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Beyond "Life is Beautiful"
Russo Bullaro's collection focuses on Benigni's Oscar winning La vita e bella/Life is Beautiful, a film which has set off continuous and often bitter debate about Holocaust representation and historical consciousness. The topics covered in Russo Bullaro's collection offer insights from critics around the world in a forum for the consideration of the wider issues that Benigni's films provoke.
Life is Beautiful, But Not for Jews
Roberto Benigni's romantic comedy Life is Beautiful enjoyed tremendous success everywhere it was shown. In addition to winning almost every possible film award, including three Oscars, lavish praise and film reviews, it grossed over a quarter of a billion dollars—the most profitable Italian movie ever. Very few have questioned the movie—until now. With sharp, uncompromising logic and eye-opening insight, Niv analyzes the film and its script scene-by-scene to show why Life is Beautiful is very far from being the innocent, charming, and heartwarming film it appears to be. The author argues that the film not only lends support to the central arguments of Holocaust deniers, but is actually a...
Life is Beautiful/La Vita E Bella
This romantic, hilarious, and astonishingly moving story, winner of the Grand Jury prize at the 1998 Cannes Film Festival, explores the power of the imagination, set against the stark reality of World War II Europe. The companion screenplay to the Miramax film presents the profound yet tender story that has touched the hearts of so many.
Life is Beautiful
Winner of the Best Picture at the 1998 European Film Awards and the Grand Jury Prize at the 1998 Cannes Film Festival.'A masterpiece. Romantic, hilarious, and astonishingly moving.' Chicago Tribune1939: Guido, an Italian Jew, comes to a Tuscan town in search of his fortune. He meets and is smitten by schoolteacher Dora, a gentile; but she is already engaged, to a local Fascisto. Nevertheless, Dora is wooed and won by Guido's clownish charm. But the shadow of bigotry threatens to fall across their happiness.1945: Guido and Dora are married, with a son, Giosue. For all Guido's sunny disposition, he cannot ignore the fact that anti-Semitism has become iron law, and he and Giosue are sent to a concentration camp. Begging to be sent with them, Dora is instead confined in an adjoining all-female camp. In the darkest of hours, Guido desperately falls back upon his comedic gift, to try to shield his son from the abysmal fate confronting them. His clowning may be their only hope of survival . . .
Liberty Lady
LIBERTY LADY is the true story of a WWII bomber and its crew forced to land in neutral Sweden during the Eighth Air Force's first large-scale daylight bombing raid on Berlin. 1st Lt. Herman Allen was interned and began working for his country's espionage agency, the OSS, with instructions to befriend a businessman suspected of selling secrets to the Germans. Soon Herman fell in love with a beautiful Swedish-American secretary working for the OSS, their courtship unfolding amid the glamour and intrigue of wartime Stockholm. As Swedish newspapers trumpeted one of the biggest spy scandals of the war, two of the main protagonists walked down the aisle in a storybook wedding presided over by the nephew of the King of Sweden.
The Film That Changed My Life
The movie that inspired filmmakers to direct is like the atomic bomb that went off before their eyes. The Film That Changed My Life captures that epiphany. It explores 30 directors' love of a film they saw at a particularly formative moment, how it influenced their own works, and how it made them think differently. Rebel Without a Cause inspired John Woo to comb his hair and talk like James Dean. For Richard Linklater, “something was simmering in me, but Raging Bull brought it to a boil.” Apocalypse Now inspired Danny Boyle to make larger-than-life films. A single line from The Wizard of Oz--“Who could ever have thought a good little girl like you could destroy all my beautiful wickedness?”--had a direct impact on John Waters. “That line inspired my life,” Waters says. “I sometimes say it to myself before I go to sleep, like a prayer.” In this volume, directors as diverse as John Woo, Peter Bogdanovich, Michel Gondry, and Kevin Smith examine classic movies that inspired them to tell stories. Here are 30 inspired and inspiring discussions of classic films that shaped the careers of today's directors and, in turn, cinema history.
Comparison between "When Hitler Stole Pink Rabbit" and "Life Is Beautiful"
Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Stuttgart (Institut für Literaturwissenschaft/ Neuere Englische Literatur), course: Introduction to Children's Literature, 7 entries in the bibliography, language: English, abstract: In the following pages I want to show the similarities and differences between the book “When Hitler Stole Pink Rabbit” by Judith Kerr and Roberto Benigni’s film “Life Is Beautiful”. These two personal statements of Judith Kerr and Roberto Benigni already show that their works are a bit different. Therefore I will concentrate both as well on the shared features as on the dist...
The Negro Motorist Green Book
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.
Information is Beautiful
Miscellaneous facts and ideas are interconnected and represented in a visual format, a "visual miscellaneum," which represents "a series of experiments in making information approachable and beautiful" -- from p.007
The Wes Anderson Collection: The French Dispatch
The official behind-the-scenes companion to The French Dispatch and the latest volume in the bestselling Wes Anderson Collection series The French Dispatch—the tenth feature film from writer-director Wes Anderson—is a love letter to journalists set at the titular American newspaper in the fictional 20th-century French city of Ennui-sur-Blasé. The film stars a number of Anderson's frequent collaborators, including Bill Murray as the newspaper's editor in chief; Owen Wilson, Tilda Swinton, and Frances McDormand, as well as new players Jeffrey Wright, Benicio del Toro, Elisabeth Moss, and Timothée Chalamet, who bring to life a collection of stories published in The French Dispatch magazin...
