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Of Comics and Men
Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations of the latest innovations, particularly the graphic novel. The book is organized into three sections: a concis...
SCREWBALL! The Cartoonists Who Made the Funnies Funny
The story of screwball comics, with new research and rare art from some of the most hilarious cartoonists of all time. Before "screwball" became a movie genre, it was a staple of other forms of American culture, including newspaper comic strips. Emerging from the pressures of a rapidly accelerating technological and information-drenched society, screwball comics offered a healthy dose of laughter and perspective. The disruptive, manic, and surreal verbal-visual comedy of these "funnies" fostered an absurdist sensibility embraced by The Marx Brothers (who took their names from a popular comic strip), W. C. Fields, Tex Avery, Spike Jones, Ernie Kovacs, and Mad magazine. Comics scholar Paul C. ...
Masters of American Comics
Presents the work of America's most popular and influential comic artists, and includes critical essays accompanying each artist's drawings.
American Comics: A History
The sweeping story of cartoons, comic strips, and graphic novels and their hold on the American imagination. Comics have conquered America. From our multiplexes, where Marvel and DC movies reign supreme, to our television screens, where comics-based shows like The Walking Dead have become among the most popular in cable history, to convention halls, best-seller lists, Pulitzer Prize–winning titles, and MacArthur Fellowship recipients, comics shape American culture, in ways high and low, superficial, and deeply profound. In American Comics, Columbia professor Jeremy Dauber takes readers through their incredible but little-known history, starting with the Civil War and cartoonist Thomas Nast...
American Newspaper Comics
The most comprehensive guide to U.S. newspaper comics ever published
Pulp Empire
"Paul Hirsch's revelatory book opens the archives to show the complex relationships between comic books and American foreign relations in the mid-twentieth century. Scourged and repressed on the one hand, yet co-opted and deployed as propaganda on the other, violent, sexist comic books were both vital expressions of American freedom and upsetting depictions of the American id. Hirsch draws on previously classified material and newly available personal records to weave together the perspectives of government officials, comic-book publishers and creators, and people in other countries who found themselves on the receiving end of American culture"--
Cartoon America
Like jazz and baseball, cartoons are an indelible, indigenous part of American culture. "Cartoon America" celebrates 250 years of American cartooning with an unprecedented selection of original art by the best, most accomplished creators in the history of comics illustration. Illustrations.
Demanding Respect
From pulp comics to Maus, the story of the growth of comics in American culture.
The New Mutants
2017 The Association for the Studies of the Present Book Prize Finalist Mention, 2017 Lora Romero First Book Award Presented by the American Studies Association Winner of the 2012 CLAGS Fellowship Award for Best First Book Project in LGBT Studies How fantasy meets reality as popular culture evolves and ignites postwar gender, sexual, and race revolutions. In 1964, noted literary critic Leslie Fiedler described American youth as “new mutants,” social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mu...
The Classic Era of American Comics
The classic era takes us from the 1930s to the 1950s and the decline that set in with the self-censorship imposed on the publishers by Congress and the churches. This tells the story of the publishers, the artists and the industry--its successes and its disasters, its worth as an art form and the fears its excesses provoked.
