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Helsinki in Early Twentieth-Century Literature
Literary Helsinki: a city of leisure and light, divided along the fault lines of gender, class and language; a dizzying and dazzling threshold of modernity; alienating, mesmerizing and endearing. This first monograph to examine experiences of Helsinki in literature written in Finnish shows that rich descriptions of urban life have formed an integral part of Finnish literature from the late nineteenth century onward. Based on an analysis of more than sixty novels and collections of short stories, it tells the naturally evolving story of how Helsinki was experienced in literature.
Narrative in Urban Planning
What do planners need to know in order to use narrative approaches responsibly in their practice? This practical field guide makes insights from narrative research accessible to planners through a glossary of key concepts in the field of narrative in planning. What makes narratives coherent, probable, persuasive, even necessary - but also potentially harmful, manipulative and divisive? How can narratives help to build more sustainable, resilient, and inclusive communities? The authors are literary scholars who have extensive experience in planning practice, training planning scholars and practitioners or advising municipalities on how to harness the power of stories in urban development.
The Narrative Turn in Urban Planning
Narratives, in the context of urban planning, matter profoundly. Planning theory and practice have taken an increasing interest in the role and power of narrative, and yet there is no comprehensive study of how narrative, and concepts from narrative and literary theory more broadly, can enrich planning and policy. The Narrative Turn in Urban Planning addresses this gap by defining key concepts such as story, narrative, and plot against a planning backdrop, and by drawing up a functional typology of different planning narratives. In two extended case studies from the planning of the Helsinki waterfront, it applies the narrative concepts and theories to a broad range of texts and practices, considering ways toward a more conscious and contextualized future urban planning. Questioning what is meant when we speak of narratives in urban planning, and what typologies we can draw up, it presents a threefold taxonomy of narratives within a planning framework. This book will serve as an important reference text for upper-level students and researchers interested in urban planning.
The Routledge Companion to Literary Urban Studies
Over the past decades, the growing interest in the study of literature of the city has led to the development of literary urban studies as a discipline in its own right. The Routledge Companion to Literary Urban Studies provides a methodical overview of the fundamentals of this developing discipline and a detailed outline of new directions in the field. It consists of 33 newly commissioned chapters that provide an outline of contemporary literary urban studies. The Companion covers all of the main theoretical approaches as well as key literary genres, with case studies covering a range of different geographical, cultural, and historical settings. The final chapters provide a window into new ...
Helsinki in Early Twentieth-Century Literature
Helsinki in Early Twentieth-Century Literature analyses experiences of the Finnish capital in prose fiction published in Finnish in the period 1890–1940. It examines the relationships that are formed between Helsinki and fictional characters, focusing, especially, on the way in which urban public space is experienced. Particular attention is given to the description of movement through urban space. The primary material consists of a selection of more than sixty novels, collections of short stories and individual short stories. This study draws on two sets of theoretical frameworks: on the one hand, the expanding field of literary studies of the city, and on the other hand, concepts provide...
Parkour and the City
In the increasingly popular sport of parkour, athletes run, jump, climb, flip, and vault through city streetscapes, resembling urban gymnasts to passersby and awestruck spectators. In Parkour and the City, cultural sociologist Jeffrey L. Kidder examines the ways in which this sport involves a creative appropriation of urban spaces as well as a method of everyday risk-taking by a youth culture that valorizes individuals who successfully manage danger. Parkour’s modern development has been tied closely to the growth of the internet. The sport is inevitably a YouTube phenomenon, making it exemplary of new forms of globalized communication. Parkour’s dangerous stunts resonate, too, Kidder contends, with a neoliberal ideology that is ambivalent about risk. Moreover, as a male-dominated sport, parkour, with its glorification of strength and daring, reflects contemporary Western notions of masculinity. At the same time, Kidder writes, most athletes (known as “traceurs” or “freerunners”) reject a “daredevil” label, preferring a deliberate, reasoned hedging of bets with their own safety—rather than a “pushing the edge” ethos normally associated with extreme sports.
Turning Points
At times of crisis and revolution such as ours, diagnoses of crucial junctures and ruptures – ‘turning points’ – in the continuous flow of history are more prevalent than ever. Analysing literary, cinematic and other narratives, the volume seeks to understand the meanings conveyed by different concepts of turning points, the alternative concepts to which they are opposed when used to explain historical change, and those contexts in which they are unmasked as false and over-simplifying constructions. Literature and film in particular stress the importance of turning points as a sensemaking device (as part of a character’s or a community’s cultural memory), while at the same time unfolding the constructive and hence relative character of turning points. Offering complex reflections on the notion of turning points, literary and filmic narratives are thus of particular interest to the present volume.
The Place It Was Done
Locations play an important role in every story, but in British and American contemporary crime fiction, they are often inextricable from the narrative. This work examines the city, the countryside and the wilderness as places ripe with literary significance and symbolism. Using works by authors like Robert Galbraith, Ian Rankin, Denise Mina, Chris Brookmyre, John Knox, Peter Robinson, Linda Barnes, Dana Stabenow, Nevada Barr, Les Roberts, Philip R. Craig, and others, this work offers a fresh assessment of how place and space are employed in contemporary crime fiction. Highlighted are similarities and differences among the authors' approaches to setting, and how they relate to the history of crime fiction and to the general literary representation of place. Going beyond mere literary geography, the book engages the sociocultural dimensions of the communities affected by crime. Chapters also analyze the reader's perception, recognition and appreciation of place and community.
In the Vanguard of Cultural Transfer
Cover -- Table of contents -- Preface -- In the Vanguard of Cultural Transfer -- Spread the Word. Arne and Hulda Garborg as Cultural Transmitters of Nynorsk -- Marie-Elisabeth Belpaire and Dina Logeman-Van der Willigen: Two Cultural Transmitters in Flanders - in the Same Literary Field? -- Greta Baars-Jelgersma, Cora Sandel and the Dutch Literary Field, 1925-1950. Aspects of Cross-national Literary Transfer -- 'There is Always an Invisible Reader ... ' The Swedish Critic Margit Abenius and the Making of a Female Cultural Transmitter -- Walking the Streets of Helsinki. The Flâneur in Early Finnish Prose Literature -- One Nation - Two Literatures? From Finnish to Swedish: Some Themes in the Translation of Finnish Literature into Swedish, 1900-1950 -- About the Authors -- Bibliography -- Index
Shattering Minds
This study offers a new perspective on unusual and unsettling experiences that are often interpreted as “mental illnesses” and on the techniques through which literary representations invite readerly responses and engagement. The book examines how four Finnish modernist writers, Helvi Hämäläinen, Jorma Korpela, Timo K. Mukka, and Maria Vaara, construct experiences of shattering and distress as bodily experiences that are embedded in the social and material world and entangled with social and cultural norms that govern subjectivity, gender, and sexuality. Drawing on narrative theory, theories of embodied cognition, phenomenology of illness, and feminist theory, the analyses show how literary works can invite readers to respond emotionally and to reflect on our views of the human mind and its interaction with the world. The book sheds light on the fictional portrayals and techniques of representation and on the ethics of narrating and reading about painful experiences. It also illuminates the ways the mind, body, consciousness, and mental distress are discussed in Finnish modernist literature and situates the texts in the international modernist tradition.
