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Of Comics and Men
Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations of the latest innovations, particularly the graphic novel. The book is organized into three sections: a concis...
Masters of American Comics
Presents the work of America's most popular and influential comic artists, and includes critical essays accompanying each artist's drawings.
Comic Book Nation
A history of comic books from the 1930s to 9/11.
SCREWBALL! The Cartoonists Who Made the Funnies Funny
The story of screwball comics, with new research and rare art from some of the most hilarious cartoonists of all time. Before "screwball" became a movie genre, it was a staple of other forms of American culture, including newspaper comic strips. Emerging from the pressures of a rapidly accelerating technological and information-drenched society, screwball comics offered a healthy dose of laughter and perspective. The disruptive, manic, and surreal verbal-visual comedy of these "funnies" fostered an absurdist sensibility embraced by The Marx Brothers (who took their names from a popular comic strip), W. C. Fields, Tex Avery, Spike Jones, Ernie Kovacs, and Mad magazine. Comics scholar Paul C. ...
Cartoon America
Like jazz and baseball, cartoons are an indelible, indigenous part of American culture. "Cartoon America" celebrates 250 years of American cartooning with an unprecedented selection of original art by the best, most accomplished creators in the history of comics illustration. Illustrations.
Pulp Empire
"Paul Hirsch's revelatory book opens the archives to show the complex relationships between comic books and American foreign relations in the mid-twentieth century. Scourged and repressed on the one hand, yet co-opted and deployed as propaganda on the other, violent, sexist comic books were both vital expressions of American freedom and upsetting depictions of the American id. Hirsch draws on previously classified material and newly available personal records to weave together the perspectives of government officials, comic-book publishers and creators, and people in other countries who found themselves on the receiving end of American culture"--
American Newspaper Comics
The most comprehensive guide to U.S. newspaper comics ever published
The American Comic Book
The popular American comic book is considered in this volume of Critical Insights. From their creation in the 1930s to the widespread popularity of comic book heroes today, this literary form continues to delight and entertain readers. This volume offers a collection of original essays that will establish for students and their teachers an exemplary representation of American comics as a field of study within American literature.
King of the Comics: One Hundred Years of King Features Syndicate
Krazy Kat! Popeye! Flash Gordon! Beetle Bailey! Blondie! Prince Valiant! Hagar the Horrible! Barney Google and Snuffy Smith! Baby Blues! Mutt & Jeff! Zits! Juliet Jones! Buz Sawyer! Steve Canyon! Bizarro! Hi & Lois! Maggie & Jiggs! Johnny Hazard! There are simply too many to list because King Features has had a more illustrious and long-lasting history than any newspaper syndicate, even as it continues to lead the way into the digital age and beyond. This book is a centennial birthday bash hosted by Dean Mullaney, Bruce Canwell, and Brian Walker, with contributions by Brendan Burford, Lucy Shelton Caswell, Jared Gardner, Ron Goulart, Jeffrey Lindenblatt, Carl Linich, Paul Tumey, and Germund ...
Chuck Jones: the Dream That Never Was
Chuck Jones is best known as the Academy Award-winning director of Duck Amuck, Rabbit of Seville, Dr. Seuss's How the Grinch Stole Christmas and other timeless classics. He created dozens of cartoon characters throughout his decades-long career. Pepé Le Pew, Marvin the Martian, Road Runner & Wile E. Coyote, and the star-crossed Crawford, an accident-prone nine-year-old boy who starred in his very own comic strip. This book follows Chuck Jones's twenty-seven-year journey to bring Crawford to the public, from conception to storyboard to newspaper strip. This incredible volume is replete with never-before-seen sketches, drawings, storyboards, and production notes, and the six-month run of the 1978 Crawford comic strip.
