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As the Great Depression grips St. Louis, Stanley, an orphaned newsie, lives in a poor part of town hit especially hard by the economic downturn. Hazel, a restless debutante-in-waiting, has begun to question her posh lifestyle in the midst of the suffering she sees around her. One night, Hazel sneaks out against her father’s wishes, and her path collides with Stanley’s when they discover the body of a murdered girl. Their very different realities inform how they react, but together, they will piece together the clues and bring those responsible to justice. Becoming involved with each other and digging into the secrets behind the murder earns them some powerful enemies, including a secret group organizing “The Winnowing,” a plan to take over the city and rid society of those they deem undesirable. Stanley and Hazel’s forbidden feelings for one another grow as their investigation turns deadly. Now, it is up to Stanley and his gang of street kids to stop Hazel from becoming the next victim.
Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes eleven new articles and reviews of twelve books.
Production and Distribution Theories became a landmark in the study of economics when it was published in 1941. Nobel Laureate Stigler's book was the first to trace the development of theories alongside the history of economic thought. Stigler's pioneering effort remains a classic work on the evolution of distribution theory during a critical juncture in the development of modern industrial capitalism.Stigler examines the writings of major economists during the century, including William Stanley Jevons, Phillip Wicksteed, Alfred Marshall, F.Y. Edgeworth, and Leon Walras. He uses their works in order to show a variety of perspectives on distribution theory. Among the methods of thought he exp...
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