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The China Educational Development Yearbook, Volume 1
China’s education system has grown increasingly complex, creating the need for an annual critical review of the education system by China’s top scholars. The Blue Book of Education, as it is known in Chinese, has gained a reputation for offering the most penetrating perspective in China on educational reform and development. In this important English translation combining the Blue Books published in 2007 and 2008, the issues, developments, challenges, and crises in Chinese education are comprehensively discussed and critically analyzed. This volume’s incisive contributions address a wide range of pressing issues including: debt caused by the expansion of higher education, quality of ed...
MSEA 2023
The 2nd International Conference on Mathematical Statistics and Economic Analysis (MSEA 2023) was held virtually from 26-28 May 2023 in Nanjing, China. The conference was attended by researchers, teachers, students and engineers in the field of mathematical statistics and economic analysis. Through data statistics and analysis, we can quickly understand the pattern of economic development. This conference combines mathematical statistics and economic analysis, explores the relationship between the two, and provides a platform for experts and scholars in the fields of mathematical statistics and economic analysis to discuss related issues and exchange ideas. Therefore, we hope to create a forum for sharing research results and exploring future research directions, so that participants can learn about the latest research directions, contents and results of mathematical statistics and economic analysis; secondly, we hope that the conference can provide solutions to the major problems facing mathematical statistics and economic analysis, and create a space that encourages discussion and joint development of research, technological development and innovation.
胡杰版画集
在中国独立记录片的圈子里，“胡杰”这个名字掷地有声，他拍摄的记录片 是中国独立记录片运动的里程碑。较少人知道的是，胡杰是从圆明园画家村走出来 的。 他一手提着摄影机，一手拿着画笔，拍记录片和画画在他而言，只是工作的方 式不同而已；相同的是，关注历史、贴近现实，传播爱心与希望。 胡杰曾经是军人，一直保持着正义与勇敢的精神。他的诚实、坚定和勇气，使 他创作出有时代意义的作品，鼓舞了很多人。 胡杰近年才开始搞版画创作，一出手就不凡。饥荒、劳改，书的故事，我们 与祖国，还有什么会...
Chinese Ecocinema
This anthology is a book-length study of China's ecosystem through the lens of cinema. Proposing 'ecocinema' as a new critical framework, the volume collectively investigates a wide range of urgent topics in today's world.
The Sinister Way
The most striking feature of Wutong, the preeminent God of Wealth in late imperial China, was the deity's diabolical character. Wutong was perceived not as a heroic figure or paragon of noble qualities but rather as an embodiment of humanity's basest vices, greed and lust, a maleficent demon who preyed on the weak and vulnerable. In The Sinister Way, Richard von Glahn examines the emergence and evolution of the Wutong cult within the larger framework of the historical development of Chinese popular or vernacular religion—as opposed to institutional religions such as Buddhism or Daoism. Von Glahn's study, spanning three millennia, gives due recognition to the morally ambivalent and demonic aspects of divine power within the common Chinese religious culture.
Through a Forest of Chancellors
Liu Yuan’s Lingyan ge, a woodblock-printed book from 1669, re-creates a portrait gallery that memorialized 24 vassals of the early Tang court. Liu accompanied each figure, presented under the guise of a bandit, with a couplet; the poems, written in various scripts, are surrounded by marginal images that allude to a contemporary novel. Religious icons supplement the portrait gallery. Liu’s re-creation is fraught with questions. This study examines the dialogues created among the texts and images in Lingyan ge from multiple perspectives. Analysis of the book’s materialities demonstrates how Lingyan ge embodies, rather than reflects, the historical moment in which it was made. Liu unveile...
Intolerable Cruelty
Intolerable Cruelty thoughtfully explores key issues in modern Chinese history, including state-society relations, social transformation, and gender relations in the context of the Republican Chinese experiment with liberal modernity. Investigating both the codification process and the subsequent implementation of the Republican Civil Code of 1929–1930, Margaret Kuo reconsiders the dominant narratives of the 1930s and 1940s as “dark years” for Chinese women. Instead, she convincingly recasts the history of these years from the perspective of women who actively and successfully engaged the law to improve their lives.
Supreme Taoism Master
After entering the ptacticing world, Li Xiaobai, a young man who woke up and found that the world he knew was different. High school is no longer just teaching cultural knowledge, but actually teaching martial arts! He had a crush on the beautiful girl in school for three years while no one in the school was able to defeat her. The grade director who was very harsh on the students turned out to have a sword against the sky. The former college entrance examination has now become the national martial arts entrance examination. However, Li Xiaobai found that in this new world, his innate ancestors had a place to play, and he was invincible!☆About the Author☆Qu Mao De Lao Shu, a new online novelist, his writing is smooth and full of fun, and his work Supreme Taoism Master has been widely welcomed for its ups and downs storyline and peculiar imagination.
Women Journalists and Feminism in China, 1898-1937
A most remarkable change took place in the first half of the twentieth century in China--women journalists became powerful professionals who championed feminist interests, discussed national politics, and commented on current social events by editing independent periodicals. The rise of modern journalism in China provided literate women with a powerful institution that allowed them articulate women's presence in the public space. In editing women's periodicals, women writers transformed themselves from traditional literary women (cainü) to professional women journalists (nübaoren) in the period of 1898-1937 when journalism became increasingly independent of and resistant to state control. ...
Mao’s Images
In this book, Yan Geng examines Mao’s image from the perspective of its producers, focusing on four artists, chosen for both the diverse media they worked in and their diverse backgrounds. The book suggests an alternative perspective on the making of propaganda not only as a politically themed representation but also as an expression of artists’ subjectivities and their roles as pivotal agents in the transition of modern Chinese art history. Mao’s Image: Artists and China’s 1949 Transition demonstrates how artists portrayed Mao as the nation’s leader during the early People’s Republic and what such images reveal about Chinese artists’ experience during the Communist takeover of the country.
