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The Musical World of Alan Hovhaness
This book covers the creative work of one of the most prolific and prominent American-Armenian composers, Alan Hovhaness, in the context of East-West cultural interactions. It exposes characteristic features of different branches of Armenian monophonic music, traces modal structures, genre implications and allusions of Indian, Japanese, Korean musical traditions mirrored in his works. Through the analysis of his “multi-voiced” Eastern compositions, his complex musical identity is evaluated with a special emphasis on the manifestation of the phenomenon of “Armenian-ness”.
An Armenian Mediterranean
This book rethinks the Armenian people as significant actors in the context of Mediterranean and global history. Spanning a millennium of cross-cultural interaction and exchange across the Mediterranean world, essays move between connected histories, frontier studies, comparative literature, and discussions of trauma, memory, diaspora, and visual culture. Contributors dismantle narrow, national ways of understanding Armenian literature; propose new frameworks for mapping the post-Ottoman Mediterranean world; and navigate the challenges of writing national history in a globalized age. A century after the Armenian genocide, this book reimagines the borders of the “Armenian,” pointing to a fresh vision for the field of Armenian studies that is omnivorously comparative, deeply interconnected, and rich with possibility.
Armenian Civil Society
This book analyzes Armenian civil society in the context of post-communist democratization. It explores persistent challenges to civic engagement under Armenia’s semi-authoritarian regime, and also highlights success stories of public mobilization and social impact. Drawing on a broad range of methods and empirical sources, the book provides a comprehensive overview of the re-emerging diversity of Armenian civil society: from formal organizations to spontaneous activism. It combines a country-level analysis of broad patterns in the country’s political culture with the life stories of individual agents of change, contrasting public apathy with young activists’ enthusiasm. By exploring mobilization strategies and narratives in Armenian civil society, the book provides valuable new insights into the roots of the mass public uprising in spring 2018.
The Music of Béla Bartók
The basic principles of progression and the means by which tonality is established in Bartók's music remain problematical to many theorists. Elliott Antokoletz here demonstrates that the remarkable continuity of style in Bartók's evolution is founded upon an all-encompassing system of pitch relations in which one can draw together the diverse pitch formations in his music under one unified set of principles.
The Musical World of Alan Hovhaness
This book covers the creative work of one of the most prolific and prominent American-Armenian composers, Alan Hovhaness, in the context of East-West cultural interactions. It exposes characteristic features of different branches of Armenian monophonic music, traces modal structures, genre implications and allusions of Indian, Japanese, Korean musical traditions mirrored in his works. Through the analysis of his "multi-voiced" Eastern compositions, his complex musical identity is evaluated with a special emphasis on the manifestation of the phenomenon of "Armenian-ness".
Applied Ethnomusicology
Applied ethnomusicology is an approach guided by principles of social responsibility, which extends the usual academic goal of broadening and deepening knowledge and understanding toward solving concrete problems and toward working both inside and beyond typical academic contexts (International Council for Traditional Music 2007). This edited volume is based on the first symposium of the ICTM’s Study Group on Applied Ethnomusicology in Ljubljana, Slovenia in 2008 that brought together more than thirty specialists from sixteen countries worldwide. It contains a Preface, an extensive Introduction, and twelve selected peer-reviewed articles by authors from Australia, Austria, Canada, Germany,...
Like Water on Stone
Based on actual events, this novel in verse relates the tale of siblings Sosi, Shahen, and Mariam who survive the Armenian genocide of 1915 by escaping from Turkey alone over the mountains.
Sounding the Dance, Moving the Music
Performing arts in most parts of Maritime Southeast Asia are seen as an entity, where music and dance, sound and movement, acoustic and tactile elements intermingle and complement each other. Although this fact is widely known and referenced, most scholarly works in the performing arts so far have either focused on "music" or "dance" rather than treating the two in combination. The authors in this book look at both aspects in performance, moreover, they focus explicitly on the interrelation between the two, on both descriptive-analytical and metaphorical levels. The book includes diverse examples of regional performing art genres from Indonesia, Malaysia and the Philippines. All case studies are composed from the perspective of the relatively new approach and field of ethno-choreomusicology. This particular compilation gives an exemplary overview of various phenomena in movement-sound relations, and offers for the first time a thorough study of the phenomenon that is considered essential for the performing arts in Maritime Southeast Asia - the inseparability of movement and sound.
