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The invisibilization of political violence, its material traces, and spatial manifestations, characterizes conflict and post-conflict situations. Yet, artists, writers, and human rights activists increasingly seek to challenge this invisibility, contesting the related historical amnesia through counter-semantics and dissonant narratives. Adopting "performance" as a concept that is defined by repetitive, aesthetic practices--such as speech and bodily habits through which both individual and collective identities are constructed and perceived--this collection addresses various forms of performing human rights in transitional situations in Spain, Latin America, and the Middle East. Bringing scholars together with artists, writers, and curators, and working across a range of disciplines, Performing Human Rights addresses these instances of omission and neglect, revealing how alternate institutional spaces and strategies of cultural production have intervened in the processes of historical justice and collective memory.
A provocative exploration of photography's relationship to capitalism, from leading theorists of visual culture. Photography was invented between the publication of Adam Smith's The Wealth of Nations and Karl Marx and Frederick Engels's The Communist Manifesto. Taking the intertwined development of capitalism and the camera as their starting point, the essays in Capitalism and the Camera investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism's violence--and if so, how? Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource ext...
Parallel to the abolition of Atlantic slavery, new forms of indentured labour stilled global capitalism's need for cheap, disposable labour. The famous 'coolie trade' - mainly Asian labourers transferred to French and British islands in the Indian Ocean, Australia, Indonesia, South Africa, the Caribbean, the Americas, as well as to Portuguese colonies in Africa - was one of the largest migration movements in global history. Indentured contract workers are perhaps the most revealing example of bonded labour in the grey area between the poles of chattel slavery and 'free' wage labour. This interdisciplinary volume addresses historically and regionally specific cases of bonded labour relations from the 18th century to sponsorship systems in the Arab Gulf States today.
This interdisciplinary book brings into dialogue research on how different fluids and bodies of water are mobilised as liquid ecologies in the arts in Latin America and the Caribbean. Examining the visual arts, including multimedia installations, performance, photography and film, the chapters place diverse fluids and systems of flow in art historical, ecocritical and cultural analytical contexts. The book will be of interest to scholars of art history, cultural studies, environmental humanities, blue humanities, ecocriticism, Latin American and Caribbean studies, and island studies. Chapter 7 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com
Religions often nurture important skills that help believers locate themselves in the world. Religious perceptions, practices, emotions, and beliefs are closely interwoven with the environments from which they emerge. Sigurd Bergmann's driving emphasis here is to explore religion not in relation to, but as a part of the spatiality and movement within the environment from which it arises and is nurtured.Religion, Space, and the Environment emerges from the author's experiences in different places and continents over the past decade. At the book's heart lie the questions of how space, place, and religion amalgamate and how lived space and lived religion influence each other.Bergmann explores how religion and the memory of our past impact our lives in urban spaces; how the sacred geographies in Mayan and northeast Asian lands compare to modern eco-spirituality; and how human images and practices of moving in, with, and through the land are interwoven with the processes of colonization and sacralising, and the practices of power and visions of the sacred, among other topics.
Las fotografías suponen una particular forma de conocer la realidad social, pero también de crearla, entiende la historiadora Inés Yujnovsky en la introducción de este libro que, en vez de considerar la fotografía como reflejo de la realidad apunta a confrontar esas ideas y abordar este lenguaje como un agente de transformación. Este volumen, que reúne trabajos de los más importantes especialistas de América, estudia el impacto de la imagen fotográfica en la sociedad y de qué modo, a su vez, los procesos culturales, políticos o económicos influyeron en las maneras de comprender, producir y hacer vincular las imágenes. Como lo sugiere el título, este libro se propone recoger al...
¿Pueden las imágenes incidir en la historia? ¿Son fieles evidencia del pasado? Esta compilación aparece frente al renovado interés de la disciplina histórica y las ciencias humanas por interpretar las fuentes visuales como producciones intencionalmente elaboradas y difundidas tanto en momentos como en espacios particulares. Alejándose de la vista inocente y contemplativa, los autores del libro proponen, desde sus contribuciones, situar la función social de las imágenes en el centro de sus análisis de caso, los cuales abarcan un amplio conjunto de procesos latinoamericanos ocurridos entre los siglos XIX y XXI en países como Chile, Brasil, Perú, Colombia y Argentina. De esta manera...
Even seventy-five years after the end of World War II, the commemorative cultures surrounding the War and the Holocaust in Central, Eastern and South Eastern Europe are anything but fixed. The fierce debates on how to deal with the past among the newly constituted nation states in these regions have already received much attention by scholars in cultural and memory studies. The present volume posits that literature as a medium can help us understand the shifting attitudes towards World War II and the Holocaust in post-Communist Europe in recent years. These shifts point to new commemorative cultures shaping up ‘after memory’. Contemporary literary representations of World War II and the ...
En esta densa y bella reflexión, Jens Andermann nos introduce en la lógica del trance, una forma de nombrar al nudo borromeo que enlaza el espacio y tiempo del sujeto con el de la comunidad, ambos escindidos por violentos desplazamientos e hiatos temporales. Así persigue un objeto desvaneciente que, hacia adelante, se dirige al hiperobjeto, el in-mundo postnatural, pero que, retrospectivamente, puede ser leído como el trazado de una historia natural del antropoceno. En la perspectiva del autor, se trata del relato de un repliegue, doblez del arte en relación a su marco institucional, y desdoblamiento de modos anteriores de postulación estética del mundo como "paisaje". El ambiente sur...
The volume "Environmental Ethics: Cross-cultural Explorations" places cross-cultural study at the center of inquiry. The cross-culturally rich explorations collected in this volume seek to critically examine some theoretical assumptions driving current debates in the field like anthropocentrism, individualism etc. In addition, they also endeavor to develop an integrative approach which can better channel ways in which current global challenges to the environment can be met.