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The Art of Survival
The First World War soldier has often been depicted as a helpless victim sacrificed by a ruthless society in the trenches of the Western Front. In fact, Libby Murphy reveals, French soldiers drew upon a long-standing European tradition to imagine themselves not as heroes or victims but as survivors. Murphy investigates how infantrymen and civilians attempted to make sense of the war while it was still in progress by reviving the picaresque, a literary mode in which unheroic protagonists are forced to fend for themselves in a chaotic and hostile world. By examining works by French and European novelists, journalists, graphic artists, cultural critics, and filmmakers—including Charlie Chaplin—Libby Murphy shows how the rich tradition of the European picaresque was uniquely appropriate for expressing anxieties provoked by modern, industrialized warfare.
America in Italian Culture
When America began to emerge as a world power at the end of the nineteenth century, Italy was a young nation, recently unified. The technological advances brought about by electricity and the combustion engine were vastly speeding up the capacity of news, ideas, and artefacts to travel internationally. Furthermore, improved literacy and social reforms had produced an Italian working class with increased time, money, and education. At the turn of the century, if Italy's ruling elite continued the tradition of viewing Paris as a model of sophistication and good taste, millions of lowly-educated Italians began to dream of America, and many bought a transatlantic ticket to migrate there. By the ...
Charlie Chaplin
Provides a unique biography of Charlie Chaplin, focusing on Chaplin as a political figure, providing students with a fuller picture of the film maker by looking beyond his films. Allows students to see how Chaplin used his films as political criticisms of the Great Depression and the wars of the 20th century, enabling students to see why his films were controversial and the impact Chaplin had on popular opinion. Looks not just at the life of Charlie Chaplin but the culture and politics of the 20th century, enabling students of film history, cultural history and of 20th century history to broaden their focus and offer new ideas for assignments.
Language Learning in Academic Museums
This book is a compilation of case studies and analyses that can be used as a resource guide for college and university professors of foreign language and academic museum educators collaborating to develop new pedagogical approaches to teaching foreign language with and through objects in the academic museum. As institutions of higher education respond to the needs of an increasingly global and interconnected world, their educational missions prioritize learning in areas such as interdisciplinary thinking, collaboration, intercultural competency, and global citizenship. Academic museums are uniquely poised to facilitate learning experiences in these areas, providing institutions with an essential platform for realizing their larger mission.
Gender and the Great War
The centenary of the First World War in 2014-18 offers an opportunity to reflect upon the role of gender history in shaping our understanding of this pivotal international event. From the moment of its outbreak, the gendered experiences of the war have been seen by contemporary observers and postwar commentators and scholars as being especially significant for shaping how the war can and must be understood. The negotiating of ideas about gender by women and men across vast reaches of the globe characterizes this modern, instrumental conflict. Over the past twenty-five years, as the scholarship on gender and this war has grown, there has never been a forum such as the one presented here that ...
Outskirts
"Outskirts is an edited volume from sociology scholars that addresses the complexity of the queer experience in diverse spaces, places, and identities in the United States"--
Adventure Capital
Paris’s Gare du Nord is one of the busiest international transit centers in the world. In the past three decades, it has become an important hub for West African migrants—self-fashioned adventurers—navigating life in the city. In this groundbreaking work, Julie Kleinman chronicles how West Africans use the Gare du Nord to create economic opportunities, confront police harassment, and forge connections to people outside of their communities. Drawing on ten years of ethnographic research, including an internship at the French national railway company, Kleinman reveals how racial inequality is ingrained in the order of Parisian public space. She vividly describes the extraordinary ways th...
Bending Genre
Ever since the term "creative nonfiction" first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. This debate over ethics, however, has sidelined important questions of literary form. Bending Genre does not ask where the boundaries between genres should be drawn, but what happens when you push the line. Written for writers and students of creative writing, this collection brings together perspectives from today’s leading writers of creative nonfiction, including Michael Martone, Brenda Miller, Ander Monson, and David Shields. Each writer’s innovative essay probes our notions of genre and investigates how creative nonfiction is shaped, modeling the forms of writing being discussed. Like creative nonfiction itself, Bending Genre is an exciting hybrid that breaks new ground.
Harry Clarke’s War
Ireland’s Memorial Records, 1914-1918 contain the names of 49,435 enlisted men who were killed in the First World War. Commissioned in 1919 by the Lord Lieutenant of Ireland and published in 100 eight-volume sets, the Records are notable for stunning and elaborate page decorations by celebrated Irish illustrator Harry Clarke. Drawing from published and unpublished sources, Marguerite Helmers’ ground-breaking study provides a fascinating insight into the work of Harry Clarke as an extraordinary war artist and examines the process that led to the Records being commissioned through to the eventual placement of the Records within the Irish National War Memorial at Islandbridge, Dublin. With Harry Clarke’s illustrations taking center stage in the story, the Records and their genesis are of vital importance to our understanding of how art and commemoration can come together in a powerful visual creation.
