929. Jay was a member of the welcoming party for Charles Lindbergh whe...
Crosby unfolds the mystery of personal uniqueness, shedding new light on the unrepeatability of each human person.
Focusing on his evocative and profound references to children and their stories, Children's Stories and 'Child-Time' in the Works of Joseph Cornell and the Transatlantic Avant-Garde studies the relationship between the artist's work on childhood and his search for a transfigured concept of time. This study also situates Cornell and his art in the broader context of the transatlantic avant-garde of the 1930s and 40s. Analisa Leppanen-Guerra explores the children's stories that Cornell perceived as fundamental in order to unpack the dense network of associations in his under-studied multimedia works. Moving away from the usual focus on his box constructions, the author directs her attention to Cornell's film and theater scenarios, 'explorations', 'dossiers', and book-objects. One highlight of this study is a work that may well be the first artist's book of its kind, and has only been exhibited twice: Untitled (Journal d'Agriculture Pratique), presented as Cornell's enigmatic tribute to Lewis Carroll's Alice books.
The engaging and inquiring mind of French philosopher Jacques Maritain reflected on subjects as varied as art and ethics, theology and psychology, and history and metaphysics. Maritain's work on the theoretical groundings of politics arose from his diverse studies. In this book, distinguished theologian and political scientist James V. Schall explores Maritain's political philosophy, demonstrating that Maritain understood society, state, and government in the tradition of Aristotle and Aquinas, of natural law and human rights and duties. Schall pays particular attention to the ways in which evil appears in political forms, and how this evil can be morally dealt with. Schall's study will be of great importance to students and scholars of political science, philosophy, and theology.
An imposing literary figure in America and Europe during the first half of the twentieth century, Ludwig Lewisohn (1882-1955) struggled with feelings of alienation in Christian America that were gradually resolved by his developing Jewish identity, a process reflected in hundreds of works of fiction, literary analysis, and social criticism. A friend and associate of Sinclair Lewis, James Joyce, Thomas Mann, Paul Robeson, Edward G. Robinson, Theodore Dreiser, H. L. Mencken, Stephen Wise, Maurice Samuel, and a host of others, Lewisohn impacted the intellectual, cultural, religious, and political worlds of two continents. This first volume, chronicling his life until 1934, is followed by a seco...
This study concerns the position of Saint Thomas Aquinas on human self knowledge (“the soul’s knowledge of itself,” in medieval idiom). Its main goal is to present a comprehensive account of Aquinas’s philosophy of self knowledge, by clarifying his texts on this topic and explaining why he made the claims he did. A second objective is to situate Thomas’s position on self awareness within general world, and specific thirteenth century, traditions concerning this theme. And a third is to apply Aquinas’s approach and insights to selected and contemporary issues that involve self knowledge, such as the alleged paradoxes of self reflection and of “unconscious awareness.” The prima...
Bridging gaps between intellectual history, biography, and military/colonial history, Barnett Singer and John Langdon provide a challenging, readable interpretation of French imperialism and some of its leading figures from the early modern era through the Fifth Republic. They ask us to rethink and reevaluate, pulling away from the usual shoal of simplistic condemnation. In a series of finely-etched biographical studies, and with much detail on both imperial culture and wars (including World War I and II), they offer a balanced, deep, strong portrait of key makers and defenders of the French Empire, one that will surely stimulate much historical work in the field.