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"We translate what American women write, they never translate our texts," wrote Helene Cixous almost two decades ago. Her complaint about the unavailability of French feminist writing in English has long since been rectified, but the situation for feminist writing by German-speaking philosophers remains today what it was then. This pioneering collection takes a giant step forward to overcoming this handicap, revealing the full richness and variety of feminist critique ongoing in this linguistic community. The essays offer fresh readings of thinkers from the Enlightenment to the present, including those often discussed by feminists everywhere--such as Freud, Habermas, Hegel, Kant, and Rousseau--as well as some less subjected to feminist critique such as Benjamin and Weininger. In their Introduction the editors provide the context for understanding both how these essays fit into the larger picture of developing feminist theory and what makes their contribution in some ways distinctive.
From Perfectibility to Perversion: Meliorism in Eighteenth-Century France traces the evolution of human perfectibility discourse during the second half of the eighteenth century and the early post-Revolutionary era in France. Examining key articulations of Enlightenment meliorism as it shifts between open-ended models of human perfectibility and «fixist» conceptions of the human body, this book will appeal to a range of specialists because it draws on a variety of primary sources, from Buffon and Rousseau to important medical theorists of the pre- and post-Revolutionary period, and juxtaposes seemingly disparate domains of inquiry in informative and provocative fashion.
Madame Necker occupies a unique position in French social and cultural history. This study breaks new ground by examining the profoundly corporeal nature of Madame Necker’s life – her debilitating, decades-long psychic and somatic suffering and subsequent curious death.
In 18th century France, letter writing became extremely fashionable, particularly amongst women. In this work, Dena Goodman opens up the world of these women though the letters which they wrote. Concentrating on the letters of four women from different social backgrounds, she shows how they came to womanhood through their writing.
In Eyes of Love, Stephen Kern offers a bold reinterpretation of women in art and literature.
This study looks at the lives of the most famous "wild children" of eighteenth-century Europe, showing how they open a window onto European ideas about the potential and perfectibility of mankind. Julia V. Douthwaite recounts reports of feral children such as the wild girl of Champagne (captured in 1731 and baptized as Marie-Angélique Leblanc), offering a fascinating glimpse into beliefs about the difference between man and beast and the means once used to civilize the uncivilized. A variety of educational experiments failed to tame these feral children by the standards of the day. After telling their stories, Douthwaite turns to literature that reflects on similar experiments to perfect hu...
Why do we eat? Is it instinct? Despite the necessity of food, anxieties about what and how to eat are widespread and persistent. In Appetite and Its Discontents, Elizabeth A. Williams explores contemporary worries about eating through the lens of science and medicine to show us how appetite—once a matter of personal inclination—became an object of science. Williams charts the history of inquiry into appetite between 1750 and 1950, as scientific and medical concepts of appetite shifted alongside developments in physiology, natural history, psychology, and ethology. She shows how, in the eighteenth century, trust in appetite was undermined when researchers who investigated ingestion and di...
Chronicles the emergence of an idealized mother figure whose reforming zeal sought to make French society more just. This book contends that this attempt during the eighteenth century to rewrite social relations in terms of greater social equality represents an important but overlooked strand of Enlightenment thought.
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
This is the first publication devoted to Hirst's oils and watercolors and her transformation of the still life painting through the creation of works that appeal to both men and women, contrasting with her male contemporaries who painted primarily for a male audience. 72 colour& 29 b/w illustrations