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Metodologias e subjetividades
Esta obra surge a partir das discussões e relatos de experiências produzidos no âmbito da disciplina “Laboratório de métodos para compreensão da Cultura e Subjetividade”, ocorrida entre agosto e outubro de 2021, em período pandêmico e por este motivo realizada online. Diante de tal situação a intenção foi pensar em como a academia, e, mais especificamente, as metodologias poderiam abrir espaço para a exposição das subjetividades. As trocas no decorrer da disciplina foram repletas de afeto e aconchego e ainda que não houvesse o contato físico tudo ficou marcado nas subjetividades dos autores e organizadoras de maneira muito profunda. E é parte disso que esta obra pretende trazer ao leitor.
Sodoma
None
Metodologias e subjetividades
Esta obra surge a partir das discussões e relatos de experiências produzidos no âmbito da disciplina “Laboratório de métodos para compreensão da Cultura e Subjetividade”, ocorrida entre agosto e outubro de 2021, em período pandêmico e por este motivo realizada online. Diante de tal situação a intenção foi pensar em como a academia, e, mais especificamente, as metodologias poderiam abrir espaço para a exposição das subjetividades. As trocas no decorrer da disciplina foram repletas de afeto e aconchego e ainda que não houvesse o contato físico tudo ficou marcado nas subjetividades dos autores e organizadoras de maneira muito profunda. E é parte disso que esta obra pretende trazer ao leitor.
Lilian
In this gripping novel from British author Arnold Bennett, a pretty young typist yearns for adventure and excitement. When her odious employer attempts to seduce her with flattery and promises of a luxurious life together, Lilian takes the plunge. Will she be able to extract herself from his control and regain the content, normal life she once disdained?
Art Books
Expanded to twice as many entries as the 1985 edition, and updated with new publications, new editions of previous entries, titles missed the first time around, more of the artists' own writings, and monographs that deal with significant aspects or portions of an artist's work though not all of it. The listing is alphabetical by artist, and the index by author. The works cited include analytical and critical, biographical, and enumerative; their formats range from books and catalogues raisonnes to exhibition and auction sale catalogues. A selection of biographical dictionaries containing information on artists is arranged by country. Annotation copyrighted by Book News, Inc., Portland, OR
Women behind bars from Alfonsina to Sophia Loren
Protagonists of the book are twelve women who tell their personal stories and their dramas from their jails. They were compelled to fight against me, who had betrayed or disappointed them, against social injustices or against hardship of life. From their words, their sad existential events come up, of which there had been protagonists. The resulting picture is a deep humanity. Some of these women had made serious crimes, while others had met the evil, but all of them can be considered victims of society, of prejudices, of misery. Their tragic stories touch the heart and come deep into the soul of the reader. A different chapter is the story of Sophia Loren’s detention, who, in 1982, was prisoned in the jail of Caserta for seventeen days, because of tax evasion. The media hype, rose up by our special guest, brought a spot of colour inside the grey life of the jail.
Lilian
"[...]experienced an ordeal to which she ought not to have been exposed and to which no girl ought to have been exposed. Miss Grig again! It was Miss Grig, not Felix, who had sneered at hold-ups. There had been no hold-up, but there might have been a hold-up, and, in any case, she had passed through the worst sensations of a hold-up. Scandalous! Anxious to be effective, she took up the typing of a novel which had been sent in by one of their principal customers, a literary agency, and tried to tap as prosaically as if the hour were 11.30 A.M. instead of 11.30 P.M. Bravado! She knew that she would have to do the faulty sheet again; but she must impress Felix. Then she heard Felix calling from the principals' room: "Miss Share. Miss Share!" A little impatient as usual. "Yes, Mr. Grig." She rushed to the mirror and patted herself with the tiny sponge that under Miss Grig's orders was supposed to be employed for wetting postage stamps--but never was so employed save in Miss Grig's presence.[...]".
