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Biographical Review
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Theatrics
All the correspondence selected for this volume - most of it hitherto unpublished - relates to Bernard Shaw's theatre dealings and theatrical interest, at the same time attesting to the 'histrionic instinct' and 'theatrified imagination' (his own phrases) of the man who penned them.
The Physiology of the Novel
How did the Victorians read novels? Nicholas Dames answers that deceptively simple question by revealing a now-forgotten range of nineteenth-century theories of the novel, a range based in a study of human physiology during the act of reading, He demonstrates the ways in which the Victorians thought they read, and uncovers surprising responses to the question of what might have transpired in the minds and bodies of readers of Victorian fiction. His detailed studies of novel critics who were also interested in neurological science, combined with readings of novels by Thackeray, Eliot, Meredith, and Gissing, propose a vision of the Victorian novel-reader as far from the quietly immersed being ...
On Style in Victorian Fiction
Demonstrates the importance of attending to literary style in Victorian novels and provides exemplary readings of major novelists.
The Egoist
In The Egoist, his comic masterpiece, George Meredith takes the traditional marriage plot of English domestic fiction and turns it on its head. The novel describes the repeated and disastrous courtships of Sir Willoughby Patterne, the egoist of the title. Three women become engaged to Sir Willoughby, but, despite his aristocratic arrogance and the manipulative power of his wealth, each is finally able to see him more clearly than he sees himself. The introduction to this edition provides context for the novel from Meredith’s own life, his theory of comedy, and his understanding of Darwinian thought. The appendices include reviews, other writing on comedy, and historical documents on women, sexual politics, and the theory of evolution.
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