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Maine Photography
Maine has always played a rich and varied role in the art of photography. For hundreds of years, photographers, like other artists, have made their way to Maine to capture the natural beauty and human culture of the state. So, too, have many photographers come from Maine, and many contributions by Mainers have been made to the medium. Maine in Photography is the first comprehensive overview of the history of photography in the state. Providing basic knowledge of the most important people and institutions to have promoted photography, this volume also studies the ways in which photography has informed the understanding of the social and cultural history of Maine. Beginning with the earliest d...
Amateur Movie Making
“This remarkable collection of essays both documents and brings to life the contributions of amateur filmmakers in the Northeast region.” —Anne Goodyear, Co-Director, Bowdoin College Museum of Art A compelling regional and historical study that transforms our understanding of film history, Amateur Movie Making demonstrates how amateur films and home movies stand as testaments to the creative lives of ordinary people, enriching our experience of art and the everyday. Here we encounter the lyrical and visually expressive qualities of films produced in New England between 1915 and 1960 and held in the collections of Northeast Historic Film, a moving image repository and study center that ...
Transatlantic Women
Highlights the social and textual complexity of the transatlantic world for American women writers
Health in the Highlands
"In the early to mid-twentieth century, the governments of Ecuador and Guatemala sought to expand Western medicine within their countries, with the goals of addressing endemic diseases and improving infant and maternal health. These efforts often clashed with indigenous medical practices, particularly in the rural highlands. Drawing on extensive, original archival research, historian David Carey Jr. shows that indigenous populations embraced a syncretic approach to health, combining traditional and new practices. At times, the governments of both nations encouraged--or at least allowed--such a synthesis, yet they also attacked indigenous lifeways, going so far as to criminalize native medica...
Reading Rural Landscapes
Everywhere we go in rural New England, the past surrounds us. In the woods and fields and along country roads, the traces are everywhere if we know what to look for and how to interpret what we see. A patch of neglected daylilies marks a long-abandoned homestead. A grown-over cellar hole with nearby stumps and remnants of stone wall and orchard shows us where a farm has been reclaimed by forest. And a piece of a stone dam and wooden sluice mark the site of a long-gone mill. Although slumping back into the landscape, these features speak to us if we can hear them and they can guide us to ancestral homesteads and famous sites. Lavishly illustrated with drawings and color photos.Provides the keys to interpret human artifacts in fields, woods, and roadsides and to reconstruct the past from surviving clues.Perfect to carry in a backpack or glove box.A unique and valuable resource for road trips, genealogical research, naturalists, and historians.
The Chrysantheme Papers
Pierre Loti’s novel Madame Chrysanthème (1888) enjoyed great popularity during the author’s lifetime, served as a source of Puccini’s opera Madama Butterfly, and remains in print to this day as a classic in Western literature. Loti’s story, cast in the form of his fictionalized diary, describes the affair between a French naval officer and Chrysanthème, a temporary "bride" purchased in Nagasaki. More broadly, Loti’s novel helped define the terms in which Occidentals perceived Japan as delicate, feminine, and, to use one of Loti’s favorite words, "preposterous"—in short, ripe for exploitation. The Pink Notebook of Madame Chrysanthème (1893) sought, according to a newspaper re...
Marginal People in Deviant Places
Marginal People in Deviant Places revisits early- to mid-twentieth-century ethnographic studies, arguing that their focus on marginal subcultures—ranging from American hobos, to men who have sex with other men in St. Louis bathrooms, to hippies, to taxi dancers in Chicago, to elderly Jews in Venice, California—helped produce new ways of thinking about social difference more broadly in the United States. Irvine demonstrates how the social scientists who told the stories of these marginalized groups represented an early challenge to then-dominant narratives of scientific racism, prefiguring the academic fields of gender, ethnic, sexuality, and queer studies in key ways. In recounting the social histories of certain American outsiders, Irvine identifies an American paradox by which social differences are both despised and desired, and she describes the rise of an outsider capitalism that integrates difference into American society by marketing it.
John Reed
John Reed was one of America's most dynamic journalists during the World War I decade. An unabashed advocate for the working class and an outspoken critic of capitalism, Reed was a star reporter before his relentless crusade turned him into a target of the U.S. government. Reed set the standard for descriptive writing at labor strikes in New Jersey and Colorado, in Mexico while riding with Pancho Villa, in Germany's trenches, and in Russia. America had no shortage of rebels, socialists, anarchists and revolutionaries at that time--but with his outsized personality and command of language and audiences, Reed may have been the most dangerous rebel of them all. Neither adversaries nor allies ex...
Marsden Hartley's Maine
Marsden Hartley had a lifelong personal and aesthetic engagement with Maine, where he was born in 1877 and where he died at age sixty-six. As an important member of the artistic circle promoted by Alfred Stieglitz, Hartley began his career by painting the mountains of western Maine. He subsequently led a peripatetic life, traveling throughout Europe and North America and only occasionally visiting his native state. By midlife, however, his itinerant existence had taken an emotional toll, and he confided to Stieglitz that he wanted “so earnestly a ‘place’ to be.” Finally returning to the state in his later years, he transformed his identity from urbane sophisticate to “the painter f...
Brewing in Maine
Maine was once a national leader in the temperance movement to outlaw alcohol. In the last 30 years, however, the Pine Tree State has been equally influential in the craft beer movement. Since 1986, when David and Karen Geary opened New England's first microbrewery, more than 50 breweries have opened in Maine. The state not only ranks among the top 10 for breweries per capita, it also boasts two of the 50 largest craft breweries in the country. The personalities and visions of the brewers are as diverse as the beers they create. Some have opened their breweries in the hulking mill complexes of Lewiston and Biddeford or the former factories of Portland. Others have brewed at the scenic mountain resorts of Sugarloaf and Sunday River or on the quaint, historic wharves of Belfast and Kennebunk, and even on distant Monhegan Island. Farmstead breweries have sprung up from Skowhegan to Lyman, while the state's industrial parks are no less fertile.
