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Uygur Patronage in Dunhuang
This volume is about the long-neglected, but decisive influence of Uygur patrons on Dunhuang art in the tenth and eleventh centuries. Through an insightful introduction to the hitherto little-known early history and art of the Uygurs, the author explains the social and political forces that shaped the taste of Uygur patrons. The cultural and political effects of Sino-Uygur political marriages are examined in the larger context of the role of high-ranking women in medieval art patronage. Careful study of the iconography, technique and style sheds new light on important paintings in the collection of the British Museum in London, and the Musée national des Arts asiatiques-Guimet, in Paris, and through comparative analysis the importance of regional art centres in medieval China and Central Asia is explored. Richly illustrated with line drawings, as well as colour and black-and-white plates.
The Silk Road
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The Ruins of Kocho
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Buddhism in Central Asia II
The ERC-funded research project BuddhistRoad aims to create a new framework to enable understanding of the complexities in the dynamics of cultural encounter and religious transfer in pre-modern Eastern Central Asia. Buddhism was one major factor in this exchange: for the first time the multi-layered relationships between the trans-regional Buddhist traditions (Chinese, Indian, Tibetan) and those based on local Buddhist cultures (Khotanese, Uyghur, Tangut) will be explored in a systematic way. The second volume Buddhism in Central Asia II—Practice and Rituals, Visual and Materials Transfer based on the mid-project conference held on September 16th–18th, 2019, at CERES, Ruhr-Universität Bochum (Germany) focuses on two of the six thematic topics addressed by the project, namely on "practices and rituals", exploring material culture in religious context such as mandalas and talismans, as well as “visual and material transfer”, including shared iconographies and the spread of ‘Khotanese’ themes.
Transcending Patterns
In Transcending Patterns: Silk Road Cultural and Artistic Interactions through Central Asian Textiles, Mariachiara Gasparini investigates the origin and effects of a textile-mediated visual culture that developed at the heart of the Silk Road between the seventh and fourteenth centuries. Through the analysis of the Turfan Textile Collection in the Museum of Asian Art in Berlin and more than a thousand textiles held in collections worldwide, Gasparini discloses and reconstructs the rich cultural entanglements along the Silk Road, between the coming of Islam and the rise of the Mongol Empire, from the Tarim to Mediterranean Basin. Exploring in detail the iconographic transfer between different...
Hungry Ghosts
Preface -- Introduction: Mātsarya and the Malignancy of Meanness -- Hungry Ghosts through Images -- Technical Notes -- Translation: Avadānaśataka, Stories 41-50: 1. Sugar Mill: 41. Guḍaśālā -- 2. Food: 42. Bhaktam -- 3. Drinking Water: 43. Pānīyam -- 4. A Pot of Shit: 44. Varcaghaṭaḥ -- 5. Maudgalyāyana: 45. Maudgalyāyanaḥ -- 6. Uttara: 46. Uttaraḥ -- 7. Blind from Birth: 47. Jātyandhā -- 8. The Merchant: 48. Śreṣṭhī -- 9. Sons: 49. Putrāḥ -- 10. Jāmbāla: 50. Jāmbālaḥ -- Glossary -- Notes -- Bibliography -- Index -- About the Author.
The Wheel-Turner and His House
The recorded history of precolonial Burmese empire and the modern state of Myanmar starts with the kingdom of Bagan in the eleventh century. The oldest surviving written records and structures are from the reign of King Anawrahta (1044–1077). Anawrahta converted to Theravada Buddhism and created a vibrant Buddhist state in the Irrawaddy River basin. Anawrahta is a folk hero to this day in Myanmar and is widely credited as a charismatic and pious leader who consolidated various ethnic groups throughout the region into a single nation. The Wheel-Turner and His House traces the archaeological and historical record of Anawrahta and his seminal position in forming modern Myanmar, based on the f...
Embodied Dependencies and Freedoms
Have you ever thought about dependencies in Asian art and architecture? Most people would probably assume that the arts are free and that creativity and ingenuity function outside of such reliances. However, the 13 chapters provided by specialists in the fields of Asian art and architecture in this volume show, that those active in the visual arts and the built environment operate in an area of strict relations of often extreme dependences. Material artefacts and edifices are dependent on the climate in which they have been created, on the availability of resources for their production, on social and religious traditions, which may be oral or written down and on donors, patrons and the art m...
The Silk Road
The Silk Road is as iconic in world history as the Colossus of Rhodes or the Suez Canal. But what was it, exactly? It conjures up a hazy image of a caravan of camels laden with silk on a dusty desert track, reaching from China to Rome. The reality was different--and far more interesting--as revealed in this new history. In The Silk Road, Valerie Hansen describes the remarkable archeological finds that revolutionize our understanding of these trade routes. For centuries, key records remained hidden--sometimes deliberately buried by bureaucrats for safe keeping. But the sands of the Taklamakan Desert have revealed fascinating material, sometimes preserved by illiterate locals who recycled offi...
Buddhism in Central Asia III
The BuddhistRoad project has been creating a new framework to understand the dynamics of cultural encounter and religious transfer across premodern Eastern Central Asia. This framework includes a new focus on the complex interactions between Buddhism and non-Buddhist traditions and a deepening of the traditional focus on Buddhist doctrines between the 6th and 14th centuries, as Buddhism continued to spread along an ancient, local political-economic-cultural system of exchange, often referred to as the Silk Roads. This volume brings together world renowned experts to discuss these issues including Buddhism and Christianity, Islam, Daoism, Manichaeism, local indigenous traditions, Tantra etc. Contributors include: Daniel Berounský, Michal Biran, Max Deeg, Lewis Doney, Mélodie Doumy, Meghan Howard Masang, Yukiyo Kasai, Diego Loukota†, Carmen Meinert, Sam van Schaik, Henrik H. Sørensen, and Jens Wilkens.
