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Death is a whisper in the Anglo-Saxon world. But on a remote island, off the coast of County Mayo, it has a louder voice. The local radio station runs a thrice-daily roll-call of the recently departed. The islanders keep vigil with the corpse and share in the sorrow of the bereaved. The living and the dead are bound together in the oldest rite of humanity. In My Father's Wake, Kevin Toolis gives an intimate, eye-witness account of the death and wake of his father, celebrating the spiritual depth of the Irish Wake and asking if we too can find a better way to deal with our mortality, by living and loving in the acceptance of death.
WINNER OF 1994 THE BOOKER PRIZE. Sammy's had a bad week. Most of it's just a blank space in his mind, and the bits that he can remember, he'd rather not. His wallet's gone, along with his new shoes, he's been arrested then beaten up by the police and thrown out on the street - and he's just gone blind. He remembers a row with his girlfriend, but she seems to have disappeared; and he might have been trying to fix a bit of business up with an old mate, he's not too sure. Things aren't looking too good for Sammy and his problems have hardly begun. 'A passionate, scintillating, brilliant song of a book' Guardian
The stunning finale to the Chronicles of the Bitch Queen trilogy where the queen of a divided land must unite her people against the enemies who threaten to tear her country apart. Queen Talyien is finally home, but dangers she never imagined await her in the shadowed halls of her father's castle. War is on the horizon. Her son has been stolen from her, her warlords despise her and, across the sea, a cursed prince threatens her nation with invasion in order to win her hand. Worse yet, her father's ancient secrets are dangerous enough to bring Jin-Sayeng to ruin. Dark magic tears rifts in the sky, preparing to rain down madness, chaos, and the possibility of setting her nation aflame. Bearing the brunt of the past and uncertain about her future, Talyien will need to decide between fleeing her shadows or embracing them before the whole world becomes an inferno. Praise for the series: 'K. S. Villoso is a powerful new voice in fantasy' Kameron Hurley 'An action-packed plot and deep, vivid world-building' Melissa Caruso 'Intricate, intimate and intensely plotted' Nicholas Eames
'Intimate and epic' Evan Winter 'An action-packed plot and deep, vivid world-building' Melissa Caruso 'Intricate, intimate and intensely plotted' Nicholas Eames 'They called me the Bitch Queen, the she-wolf, because I murdered a man and exiled my king the night before they crowned me.' Born under the towers of Oren-yaro, Queen Talyien inherited a deeply divided kingdom, devastated by years of war. Her marriage to the son of a rival clan was meant to herald peace, yet her fiancé disappeared before their reign could even begin. Now, years later, Talyien receives a message that will send her across on the sea. Yet what was meant as an effort to reconcile the past leaves her stranded in a land she doesn't know, with assassins at her back and no idea who she can trust. If Talyien is to survive, she must embrace her namesake. A wolf of Oren-yaro is not tamed. Further praise for The Wolf of Oren-Yaro: 'Deeply compelling and wonderfully entertaining' Josiah Bancroft 'A powerful new voice in epic fantasy' Kameron Hurley '[A] remarkable tale of non-stop tension, action and betrayal' Publishers Weekly (starred review) 'Balanced on a blade's edge between intrigue and action' Gareth Hanrahan
From the author of the critically acclaimed THE WOLF OF OREN-YARO comes this standalone novel that takes on the origin story of the Blackwood Marauders in the world of Agos-agan. Growing up in a quiet farm, young Luc didn't dream of adventures until he fails the military entrance exam. Robbed of the chance to prove his worth to his adoptive family, he crosses paths with a group of vicious, bloodthirsty mercenaries out on a monster-hunting quest. With only his quick wits and honesty to fall back on, Luc's problems take a turn for the worst when he falls into a trap set by Roena Blackwood, the eldest of the local duke's daughters. Dragged into a twisted plot concocted by a power-hungry merchant, Luc must find a way to save the lives of those around him--including the very mercenaries he was fated to kill.
On a grand canvas reminiscent of Guillermo del Torro and Justin Cronin, acclaimed author Craig DiLouie presents "a terrifying novel filled with impossible decisions [and] a stark, brutal, and chilling vision of the end of days" (David Moody, author of Hater). SO MANY MOUTHS TO FEED It begins on an ordinary day: children around the world are dying. All children, everywhere—a global crisis beyond any parent’s worst nightmare. Then, a miracle beyond imagining: three days later, they return. Shattered mothers and fathers see their sons and daughters happy and whole once more, playing and laughing as before—but only when they feed. They hunger for blood…and they can’t get enough upon which to feast. Without it, they die again. How far would you go to keep someone you love alive?
The Empire of Dageis' quest for magic has left a trail of shattered homes and lost kingdoms. In the cold wake of grief, those left behind must learn to pick up the pieces. A character-driven epic fantasy following the footsteps of Robin Hobb. Book Geeks' Uncompromised Top Books of 2017 The Weatherwax Report Top 10 Indie Tome and Tankard's Best of 2017 Nominated for Best Self-Published/Independent Novel of 2017 for r/fantasy's Stabby Awards Nominated for Best Novel of 2017 for r/fantasy's Stabby Awards After his friend is killed during a botched mission, the mercenary Kefier is chased down by former associates for the crime. Already once branded a murderer, fate seems to continue to frown on ...
February issue includes Appendix entitled Directory of United States Government periodicals and subscription publications; September issue includes List of depository libraries; June and December issues include semiannual index
Elisabeth Young-Bruehl illuminates the psychological and intellectual demands writing biography makes on the biographer and explores the complex and frequently conflicted relationship between feminism and psychoanalysis. She considers what remains valuable in Sigmund Freud's work, and what areas - theory of character, for instance - must be rethought to be useful for current psychoanalytic work, for feminist studies, and for social theory. Psychoanalytic theory used for biography, she argues, can yield insights for psychoanalysis itself, particularly in the understanding of creativity.